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Olin Hall Galleries Olin Hall Galleries serve the Roanoke College campus and the greater community through exhibitions of

‼️⚠️One week left to submit to the 2027 Juried Biennial⚠️‼️🖇Link for application in bio! 🌟Artists within 200 miles of Ro...
10/23/2026

‼️⚠️One week left to submit to the 2027 Juried Biennial⚠️‼️

🖇Link for application in bio!

🌟Artists within 200 miles of Roanoke College can submit up to 3 works created in any media. >>scroll to see works exhibited in the 2025 Juried Biennial!

✍All 2D works must be prepped with the proper hanging mechanisms. Sculpture must be portable and weigh less than 150 lbs.

1. Sidra Kaluszka, "Sweet Home Appalachia: The Gooses Neck", 2024
2. Emma Havens, "Another Artist Lindsay", 2024
3. Sung Eun Park, "Souls Need the Second World", 2024

Veronica Jackson, "THAT'S POPS'S MONEY, 2018-2019, 813 hand-printed letterpress timecards on black paper, black foil sta...
10/21/2026

Veronica Jackson, "THAT'S POPS'S MONEY, 2018-2019, 813 hand-printed letterpress timecards on black paper, black foil stamping, white foil stamping, blue ink, silver ink

As a housewife, Veronica Jackson's grandmother's labor remained invisible to her husband and sons for her entire life. To illustrate that, Jackson used the timecard format to visually document the devalued travails that her grandmother endured in the home. The twelve wall-panels house 813 timecards-one for each month of the 67 years that her grandmother toiled-plus nine cards that announce each decade the installation encompasses. The timecards are created by debossing a monthly timesheet-a custom-created polymer template-into the surface of black paper using blue ink. This technique signifies her grandmother's invisible blue-collar labor, while simultaneously creating a physical impression of her work into each card. The artwork begins in 1939-the year Jackson's grandparents marriage-and ends August 2006-the date of her grandfather's death. In further homage to her grandmother's labor, Jackson cut and cranked all 813 cards by hand through a Vandercook printing press.

📅"Marks of Memory" is on view through December 6, 2026
⏰Galleries open every day from 1-4 p.m.

"Textures of Enfleshment (a silent viewer)" by LaRissa Rogers reimagines the traditional blue and white chinoiserie patt...
10/19/2026

"Textures of Enfleshment (a silent viewer)" by LaRissa Rogers reimagines the traditional blue and white chinoiserie pattern, replacing its iconic palette with blue and brown. Brown sugar encrusts hand painted panels, while a repeating pattern drawn from archived family photographs traces Roger's family history of movement and displacement, including her mother's migration from Korea within the conditions of the U.S. military occupation. Rendered through repetition and slight variation, these intimate images move beyond the specificity of Roger's family, holding multiple lives, temporalities, and desires for connection to a homeplace.

The work considers pattern as more than ornament. Pattern is shaped as much by what is unseen as by what is visible. The intervals between forms create the structure through which a pattern becomes legible, just as the systems shaping identity, history, and perception often operate beyond immediate view. The visual seduction of the surface is interrupted by the persistent scent of brown sugar. Its infiltration competes with the pattern for the viewer's attention, invoking slavery's afterlife.

📅"Marks of Memory" on view now through December 6
⏰Galleries open evert day from 1-4 p.m.

LaRissa Rogers, "Textures of Enfleshment (a silent viewer)", 2023, Brown sugar-encrusted hand-painted wallpaper panels, acrylic, porcelain, candied brown sugar


🍂 Fall break is here! 🍂Olin Hall Galleries will be closed on Thursday, October 15 through Sunday, October 18 for fall br...
10/15/2026

🍂 Fall break is here! 🍂Olin Hall Galleries will be closed on Thursday, October 15 through Sunday, October 18 for fall break. We look forward to welcoming you back to the galleries on Monday, October 19.

Annette Lawrence's series "Ahkelo's Walk" is a deeply personal project, centered around collective remembrance and heali...
10/14/2026

Annette Lawrence's series "Ahkelo's Walk" is a deeply personal project, centered around collective remembrance and healing. In March 2021, Annette Lawrence turned her simple routine of daily walks into a memorial to honor her late nephew Lawrence (Ahkelo) Wade Kimbrough (September 28, 2000 – February 14, 2021). Friends, family, and Lawrence collectively walked 7,444 miles, one mile for the 20 years, 4 months, and 14 days of Ahkelo’s life. Lawrence carefully recorded each mile into various charts, data that she then transformed into drawings—mirroring and distorting the lines, numbers, and letters into the abstracted forms that appear in her paintings. In her work, Lawrence uses close-up images of Ahkelo’s most colorful clothes. The abstract numbers and brightly hued circular portals and planets transport the viewer to an otherworldly place and memorialize Ahkelo’s vibrancy.

Want to learn more about "Ahkelo's Walk"? Sign up for a free guided tour of "Marks of Memory" on Nov 7 or Nov 14! https://www.olinhallgalleries.com/events/guided-tour-of-marks-of-memory-nov-7
📅 "Marks of Memory" is on view now through Dec 6
⏰ Galleries are open every day from 1-4 p.m.

Annette Lawrence
Image 1: "Triple Green", 2025, acrylic on linen
Image 2: "Ahkelo's Walk March 2021", 2024, ink on paper
Image 3: "Planet Ahkelo", 2026, acrylic on linen
Image 4: "Ahkelo's Walk March 2021", 2024, ink on paper
Image 5: "Blue Portal April 2021", 2024, acrylic on linen

Veronica Jackson’s "BLACKTIVISTS" series consist of twelve silkscreened portraits that depict thirteen relatively unknow...
10/07/2026

Veronica Jackson’s "BLACKTIVISTS" series consist of twelve silkscreened portraits that depict thirteen relatively unknown and overlooked Black women activists. Most of these women were born during the time of enslavement in the United States, and some were enslaved at birth. Yet despite or because of their social circumstances, they championed human rights for African Americans and women at a time when their own racialized and gendered existence remained in jeopardy.

The technique of screen printing black ink on black paper symbolizes invisibility, devaluation, and ignorance about Black women’s stories. The silkscreen prints on white paper with silver ink elevate each woman’s visibility, rendering each portrait more legible than their counterpart in black. In white, these women’s visages are apparent, evident, and clear. One does not have to search to see their likeness.

❗Want to learn more about Jackson's "BLACKTIVISTS"? Sign up for a FREE guided tour of "Marks of Memory" on Oct 10, Nov 7, or Nov 14! https://www.olinhallgalleries.com/events/guided-tour-of-marks-of-memory-oct-10
📅"Marks of Memory" is on view now through December 6
⏰Galleries are open every day from 1-4 p.m.

✨Free Guided Tours of "Marks of Memory"!✨Join exhibition curator Samantha Meyer for a tour of "Marks of Memory." Partici...
10/05/2026

✨Free Guided Tours of "Marks of Memory"!✨

Join exhibition curator Samantha Meyer for a tour of "Marks of Memory." Participants will receive an hour long explanation of the artwork and themes in the exhibition as well as in depth information about the artists' processes.

Tours will take place on
📅Saturday, October 10, 2-3 p.m.
📅Saturday, November 7, 2-3 p.m.
📅Saturday, November 14, 2-3 p.m.

These tours are free, but registration is encouraged. Clink the link in our bio to register for a tour!

Can't make any of these dates and times? Email Samantha at [email protected] to schedule a private or group tour!

Haven't had the chance to see "Marks of Memory" yet? Olin Hall Galleries is open every day (excluding holidays & school closures) from 1-4 p.m. and the exhibition is on view through December 6.

Last but certainly not least for our introductions of artists in our current exhibition, LaRissa Rogers!Rogers is a mult...
10/02/2026

Last but certainly not least for our introductions of artists in our current exhibition, LaRissa Rogers!

Rogers is a multidisciplinary artist whose work investigates how personal and shared memory and history impact the perpetual evolution of cultural identity formation and placemaking. Research and material become the entry point of broader social-political interrogations, often asking the question, who and what survives?

She has exhibited at Documenta 15 (Germany), Weserburg Museum (Germany), Lilley Museum (NV), the Wattis Institute of Contemporary Art (CA), the California Museum of Photography (CA), the Virginia Museum of Contemporary Art (VA), Los Angeles Contemporary Exhibitions (CA) among others.

She received the Visual Arts fellowship at the Virginia Museum of Fine Arts (2022) and the Fine Arts Work Center Fellowship (2023-2024). Among these Rogers also held several residencies. She has been featured in The New York Times, Harper's Bazaar Japan, The Washington Post, The Los Angeles Times, ARTnews, ARTSY, New American Paintings, Boston Art Review, and The Boston Globe.

Rogers received her Master of Fine Arts from the University of California, Los Angeles, and her bachelor’s degree in fine arts from Virginia Commonwealth University. Rogers is a Tenure-Track Assistant Professor and Head of Sculpture at the University of Virginia.

Rogers's work is on view now through December 6. Visit "Marks of Memory" any day from 1-4 p.m.

Next in line for artist introductions from our current exhibit "Marks of Memory"... Annette Lawrence!Annette Lawrence’s ...
09/30/2026

Next in line for artist introductions from our current exhibit "Marks of Memory"... Annette Lawrence!

Annette Lawrence’s recent work, Ahkelo's Walk, involves counting days by walking miles. It is a natural extension of her practice of recording everyday occurrences in drawings, paintings, and installations. Like her other works, this project reflects her commitment to finding meaning and beauty in what life brings.

Lawrence’s work has been widely exhibited and is held in museums, and private collections including The Museum of Fine Arts, Houston, The Dallas Museum of Art, The Rachofsky Collection, the Art Collection of the Dallas Cowboys and more!

Lawrence received a BFA from The Hartford Art School and an MFA from The Maryland Institute College of Art. Lawrence now serves as Distinguished Professor and Chair of the Department of Art and Art History at UNC-Chapel Hill. Lawrence divides her time between North Carolina and Georgia, where she is developing an artist residency called West Orchid.

Visit "Marks of Memory" to see Annette Lawrence's work! Galleries are open every day from 1-4 p.m. "Marks of Memory" on view through December 6.

✨ We are excited to introduce each of the three amazing artists exhibiting in "Marks of Memory", starting with Veronica ...
09/28/2026

✨ We are excited to introduce each of the three amazing artists exhibiting in "Marks of Memory", starting with Veronica Jackson. ✨

Jackson creates symbolic remembrance work that honors and illuminates Black women who mark, claim, and take up space. Her multi-decade interpretive exhibit design and architecture careers form the foundation of her multidisciplinary and oftentimes autobiographical visual art practice. She transforms complex stories into accessible visual messages using familiar objects in unexpected ways. Her work addresses a core internal query: What does it mean to be invisible and how does that designation shape her identity and sense of self?

She has exhibited in group and solo shows including NYU’s Tisch School of the Arts, NYC; Verge Center for the Arts, Sacramento, CA; JSAAHC, PVCC, and UVA all in Charlottesville, VA; Riverviews Artspace, Lynchburg, VA; and recent solo shows at VisArts and the Daura Museum of Art, University of Lynchburg. Her work resides in collections of private individuals, as well as the Virginia Humanities, Charlottesville and the Virginia Museum of Fine Arts, Richmond. Jackson holds an MA in Visual & Critical Studies from CCA, San Francisco and a BS in Architecture from UVA, Charlottesville. She currently lives in the Blue Ridge Mountains of Central Virginia.

We are also excited to announce that Veronica Jackson is the Fall 2026 Visiting Artist, hosted by the Center for Studying Structures of Race and Olin Hall Galleries. in conversation "Marks of Memory," Jackson will lead five workshop sessions with the two sections of Dr. Jesse Bucher’s INQ 300 class where she is working with students to create their own silkscreened broadside posters in response to the course’s investigation of how memory about the past gets constructed, challenged, and reconfigured through public events and art. Swipe to see Veronica discussing her work with Roanoke College students!

Address

240 High Street
Salem, VA
24153

Opening Hours

Monday 1pm - 4pm
Tuesday 1pm - 4pm
Wednesday 1pm - 4pm
Thursday 1pm - 4pm
Friday 1pm - 4pm
Saturday 1pm - 4pm
Sunday 1pm - 4pm

Telephone

+15403752332

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