Re.riddle

Re.riddle re.riddle was founded in 2017 and exhibits international contemporary artists. The gallery is located in San Francisco.

We also offer art advisory services for collectors & companies. Discover our latest projects, exhibitions and artworks for sale.

Thank you     for the perceptive review of R. Coloskyโ€™s ๐˜‹๐˜ฐ๐˜ฏโ€™๐˜ต ๐˜๐˜ฐ๐˜ณ๐˜จ๐˜ฆ๐˜ต ๐˜ ๐˜ฐ๐˜ถ๐˜ณ ๐˜Œ๐˜ข๐˜ณ๐˜ต๐˜ฉ๐˜ฒ๐˜ถ๐˜ข๐˜ฌ๐˜ฆ ๐˜—๐˜ข๐˜ฏ๐˜ต๐˜ด, noting interesting parallels...
05/27/2026

Thank you for the perceptive review of R. Coloskyโ€™s ๐˜‹๐˜ฐ๐˜ฏโ€™๐˜ต ๐˜๐˜ฐ๐˜ณ๐˜จ๐˜ฆ๐˜ต ๐˜ ๐˜ฐ๐˜ถ๐˜ณ ๐˜Œ๐˜ข๐˜ณ๐˜ต๐˜ฉ๐˜ฒ๐˜ถ๐˜ข๐˜ฌ๐˜ฆ ๐˜—๐˜ข๐˜ฏ๐˜ต๐˜ด, noting interesting parallels to film, art history, and web design.โœจ

This is the last week to view the show, which closes this Sat, May 30!

For full review, click on link ๐Ÿ”— in bio.

๐˜™. ๐˜Š๐˜ฐ๐˜ญ๐˜ฐ๐˜ด๐˜ฌ๐˜บ๏ผš๐˜‹๐˜ฐ๐˜ฏโ€™๐˜ต ๐˜๐˜ฐ๐˜ณ๐˜จ๐˜ฆ๐˜ต ๐˜ ๐˜ฐ๐˜ถ๐˜ณ ๐˜Œ๐˜ข๐˜ณ๐˜ต๐˜ฉ๐˜ฒ๐˜ถ๐˜ข๐˜ฌ๐˜ฆ ๐˜—๐˜ข๐˜ฏ๐˜ต๐˜ด extended through Saturday, May 30. ๐Ÿ’ซ Donโ€™t miss! And if youโ€™ve already see...
05/24/2026

๐˜™. ๐˜Š๐˜ฐ๐˜ญ๐˜ฐ๐˜ด๐˜ฌ๐˜บ๏ผš๐˜‹๐˜ฐ๐˜ฏโ€™๐˜ต ๐˜๐˜ฐ๐˜ณ๐˜จ๐˜ฆ๐˜ต ๐˜ ๐˜ฐ๐˜ถ๐˜ณ ๐˜Œ๐˜ข๐˜ณ๐˜ต๐˜ฉ๐˜ฒ๐˜ถ๐˜ข๐˜ฌ๐˜ฆ ๐˜—๐˜ข๐˜ฏ๐˜ต๐˜ด extended through Saturday, May 30. ๐Ÿ’ซ Donโ€™t miss!

And if youโ€™ve already seen the show, return to witness the growth stages of the Ice Works! ๐ŸงŠโ„๏ธ ๐ŸŒฑ๐Ÿƒ

๐Ÿ“ฃ ๐—ง๐—›๐—œ๐—ฆ ๐—ง๐—›๐—จ๐—ฅ๐—ฆ๐——๐—”๐—ฌ, ๐— ๐—”๐—ฌ ๐Ÿฎ๐Ÿญ ๐—ณ๐—ฟ๐—ผ๐—บ ๐Ÿฒ-๐Ÿณ ๐—ฃ๐—  ๐Ÿญ๐Ÿฎ๐Ÿณ๐Ÿฑ ๐— ๐—ถ๐—ป๐—ป๐—ฒ๐˜€๐—ผ๐˜๐—ฎ ๐—ฆ๐˜๐—ฟ๐—ฒ๐—ฒ๐˜, ๐—ฆ๐—™๐—œ๐—ป ๐—–๐—ผ๐—ป๐˜ƒ๐—ฒ๐—ฟ๐˜€๐—ฎ๐˜๐—ถ๐—ผ๐—ป: ๐—ฅ๐—ฎ๐—ป๐—ฑ๐˜† ๐—–๐—ผ๐—น๐—ผ๐˜€๐—ธ๐˜† ๐˜… ๐—”๐—ถ๐—บ๐—ฒ๐—ฒ ๐—Ÿ๐—ฒ ๐——๐˜‚๐—ฐJoin us for In...
05/19/2026

๐Ÿ“ฃ ๐—ง๐—›๐—œ๐—ฆ ๐—ง๐—›๐—จ๐—ฅ๐—ฆ๐——๐—”๐—ฌ, ๐— ๐—”๐—ฌ ๐Ÿฎ๐Ÿญ ๐—ณ๐—ฟ๐—ผ๐—บ ๐Ÿฒ-๐Ÿณ ๐—ฃ๐— 
๐Ÿญ๐Ÿฎ๐Ÿณ๐Ÿฑ ๐— ๐—ถ๐—ป๐—ป๐—ฒ๐˜€๐—ผ๐˜๐—ฎ ๐—ฆ๐˜๐—ฟ๐—ฒ๐—ฒ๐˜, ๐—ฆ๐—™

๐—œ๐—ป ๐—–๐—ผ๐—ป๐˜ƒ๐—ฒ๐—ฟ๐˜€๐—ฎ๐˜๐—ถ๐—ผ๐—ป: ๐—ฅ๐—ฎ๐—ป๐—ฑ๐˜† ๐—–๐—ผ๐—น๐—ผ๐˜€๐—ธ๐˜† ๐˜… ๐—”๐—ถ๐—บ๐—ฒ๐—ฒ ๐—Ÿ๐—ฒ ๐——๐˜‚๐—ฐ

Join us for In Conversation with artist Randy Colosky and Aimee Le Duc, Executive Director of Minnesota Street Project and Foundation. Colosky and Le Duc will explore the artistโ€™s new body of work and sources of inspiration for his solo exhibition, ๐˜‹๐˜ฐ๐˜ฏโ€™๐˜ต ๐˜๐˜ฐ๐˜ณ๐˜จ๐˜ฆ๐˜ต ๐˜ ๐˜ฐ๐˜ถ๐˜ณ ๐˜Œ๐˜ข๐˜ณ๐˜ต๐˜ฉ๐˜ฒ๐˜ถ๐˜ข๐˜ฌ๐˜ฆ ๐˜—๐˜ข๐˜ฏ๐˜ต๐˜ด at re.riddle.

Aimee Le Duc is Executive Director of Minnesota Street Project and Minnesota Street Project Foundation, leading both organizations into an era of unprecedented growth. Bringing more than 25 years of visual arts, public programming, and non-profit leadership, Le Duc leads the staffs of both the Foundation and the LLC in the ongoing development and expansion of MSPโ€™s mission to provide below market rate gallery and studio spaces in order for artists and the local arts economy to thrive, facilitate thoughtful and compelling programming as well as producing engaging public events for meaningful, campus-wide experiences. Le Duc has served on many non-profit boards including SECA Board co-chair at SFMoMA and SF Camerawork and is currently a board member for Saint Maryโ€™s College Museum of Art.

Thank you ๐Ÿซถ๐Ÿผ New York and  for the warm welcome! It was so wonderful seeing dear friends and meeting new friends from ne...
05/19/2026

Thank you ๐Ÿซถ๐Ÿผ New York and for the warm welcome! It was so wonderful seeing dear friends and meeting new friends from near and far ๐Ÿฅฐ

Immense gratitude to rockstar artists .art.tan ๐ŸŒŸโšก๏ธ and the tireless efforts by the dynamos and .rio โค๏ธโ€๐Ÿ”ฅ

NADA New York 2026May 13-17, 2026CHARLENE TAN + WINDY CHIENBooth F4Starrett-Lehigh Building, 601 West 26th Street, NY Fa...
05/14/2026

NADA New York 2026
May 13-17, 2026

CHARLENE TAN + WINDY CHIEN
Booth F4

Starrett-Lehigh Building, 601 West 26th Street, NY


Fair Hours
Wednesday, May 13, 4 โ€” 7pm
Thursday, May 14, 11am โ€” 7pm
Friday, May 15, 11am โ€” 7pm
Saturday, May 16, 11am โ€” 7pm
Sunday, May 17, 11am โ€” 5pm


Come visit us at Booth F4. Contact [email protected] for checklist.

๐Ÿ“ท: Photos by Sean Fader. Courtesy of artist and re.riddle

๐—ก๐—”๐——๐—” ๐—ก๐—ฌ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ  โšก๏ธโšก๏ธ๐— ๐—ฎ๐˜† ๐Ÿญ๐Ÿฏ-๐Ÿญ๐Ÿณ, ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ๐—–๐—›๐—”๐—ฅ๐—Ÿ๐—˜๐—ก๐—˜ ๐—ง๐—”๐—ก + ๐—ช๐—œ๐—ก๐——๐—ฌ ๐—–๐—›๐—œ๐—˜๐—ก๐—š๐—ฎ๐—น๐—น๐—ฒ๐—ฟ๐—ถ๐—ฒ๐˜€ ๐—•๐—ผ๐—ผ๐˜๐—ต ๐—™๐Ÿฐ๐—ฆ๐˜๐—ฎ๐—ฟ๐—ฟ๐—ฒ๐˜๐˜-๐—Ÿ๐—ฒ๐—ต๐—ถ๐—ด๐—ต ๐—•๐˜‚๐—ถ๐—น๐—ฑ๐—ถ๐—ป๐—ด, ๐Ÿฒ๐Ÿฌ๐Ÿญ ๐—ช๐—ฒ๐˜€๐˜ ๐Ÿฎ๐Ÿฒ๐˜๐—ต ๐—ฆ๐˜๐—ฟ...
05/07/2026

๐—ก๐—”๐——๐—” ๐—ก๐—ฌ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ โšก๏ธโšก๏ธ
๐— ๐—ฎ๐˜† ๐Ÿญ๐Ÿฏ-๐Ÿญ๐Ÿณ, ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ

๐—–๐—›๐—”๐—ฅ๐—Ÿ๐—˜๐—ก๐—˜ ๐—ง๐—”๐—ก + ๐—ช๐—œ๐—ก๐——๐—ฌ ๐—–๐—›๐—œ๐—˜๐—ก

๐—š๐—ฎ๐—น๐—น๐—ฒ๐—ฟ๐—ถ๐—ฒ๐˜€ ๐—•๐—ผ๐—ผ๐˜๐—ต ๐—™๐Ÿฐ
๐—ฆ๐˜๐—ฎ๐—ฟ๐—ฟ๐—ฒ๐˜๐˜-๐—Ÿ๐—ฒ๐—ต๐—ถ๐—ด๐—ต ๐—•๐˜‚๐—ถ๐—น๐—ฑ๐—ถ๐—ป๐—ด, ๐Ÿฒ๐Ÿฌ๐Ÿญ ๐—ช๐—ฒ๐˜€๐˜ ๐Ÿฎ๐Ÿฒ๐˜๐—ต ๐—ฆ๐˜๐—ฟ๐—ฒ๐—ฒ๐˜, ๐—ก๐—ฌ

Weโ€™re thrilled to participate in NADA NY 2026 with a dual-artist presentation of new work by Charlene Tan and Windy Chien.

Please contact [email protected] for checklist and visit us at Booth F4! ๐Ÿค—

In their respective practices, artists Charlene Tan and Windy Chien examine the potency of memory embodied in gestures, craft and material research. Embodied remembering situates memory as being intrinsic to the body, because it re-enacts the past, it need not represent it. The exhibition will consider motion, action, activity, and gesture of cultural memory as they pertain to fiber, textiles and tactility.

๐Ÿ“ท: Windy Chien, Circuit Board, 2026, Sunbrella cordage, 24k gold thread, walnut, 182.9 x 182.9 x 51. cm; Windy Chien, Serious Play (Links), 2025, Sunbrella cordage, aluminum, 894.1 x 25.4 x 5.1 cm; Created as part of the Eames Residency 2025 Displayed at the Eames Ranch Studios Exhibition โ€˜Crafting Curiosityโ€™, 2026. Images courtesy of artist and re.riddle.

๐—ก๐—”๐——๐—” ๐—ก๐—ฌ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ  โšก๏ธโšก๏ธ๐— ๐—ฎ๐˜† ๐Ÿญ๐Ÿฏ-๐Ÿญ๐Ÿณ, ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ๐—–๐—›๐—”๐—ฅ๐—Ÿ๐—˜๐—ก๐—˜ ๐—ง๐—”๐—ก + ๐—ช๐—œ๐—ก๐——๐—ฌ ๐—–๐—›๐—œ๐—˜๐—ก๐—š๐—ฎ๐—น๐—น๐—ฒ๐—ฟ๐—ถ๐—ฒ๐˜€ ๐—•๐—ผ๐—ผ๐˜๐—ต ๐—™๐Ÿฐ๐—ฆ๐˜๐—ฎ๐—ฟ๐—ฟ๐—ฒ๐˜๐˜-๐—Ÿ๐—ฒ๐—ต๐—ถ๐—ด๐—ต ๐—•๐˜‚๐—ถ๐—น๐—ฑ๐—ถ๐—ป๐—ด, ๐Ÿฒ๐Ÿฌ๐Ÿญ ๐—ช๐—ฒ๐˜€๐˜ ๐Ÿฎ๐Ÿฒ๐˜๐—ต ๐—ฆ๐˜๐—ฟ...
05/07/2026

๐—ก๐—”๐——๐—” ๐—ก๐—ฌ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ โšก๏ธโšก๏ธ
๐— ๐—ฎ๐˜† ๐Ÿญ๐Ÿฏ-๐Ÿญ๐Ÿณ, ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ

๐—–๐—›๐—”๐—ฅ๐—Ÿ๐—˜๐—ก๐—˜ ๐—ง๐—”๐—ก + ๐—ช๐—œ๐—ก๐——๐—ฌ ๐—–๐—›๐—œ๐—˜๐—ก

๐—š๐—ฎ๐—น๐—น๐—ฒ๐—ฟ๐—ถ๐—ฒ๐˜€ ๐—•๐—ผ๐—ผ๐˜๐—ต ๐—™๐Ÿฐ
๐—ฆ๐˜๐—ฎ๐—ฟ๐—ฟ๐—ฒ๐˜๐˜-๐—Ÿ๐—ฒ๐—ต๐—ถ๐—ด๐—ต ๐—•๐˜‚๐—ถ๐—น๐—ฑ๐—ถ๐—ป๐—ด, ๐Ÿฒ๐Ÿฌ๐Ÿญ ๐—ช๐—ฒ๐˜€๐˜ ๐Ÿฎ๐Ÿฒ๐˜๐—ต ๐—ฆ๐˜๐—ฟ๐—ฒ๐—ฒ๐˜, ๐—ก๐—ฌ

Weโ€™re thrilled to participate in NADA NY 2026 with a dual-artist presentation of new work by Charlene Tan and Windy Chien.

Please contact [email protected] for checklist and visit us at Booth F4! ๐Ÿค—

In their respective practices, artists Charlene Tan and Windy Chien examine the potency of memory embodied in gestures, craft and material research. Embodied remembering situates memory as being intrinsic to the body, because it re-enacts the past, it need not represent it. The exhibition will consider motion, action, activity, and gesture of cultural memory as they pertain to fiber, textiles and tactility.

๐Ÿ“ท: Charlene Tan, Homage to Pinilian Brocade Weave, Prinsipe (Prince), 2026, Ube (purple yam) powder, manganese violet pigment, acrylic paint, digital print, aluminum panel, 122 x 92.5 cm; Charlene Tan, Sika Karwang Malong (Right Elbow), 2025, Abalone, archival print, freshwater pearls, 104.2 x 55.9 cm; All images courtesy of artists and re.riddle.

R. Coloskyโ€™s ๐˜๐˜ค๐˜ฆ ๐˜ž๐˜ฐ๐˜ณ๐˜ฌ๐˜ด are dynamic sculptural installations that explore natural phenomena through technological interve...
05/05/2026

R. Coloskyโ€™s ๐˜๐˜ค๐˜ฆ ๐˜ž๐˜ฐ๐˜ณ๐˜ฌ๐˜ด are dynamic sculptural installations that explore natural phenomena through technological intervention. Working with refrigeration mechanics, Colosky harnesses Freon gas and ambient humidity to accumulate ice crystals along copper tubing. At critical points, the systemโ€™s power is cut. The ice melts, drips downward, and waters the seeds in fertile soil beneath. The cycle then begins again. By staging the full arc of phase transition, from gas to solid, solid to liquid, and liquid back to gas, the ๐˜๐˜ค๐˜ฆ ๐˜ž๐˜ฐ๐˜ณ๐˜ฌ๐˜ด reflect the fundamental physical processes of the natural world. They unfold over an extended duration, asking the viewer for sustained attention and to return to witness the growth stages of the foliage.

๐™. ๐˜พ๐™Š๐™‡๐™Š๐™Ž๐™†๐™”: ๐˜ฟ๐™Š๐™‰โ€™๐™ ๐™๐™Š๐™๐™‚๐™€๐™ ๐™”๐™Š๐™๐™ ๐™€๐˜ผ๐™๐™๐™ƒ๐™Œ๐™๐˜ผ๐™†๐™€ ๐™‹๐˜ผ๐™‰๐™๐™Ž now on view though May 23. ๐ŸŒŸ

(โ˜ž อกยฐ อœส– อกยฐ)โ˜ž  ๐—ง๐—›๐—œ๐—ฆ ๐—ฆ๐—”๐—ง๐—จ๐—ฅ๐——๐—”๐—ฌ, ๐— ๐—”๐—ฌ ๐Ÿฎ!! ๐Ÿ“ฃ๐—ฅ. ๐—–๐—ข๐—Ÿ๐—ข๐—ฆ๐—ž๐—ฌ: ๐——๐—ข๐—กโ€™๐—ง ๐—™๐—ข๐—ฅ๐—š๐—˜๐—ง ๐—ฌ๐—ข๐—จ๐—ฅ ๐—˜๐—”๐—ฅ๐—ง๐—›๐—ค๐—จ๐—”๐—ž๐—˜ ๐—ฃ๐—”๐—ก๐—ง๐—ฆ๐—ข๐—ฃ๐—˜๐—ก๐—œ๐—ก๐—š ๐—ฅ๐—˜๐—–๐—˜๐—ฃ๐—ง๐—œ๐—ข๐—ก: ๐—ฆ๐—”๐—ง๐—จ๐—ฅ๐——๐—”๐—ฌ, ๐— ๐—”๐—ฌ ๐Ÿฎ ...
04/27/2026

(โ˜ž อกยฐ อœส– อกยฐ)โ˜ž ๐—ง๐—›๐—œ๐—ฆ ๐—ฆ๐—”๐—ง๐—จ๐—ฅ๐——๐—”๐—ฌ, ๐— ๐—”๐—ฌ ๐Ÿฎ!! ๐Ÿ“ฃ

๐—ฅ. ๐—–๐—ข๐—Ÿ๐—ข๐—ฆ๐—ž๐—ฌ: ๐——๐—ข๐—กโ€™๐—ง ๐—™๐—ข๐—ฅ๐—š๐—˜๐—ง ๐—ฌ๐—ข๐—จ๐—ฅ ๐—˜๐—”๐—ฅ๐—ง๐—›๐—ค๐—จ๐—”๐—ž๐—˜ ๐—ฃ๐—”๐—ก๐—ง๐—ฆ
๐—ข๐—ฃ๐—˜๐—ก๐—œ๐—ก๐—š ๐—ฅ๐—˜๐—–๐—˜๐—ฃ๐—ง๐—œ๐—ข๐—ก: ๐—ฆ๐—”๐—ง๐—จ๐—ฅ๐——๐—”๐—ฌ, ๐— ๐—”๐—ฌ ๐Ÿฎ ๐—ณ๐—ฟ๐—ผ๐—บ ๐Ÿฑ-๐Ÿณ ๐—ฃ๐— 

๐˜‹๐˜ฐ๐˜ฏโ€™๐˜ต ๐˜๐˜ฐ๐˜ณ๐˜จ๐˜ฆ๐˜ต ๐˜ ๐˜ฐ๐˜ถ๐˜ณ ๐˜Œ๐˜ข๐˜ณ๐˜ต๐˜ฉ๐˜ฒ๐˜ถ๐˜ข๐˜ฌ๐˜ฆ ๐˜—๐˜ข๐˜ฏ๐˜ต๐˜ด, a solo exhibition of new works by R. Colosky, delves into the transcendence and weight of urban anxiety, an affect produced by the cumulative pressures of environmental instability, technological acceleration, and late capitalism. Coloskyโ€™s paintings and installations register these psychological and emotional currents via imagery drawn from art history as well as contemporary visual culture.

Coloskyโ€™s reductive blue-and-white color motif situates the work within a long historical lineage, referencing Yuan and Ming dynasty porcelain, Dutch Delftware, and British Willow pattern. Although historically revered, this aesthetic carries a complex history of empire and trade, in which cultural admiration is entangled with appropriation and fetishization. Colosky understands this lineage through his studies of ceramics and Eastern art history and works knowingly within it, maintaining an edge of slight irreverence alongside the aesthetic strategy of lush beauty.

Altogether, Coloskyโ€™s paintings and installations frame contemporary life as a post apocalyptic condition in which catastrophe has been absorbed into the everyday and transfigured as eerie beauty. His work gives form to the weight of being human, its anxieties, pressures, and precarity, rendering these conditions legible through the formal language of luscious beauty and playful skepticism. In ๐˜‹๐˜ฐ๐˜ฏโ€™๐˜ต ๐˜๐˜ฐ๐˜ณ๐˜จ๐˜ฆ๐˜ต ๐˜ ๐˜ฐ๐˜ถ๐˜ณ ๐˜Œ๐˜ข๐˜ณ๐˜ต๐˜ฉ๐˜ฒ๐˜ถ๐˜ข๐˜ฌ๐˜ฆ ๐˜—๐˜ข๐˜ฏ๐˜ต๐˜ด, gravitas is worn lightly, reflecting an earnest attentiveness to balancing oneโ€™s existential weight. Colosky navigates the unbearable lightness of being and critical density in a carefully calibrated register, where levity is a condition through which depth is sustained.

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