Fernando Luis Alvarez Gallery

Fernando Luis Alvarez Gallery From the doors in, we build artists' careers. From the doors out, we build community. With over 5,000 sq.

The Fernando Luis Alvarez Gallery recently earned a citation from the State of Connecticut as one of the nation’s most innovative contemporary art galleries. feet of space, the gallery produces upwards of ten shows each year, from a stable of international, career artists. Established in 2009 by Fernando Luis Alvarez, the gallery is committed to building careers of emerging and established contemp

orary artists from the doors in, and building community from the doors out. Current artists exhibiting in the gallery include Helen Frankenthaler, Robert Longo, Louise Fishman, Robert Rauschenberg, Frank Stella, Robert Motherwell, Jim Dine, Sean Scully, John J. Bedoya, Rex Prescott Walden, Jena Thomas, Kirsten Reynolds, William Nelson and Damla T. Faro who was recently featured in Sotheby’s Turkish, Arab, and Iranian contemporary art auction. For a full list of artists, please go to alvarezgallery.com

The gallery also features a competitive art leasing program that differentiates from its relationship with art collectors. With art leasing, corporations, small businesses and private clients can lease or rent art for a period of time at a fraction of the cost of the artwork. Art leasing programs and curating services are available to match a variety of interior design and corporate client needs. The benefits of art leasing can range from freeing up capital, to encouraging employee creativity, to providing tax incentives to larger corporations. The gallery's art leasing program also features the option for private events that include cultural diversity programs, private art shows, and performance art.

For Eugene Ofori Agyei, identity is neither singular nor fixed. It shifts with geography, history, and social context.In...
09/04/2026

For Eugene Ofori Agyei, identity is neither singular nor fixed. It shifts with geography, history, and social context.

In the first part of our conversation, Eugene reflects on what it means to carry multiple identities and how those layers enter the studio through the different materials he works with.

Read Part I of the conversation and explore the show here:
🔗 https://alvarezgallery.com/part-i-eugene-ofori-agyei/

A city can become an exhibition space without ever announcing itself as one.Throughout Amsterdam, Frankey’s urban interv...
09/03/2026

A city can become an exhibition space without ever announcing itself as one.

Throughout Amsterdam, Frankey’s urban interventions emerge from elements already embedded in the city. A building façade, a crumbling wall, a concrete structure, a railing, or even a pipe can become the starting point for an unexpected artistic intervention.

In these works, the urban environment does more than provide a backdrop. Existing architecture, infrastructure, and everyday details become part of the work itself.

This also changes the way the art is encountered. Unlike a traditional exhibition space, there is no entrance and no predetermined moment to begin looking. A work might reveal itself while walking through a familiar street, turning something easily overlooked into an unexpected moment of discovery.

For Frankey, Amsterdam is not simply a place to display art. The city itself becomes part of the artwork.

Images: Frankey /

Carlos B Biernnay was part of the Spring 2026 Artist Residency at Foundation House in Greenwich, CT.Centered on climate ...
09/01/2026

Carlos B Biernnay was part of the Spring 2026 Artist Residency at Foundation House in Greenwich, CT.

Centered on climate and climate justice, the residency brought together artists working across disciplines to investigate environmental questions through creative practice. Foundation House’s working residency model provides artists with dedicated time, studio space, and an environment for exchange and concentrated creation.

During his time there, Biernnay further developed an investigation connecting his textile-based practice with questions surrounding water, land, memory, and environmental justice.

Photos courtesy of the artist.

08/26/2026

Returning is not a straight line.

In Return(ing), Eugene Ofori Agyei transforms movement into tension. The tire suggests journey, friction, and resistance, while branches and ties speak of repair, improvisation, and persistence.

This is not just a return, but a negotiation with memory.

To return is also to transform.

Explore Return(ing) in What Lies Beyond the Visible? at: https://alvarezgallery.com/whats-lies-beyond-the-visible-eugene-ofori-agey/

An artist’s studio can be read as an archive of decisions.Works at different stages coexist in the same space, surrounde...
08/25/2026

An artist’s studio can be read as an archive of decisions.

Works at different stages coexist in the same space, surrounded by materials and traces of the process that remain invisible once a painting is finished and leaves the studio.

These photographs offer a look inside Jena Thomas’s studio—not simply as the place where paintings are made, but as a space where decisions accumulate over time, leaving their mark on both the works and the environment around them.

Photos courtesy of the artist.

IT’S TODAY | Three-Dimensional: Arturo Di ModicaOpening exclusively on the Alvarez Gallery Artsy profile, Three-Dimensio...
08/21/2026

IT’S TODAY | Three-Dimensional: Arturo Di Modica

Opening exclusively on the Alvarez Gallery Artsy profile, Three-Dimensional revisits a lesser-known chapter in the work of Arturo Di Modica (1941–2021).

Centered on small-format sculptures from the 1970s, the show looks beyond the artist’s widely recognized Charging Bull to explore his experimentation with abstract and representational forms, texture, volume, light, and shadow.

These works, part of the Alvarez Gallery collection, offer an opportunity to reconsider the breadth of a five-decade artistic practice.

Explore the show:
🔗 https://www.artsy.net/show/alvarez-gallery-three-dimensional-a-new-proposal-by-alvarez-gallery

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Stamford, CT
06901

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