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 interviewed me last summer about Te Moana Meridian for Concerge 45. You can read our conversation “SAM HAMILTON EXORCIZ...
02/18/2024

interviewed me last summer about Te Moana Meridian for Concerge 45. You can read our conversation “SAM HAMILTON EXORCIZES THE COLONIAL SPECTERS OF A GLOBAL MONUMENT AND TURNS IT OCEANIC” as a PDF link in my bio. ### thanks for the convo Vo! Love you!!! ###

This my beloved grandma Grace. The first picture is one i took of her around 2012 in a park, proudly sporting her Free P...
01/11/2024

This my beloved grandma Grace. The first picture is one i took of her around 2012 in a park, proudly sporting her Free Palestine badge. The others are pictures she took in Gaza in the 1980’s and maybe the 90’s, featured some of the Palestinian friends, colleagues, and students she had during the 4 years she lived and worked there in the 80’s as a nurse (yes, a single white women, living - and loving living - in Gaza in the 80’s - deal with it) for the red cross, and subsiquient visits after that. She was a prolific traveler her whole life, and a few years back when she was about 98 (she’s 103 next month!) i asking her if she could go back to one place she’d visited, where would it be… the answer was immediate and uniquivocal: Gaza. She loved that place and so much, and friends and community she’d found there. She spent the remaining decades fighting for it too, even becoming a treasurer for a British wing of the Palestinian Liberation Organization. She’s been one of the brightest beacons of light in my life. A force of nature, love, critical awareness, creativity and criticality. I love her so much, and among all the other reasons for wanting to see and call for a free, liberated, and safe Palestine, is for her. 🇵🇸

What a fun and inspiring 48-hour whirlwind trip its been to come to Miami as a guest artist for National YoungArts Week ...
01/09/2024

What a fun and inspiring 48-hour whirlwind trip its been to come to Miami as a guest artist for National YoungArts Week and lead a brief session on interdisciplinary creative practice for thier incredible 2024 Classical Music and Writing cohort. It was somewhat of a chaotic mess (which was kinda half the point), but if i did my job right, the experience (which among the chaos included a few minutes of quiet, collective staring out the window in contemative observation) will begin to complicate any notions that creativity - and its applications in practice and/or profession - are, or should somehow be clean, predictable, or clear cut things. For a bunch of young artists who are more or less already firmly on track to “success” in their chosen trajectories, my hope is that, one day when they find the prescribed boxes that the world - specifically the creative industries - are constantly trying to conform around us begin to feel unconstructively limiting, the thorn i lodged in their proverbial sides can help them tap into the immortal wisdom of “Underground Resistence” - legendary pioneers of Detroit techno who, in thier epic, fierce, and generously reinforcing track, Transition, pronounced “people will say you cant mix this with that, to them i say… watch me”. Power to you all ❤️🥳🌎🐬

Its been quite a year. Good and bad. This little end of year card from the one and only Mack Mcfarland - filled with the...
12/28/2023

Its been quite a year. Good and bad. This little end of year card from the one and only Mack Mcfarland - filled with the most loveliest of messages from his Lewis & Clark College Contenporary Art Theory and Practice class students (who put up with me “guest lecturing” them for an hour or so recently) - is definitely a very delightful spot of warm fuzzies to close it out with. Thanks Mack😘, thanks Macks students! 🥳

Some more random Waimana / Te Moana Meridian libretto workshop moments including the best p**i’s (kinda clam) ive ever e...
11/27/2023

Some more random Waimana / Te Moana Meridian libretto workshop moments including the best p**i’s (kinda clam) ive ever eaten that Mere, Holland, and I picked out of the harbour, Holland performing for the marae whānau, lots and lots of walking in slow circles, chilly morning meetings over hot water and lemon, blankets of deep and velvety nighttime darkness, cute creatures, and and yeah, beautiful rainbows.

What an incredible pleasure and privilege to have spent a week with the phenomenally talented  & .andrews at Mere’s very...
11/27/2023

What an incredible pleasure and privilege to have spent a week with the phenomenally talented & .andrews at Mere’s very special Tauanui Marae in Waimana, Aotearoa NZ (Ngāi Tūhoe mana whenua). The week was focused on the final bilingual libretto (english and te reo Māori courtesy of the great ) for the final chapter of Te Moana Meridian as a major live opera performance work slated to premiere in late 2024 at in partnership with . Work that was only made possible thanks to the generous support of ’s essential catalytic funding for the project in 2022❤️🙏. Im so thankful for it, and to finally be embarking and this opera ive been dreaming of since late 2019. I’d also like to extend a huge thanks and infinite aroha to te Whakātane hāpu, the Boyntons, Te Poho o Tamatea, and the extended Tauanui marae whānau for the abundantly warm@and generous manaaki (and the whenua dor the delicous p**i and cockles!🤤). Arohanui and tīhei mauriora to you all💚. Thank you also to for the killer new gold costumes! ⭐️, and, of course, to Holland and Mere for your creative brilliance, care and generosity, friendship, and the massive dept of inspiration this work owes you both. The opera is going to be fierce as f**k because of you two. —- finally, an important note on context for all those non-NZ folx: yes, this portion of the project took place on indigenous Māori land; yes I have several Māori collaborators, and yes these things are important and respected dimensions of the work. But no, i am not Māori, and nor do i or the project reflect or represent te ao Māori in any way. There are many reasons underscoring all this, but the projects primary focus is in considering how to build better multilateral relational modalities to shape and render political and geopolitical policies through. Work that starts, and ends, with constructive engagement and collaboration. As my own default political and cultural background, the relational dynamics between Māori and pākehā (whities of colonial settler decent) offers a rich - albeit sticky - framework for launching such an inquiries

Here is there is everywhere
11/20/2023

Here is there is everywhere

Talking is so much fun! Thank you again ,  and Dr. Daniel Rosenberg for the incredible, generous, rich, and insightful i...
10/10/2023

Talking is so much fun! Thank you again , and Dr. Daniel Rosenberg for the incredible, generous, rich, and insightful input and questioning. And thanks of course of and for hosting the panel! I miss it all already

Getting “pumped” for Thursday (get it? GET IT?) 😎
10/03/2023

Getting “pumped” for Thursday (get it? GET IT?) 😎

⚡️⚡️⚡️ THIS ⚡️⚡️⚡️SATURDAY OCT 7 | 6 PM | FREE ENTRYConverge 45 & Oregon Contemporary present a panel talk:  TE MOANA ME...
09/29/2023

⚡️⚡️⚡️ THIS ⚡️⚡️⚡️
SATURDAY OCT 7 | 6 PM | FREE ENTRY

Converge 45 & Oregon Contemporary present a panel talk:

TE MOANA MERIDIAN: HOW THE PRIME MERIDIAN SHAPES THE WORLD, AND A CASE FOR RELOCATING IT.

W/

Dr. Radhika Natarajan (Professor of History at Reed College specialising British Imperialh history) Bogosi Sekhukhuni (artist working at the intersections of culture and the histories of technology and science), Dr. Daniel Rosenberg (professor of comparative literature at UoO, intellectual historian with a research focus on the history of information, author of Cartographies of Time: A History of the Timeline), Grace Kook-Anderson (The Arlene Snitzer Curator of Northwest Art at Portland Art Museum), and Sam Hamilton (artist, political interloper).

The panel is presented in response to Te Moana Meridian, a solo exhibition by Aotearoa/Portland artist Sam Hamilton as part of the 2023 Converge 45 Biennial. The panel will be followed by a Q@A

#

Less than a year ago, this spot on earth was nothing but lifeless concrete beneath a crusty old garage. Today i got to l...
09/18/2023

Less than a year ago, this spot on earth was nothing but lifeless concrete beneath a crusty old garage. Today i got to lay down and nap (see indentation) for the first time in what is now a verdant, and existentially vibrant bed of native clovers, grasses, yarrow and other little meadow babies - respendant in bugs, birds and other expressions of life. Its an example of ecological (and human) restoration thats absurdly minuscule from a global vantage, but none the less, it buoys me with hope that another future IS possible.

Huge weekend here in Portland! Lokk forward to seeing you all out there (especially for my shows reception on saturday 5...
08/25/2023

Huge weekend here in Portland! Lokk forward to seeing you all out there (especially for my shows reception on saturday 5-8pm 😜❤️☄️). ###

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