04/23/2025
April, 2025
Salisbury, MD, USA
I don't often get time to make posts or comment here much on this page. The simple reality of making things happen on a daily basis sometimes leaves little time at the end of the day to put one more post up on the internet. I've come however to a point in time that I realize that it is not to my or anyone else's advantage to stay quiet here. Facebook has people from all walks of life and often, people have amazing things to say and teach others.
As an active antiquarian focused on ancient art and classical numismatics, I think I return to this great metaverse of minds in social media with a unique and maybe rare point of view on things. I may not always be right, I am proud to announce that I am flawed at times, but I think I've gained a few insights over the years not only about collecting, but also about the ancient world and the trade I am in.
It is an honor and a privilege to have access to the past. I recently had a very nice conversation with a gentleman scholar and friend, and we discussed at length the old Spiderman saying, "With great power comes great responsibility." I am a steward of the past. That is my superpower. My great responsibility is that I do this endeavor ethically and within the law where I live.
That ethical and responsible collecting and stewarding is a matter of deep thought. Anyone that does this, or has access to this, in truth holds a piece of the past. It is a tangible and concrete piece of evidence of our common history. This is something both innate and deeply human and its practice in some form or another predates even written word. We all seek to know ourselves and where we came from in some shape or form.
PBJI strives to do that within the confines of our laws, within the ethical boundaries set by others and most importantly, by our own "little voice" that sometimes whispers to us from our experience. We realize that we only get to tend to and care for these things and that one day, they will go elsewhere. We strive to find examples that reflect that in our practice, to the best of our ability within our little world that we live in.
I think we're doing pretty ok these days. I thought to share one of my report cards so to speak. It is one of my favorite pieces in my personal collection, because it not only tells a story about Ancient Egypt, but also about who has studied it. Let this be a standard for responsible collecting. If I had 100 such pieces, I would be very proud... I will leave today with that attribution and my thanks to all of you who have dared to listen over the years.
My best regards to you and yours.
Phil
You're welcome to comment below or send me a message here via pms. I will do my best to get back to you as I can.
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Egyptian Faience Menat Amulet
Faience with Blue Glaze.
Late Dynasties Period.
26th β 30th Dynasties.
688-343 BCE.
5 cm.
Ex: Dr. and Mrs. Goddard DuBois Collection, excavated in Egypt 1900-1907.
Exhibited: Metropolitan Museum of Art 1920βs β 30βs.
Exhibited: Boston Museum of Fine Arts 1940βs β mid-60βs.
Exhibited: San Diego Museum of Man 1967-8, inv. No. M405.
Purchased from Medusa Ancient Art, 2021.
A counterpoise amulet in turquoise-blue faience, the double-sided Menat is decorated with an inner groove and ribbed suspension ring above for mounting. Originally, the amulet was worn at the back of the neck to counter weigh a large string of beads to the front worn by priestesses of Hathor. The Menat was meant to give the appearance of a yoke and was used in ceremonies related to fertility and motherhood from the New Kingdom Period into the Ptolemaic Period.
The piece is intact and mounted on a custom-made metal stand.
Cf: Museum of Fine Arts, Boston, MA accession no. 72.2433 for parallel.