05/21/2026
Hunter Jackson built his first darkroom in 1970 and pursued the art of photography over the next 20 years. In 1991 his photos were exhibited in NYC, juried by Richard Avedon; then life intervened with four children and a career in biotech, but his love of the single, still image remained. He has used the medium to help him understand his world and the evanescent tendrils of connection to it. “I don’t set out to photograph anything in particular and, in fact, take few photographs. Someone said about Andre Kertesz, ‘He fishes for photographs. Instead of running to find them, he waits patiently for them to bite.’ Kertesz was a fisherman almost without peer, but those words have the ring of truth to me. I click the shutter instinctually, when I feel a nibble. I never know immediately if what’s in the camera is worth anything. Like in the old days when a print would emerge under a red light, the first glimpse of an image says, ‘move on’ more often than ‘look deeper.’ If the latter, it may take patience – months, sometimes even years, before we connect. By the time we’re done, I like to think, as the painter John Wood might say, they’re not about something, they are something.”
To see more of Hunter Jackson's work, please pay us a visit. You may also see his pieces on our website at Phillips Gallery Artists Gallery. This exhibit, along with Craig Law on our Main Floor and Nikita Nenashev and Caroline Roberts in our Dibble Gallery, remains on display through June 12th.