06/01/2026
Last week to see Bunmei Kaika: Political Landscape in Early Modern and Modern Japan — on view through June 7th.
This exhibition traces how artists captured the sweeping shifts in Japan's culture and physical landscape during a tumultuous era; from American "gunboat diplomacy" to rapid Westernization under Emperor Meiji. Woodblock prints from the period circulated sensationalized images that celebrated imperial power, reported on battlefields abroad, and fed a modernizing nation's imagination, all while cleverly navigating government regulations and prohibitions.
Featuring works by Hiroshige, Hokusai, Kunisada, Yosh*toshi, Kiyochika, and Ogata Gekkō, drawn largely from the Loeb's permanent collection. Don't miss it before it closes.
📍 Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY
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1. Kobayashi Eisei (古林 栄成), Japanese, "Enlightened Nobility List," 1877
woodblock print (oban tate-e triptych); ink and color on paper, Gift of Frances Beatty Adler, class of 1970, and Allen Adler, 2008.19.6
2. Utagawa Hiroshige (Japanese, 1797–1858), "Tsuchiyama: The Suzuka Mountains in the Rain from the series Fifty-Three Stations of the Tōkaidō," 1845, woodblock print (nishiki-e); ink and color on paper, 9 x 13 3/16 in. (22.9 x 33.5 cm), Gift of Celia Faulkner Clevenger, class of 1958, 1987.21.8
3. Utagawa Hiroshige III (三代目 歌川 広重), Japanese, 1843 - 1894, Yamanaka Kitarō, Japanese, "View of Ginza Kyobashi Stone Gas Lamps," 1880, woodblock print (nishiki-e); ink and color on paper, Gift of Justine Lewis Keidel, class of 1937, 1987.20.17