AS220 Galleries

AS220 Galleries AS220 Galleries is an unjuried and uncensored exhibition space open to all Rhode Island artist to exhibit their art works.

Inferna | Adam KelleyAdam Kelley was born and raised in Providence RI. While pursuing his BFA at University of Massachus...
05/07/2026

Inferna | Adam Kelley

Adam Kelley was born and raised in Providence RI. While pursuing his BFA at University of Massachusetts Amherst, Kelley kept a focus in manual print disciplines, particularly silkscreen and woodblock printing. Kelley’s print media work continued following graduation at the AS220 printshop, where he was a volunteer and instructor for several years. Kelley has always maintained a steady art and design practice and has been commissioned to make original works for local organizations and businesses such as Bolt Coffee, PVD Fest, The Avenue Concept, and Figidini to name a few.

About the Show
Inferna is a series of paintings based on iPad drawings. Digital drawing allows for a particularly carefree mindset when creating. It requires the least precious material and removes the constraints of physical scale. Each drawing in this series was made quickly and intuitively.
Kelley plucked a collection of drawings from this digital garden and brought them to life in paint. Despite approaching each painting with a distinct plan, they all inevitably yield the fruit of unexpected discovery upon completion.
Inferna means below or underneath. In making this work, Kelley strove to leverage nonrepresentational images to reveal what may be hiding in his subconscious through color and shape. In sharing these paintings, we invite you to be open to what curiosities or feelings you might access just under the surface of your awareness.

 Clay and blood both dry brown Juliette Bechard Artist statement: Juliette Bechard is a ceramic and mixed media artist i...
05/07/2026

Clay and blood both dry brown
Juliette Bechard

Artist statement:
Juliette Bechard is a ceramic and mixed media artist interested in earth materials and exploring creative expression as a means of energy transformation. This body of work considers the metaphysical relationship between objects and humans, communicated through stoneware sculptures that serve as ritual items, power objects, and vessels. An object manifests an active presence when taking on the character of its subject, revealing the distinct atomic nature of its materials, and embodying the intention the creator imparts on it. In our interactions, we have an opportunity to connect with the entity that it becomes and open ourselves to the wisdom it offers.

Easter | Emily FalkowskiIn this exhibit I present paintings and garments depicting scenes from the crucifixion story, su...
04/03/2026

Easter | Emily Falkowski

In this exhibit I present paintings and garments depicting scenes from the crucifixion story, supplemented with bodies and experiences specific to my world and upbringing. I blend contemporary themes and personal narrative with traditional religious iconography, to piece together a visual language that is specific to how I have understood God. I wanted to portray the suffering, transformation, and ecstacy of the crucifixion using bodies and stories that are familiar to me, because I wanted to show those people and experiences reverence.
I’ve painted clothing, and masks to present relics and objects that could be worn and lived in. The body of Christ is crucial to the story of his death. Similarly our bodies are crucial to our stories of suffering, transformation, and ecstacy, and I wanted to create work for our bodies as well.
Some of this work ends up feeling humorous and irreverent, while other pieces are challenging and dark, but I think that’s the nature of our humanity. Divinity is indiscriminate, unconditional, and everywhere.

AS220 GALLERIES — APRIL OPENINGS

Opening Reception
Saturday, April 4 (Tomorrow!)
5–7 PM



MAIN GALLERY
115 Empire St.
Creature Comforts
Sydney Bienstock



ABORN GALLERY
95 Empire St. (2nd Fl — same building as Main Gallery)
Please Do Not Touch
Curated by Sihan (Tara) Chen & Ankita Bhat



PROJECT SPACE
93 Mathewson St.
Easter
Emily Falkowski



READING ROOM
93 Mathewson St. (inside Project Space)
Suffering Ones
Obasi Osborne



Exhibition Dates:
April 4 – 25

The Suffering Ones | Obasi Osborne All of my pieces are constructed from thrifted or second-hand materials. This is both...
04/03/2026

The Suffering Ones | Obasi Osborne

All of my pieces are constructed from thrifted or second-hand materials. This is both a commentary on consumption and a way to give new life to discarded objects—the stones that the builders refused.

The Suffering Ones series repurposes images of Jesus from discarded crucifixes. Removed from the cross, these idols take on new meaning, describing suffering as a fundamental cosmic principle inherent in all things: Duhkha.

AS220 GALLERIES — APRIL OPENINGS

Opening Reception
Saturday, April 4 (Tomorrow!)
5–7 PM



MAIN GALLERY
115 Empire St.
Creature Comforts
Sydney Bienstock



ABORN GALLERY
95 Empire St. (2nd Fl — same building as Main Gallery)
Please Do Not Touch
Curated by Sihan (Tara) Chen & Ankita Bhat



PROJECT SPACE
93 Mathewson St.
Easter
Emily Falkowski



READING ROOM
93 Mathewson St. (inside Project Space)
Suffering Ones
Obasi Osbourne



Exhibition Dates:
April 4 – 25

Please Do Not Touch | curated by Sihan (Tara) Chen and Ankita Bhat Chen and Bhat present a room populated entirely with ...
04/03/2026

Please Do Not Touch | curated by Sihan (Tara) Chen and Ankita Bhat
Chen and Bhat present a room populated entirely with pedestals, structures typically relegated to the background as passive supports. With no objects to display, the pedestals themselves emerge as central figures. Stripped of their conventional function, they are reimagined as active subjects, drawing attention to the architecture of display itself.
Each pedestal is subtly altered through the integration of domestic materials and references: crown molding trims their bases, lace curtains cascade down their sides. These interventions reintroduce ornament and texture, evoking sensations tied to memory, place, and bodily presence. The pedestal, traditionally a symbol of sterile exhibition, becomes a site of warmth, tactility, and recognition.
Please Do Not Touch interrogates how our ways of seeing, feeling, and living have been shaped by the aesthetics of the white cube. What does it mean to re-domesticate the gallery? To bring ornament, memory, and touch back into a space that has for so long demanded sanitization? ……………………………………………………………………………………………….

AS220 GALLERIES — APRIL OPENINGS

Opening Reception
Saturday, April 4 (Tomorrow!)
5–7 PM



MAIN GALLERY
115 Empire St.
Creature Comforts
Sydney Bienstock



ABORN GALLERY
95 Empire St. (2nd Fl — same building as Main Gallery)
Please Do Not Touch
Curated by Sihan (Tara) Chen & Ankita Bhat



PROJECT SPACE
93 Mathewson St.
Easter
Emily Falkowski



READING ROOM
93 Mathewson St. (inside Project Space)
Suffering Ones
Obasi Osbourne



Exhibition Dates:
April 4 – 25

Creature Comforts | Sydney BienstockThese works mark Sydney’s return to visual art in adulthood and her way of reconnect...
04/03/2026

Creature Comforts | Sydney Bienstock
These works mark Sydney’s return to visual art in adulthood and her way of reconnecting with her younger self. Collaging allows her to create freely while honoring the comfort she has always found in animals and handmade objects. Through Creature Comforts, she invites viewers into a whimsical world that feels both nostalgic and surreal. AS220 GALLERIES — APRIL OPENINGS

Opening Reception
Saturday, April 4 (Tomorrow!)
5–7 PM



MAIN GALLERY
115 Empire St.
Creature Comforts
Sydney Bienstock



ABORN GALLERY
95 Empire St. (2nd Fl — same building as Main Gallery)
Please Do Not Touch
Curated by Sihan (Tara) Chen & Ankita Bhat



PROJECT SPACE
93 Mathewson St.
Easter
Emily Falkowski



READING ROOM
93 Mathewson St. (inside Project Space)
Suffering Ones
Obasi Osbourne



Exhibition Dates:
April 4 – 25

Free posters and badges available for today’s no kings March at the as220 project space.
03/28/2026

Free posters and badges available for today’s no kings March at the as220 project space.

Artist: Claire Munley Exhibition: Quiet TransformationsQuiet Transformations brings together a dynamic collection of pai...
03/07/2026

Artist: Claire Munley
Exhibition: Quiet Transformations

Quiet Transformations brings together a dynamic collection of paintings, prints, photography, and mixed media works created over several years in and around Providence. The work revisits recurring motifs—vehicles and botanicals—reimagined across different mediums.

First appearing in early film photography and sketchbooks from high school and college, these forms return with new resonance. Florals reflect cycles of growth, decay, and renewal, while cars symbolize care, preservation, and extending the life of something valued. Together, the works trace how familiar visual languages evolve over time and reveal new layers of meaning within the artist’s practice.

On view in AS220 Galleries March Exhibitions
Opening Reception Today | 5–7PM
📍 AS220 Main Gallery — 115 Empire St.

Artist: Claire Munley Exhibition: Quiet TransformationsQuiet Transformations brings together a dynamic collection of pai...
03/07/2026

Artist: Claire Munley
Exhibition: Quiet Transformations

Quiet Transformations brings together a dynamic collection of paintings, prints, photography, and mixed media works created over several years in and around Providence. The work revisits recurring motifs—vehicles and botanicals—reimagined across different mediums.

First appearing in early film photography and sketchbooks from high school and college, these forms return with new resonance. Florals reflect cycles of growth, decay, and renewal, while cars symbolize care, preservation, and extending the life of something valued. Together, the works trace how familiar visual languages evolve over time and reveal new layers of meaning within the artist’s practice.

On view in AS220 Galleries March Exhibitions
Opening Reception Today | 5–7PM
📍 AS220 Galleries — Providence, RI

Exhibition: Unearthly Earth ThingsUnearthly Earth Things brings together Rhode Island artists exploring the emotional co...
03/07/2026

Exhibition: Unearthly Earth Things

Unearthly Earth Things brings together Rhode Island artists exploring the emotional complexity of changing ecosystems. As environmental shifts unfold, we are often placed in different roles — passive observer, complicit participant, or dissenting witness — depending on what or who is being lost.

This exhibition invites us to imagine rituals that honor the fragile relationships we hold with the natural world. Through a range of artistic practices and materials, the artists reflect on how art can preserve, transform, and memorialize natural forms while acknowledging cycles of life, death, and renewal.

Organized by:
Jasmine Gutbrod Reilly Blum

Artists:
Alexandra Ionescu
Aja Blanc
Ayumi Kodama
Charlie Dov Schön .art
Cristiane Caro
Esi Hutchinson
Harry Cassell
Jasmine Gutbrod
Chad Weimer
Lily Tilton ()
Madeline Menkes
MJ Sanqui
Mary Lindberg
Reilly Blum
Scott Lerner
Sylvia Atwood
Tina Tryforos

On view in the AS220 March Exhibitions
Opening Reception Today | 5–7PM
📍 AS220 Aborn Gallery — 95 Empire at. 2nd floor

Address

93 Mathewson Street
Providence, RI
02903

Opening Hours

Wednesday 1pm - 6pm
Thursday 1pm - 6pm
Friday 1pm - 6pm
Saturday 12pm - 5pm

Telephone

+14018319327

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