River House Arts

River House Arts Presenting contemporary art from the Great Lakes region and beyond since 2009.

In  𝕄𝕠𝕥𝕙𝕖𝕣/𝕍𝕖𝕤𝕤𝕖𝕝,  and .shulman present precarious sculptures and photographic assemblages exploring the everyday terra...
04/29/2026

In 𝕄𝕠𝕥𝕙𝕖𝕣/𝕍𝕖𝕤𝕤𝕖𝕝, and .shulman present precarious sculptures and photographic assemblages exploring the everyday terrain of care — its joys and discomforts, its structures and collapses. Their work makes visible the labor of parenting, and reaches into the maternal body as a site of transformation: growth, loss, and the fetal cells that cross the placenta and remain in the body for a lifetime.

Eleanor Oakes is a photographic artist based in Detroit whose practice explores bodily, spatial, and geologic memory through a feminist lens. She is Assistant Professor of Photography at the College for Creative Studies and founder of Darkroom Detroit, a nonprofit expanding access to photography in the city. Her work has been exhibited internationally at venues including the Houston Center for Photography, Silver Eye Center for Photography, and Wasserman Projects. She holds an MFA from Stanford University and a BA from Princeton University.

Katie Shulman is a textile-based sculptor based in Detroit whose work combines wire, found objects, and fabric to engage themes of pregnancy, miscarriage, identity, and bodily autonomy. She is an arts administrator and educator, and founder of Fiber Club*, a network of artists and creative practitioners across Southeast Michigan. Her work has been exhibited at venues including Urban Glass in Brooklyn and the Everson Museum in Syracuse. She holds an MFA from Syracuse University and a BFA from the University of Michigan.

River House Arts is honored to present this important exhibition opening Mother’s Day weekend.

River House Arts is delighted to open the Spring season with “Signs for Spirits”, Amy  Sacksteder’s new collection of wo...
04/01/2026

River House Arts is delighted to open the Spring season with “Signs for Spirits”, Amy Sacksteder’s new collection of works featuring recent material collage oil paintings, non-dominant hand drawings, and stained-glass work - all arising through impulse, intuition, and material engagement.

The show’s title, “Signs for Spirits”, is prompted by the form of the stained glass panels gently swinging from interactive, swiveling, wall-mounted brackets.
A proffering to others out there who love material and color and in-between places.
An invitation to come in.

ꜱɪɢɴꜱ ꜰᴏʀ ꜱᴘɪʀɪᴛꜱ | ᴀᴍʏ ꜱᴀᴄᴋꜱᴛᴇᴅᴇʀ
thru May 1
Artist Reception : April 18, 5-7 pm

➡️Signs for Spirits 1 (Check)
➡️Signs for Spirits 3 (Checks)
➡️Signs for Spirits 4 (Found Objects)

Stained glass, glazed and underglazed ceramic, copper wire and copper foil tape, lead free solder, powder coated steel
11”x11”
2026

River House Arts is delighted to open the Spring season with “Signs for Spirits”, Amy  Sacksteder’s new collection of wo...
04/01/2026

River House Arts is delighted to open the Spring season with “Signs for Spirits”, Amy Sacksteder’s new collection of works featuring recent material collage oil paintings, non-dominant hand drawings, and stained-glass work - all arising through impulse, intuition, and material engagement.

The show’s title, “Signs for Spirits”, is prompted by the form of the stained glass panels gently swinging from interactive, swiveling, wall-mounted brackets.
A proffering to others out there who love material and color and in-between places.
An invitation to come in.

ꜱɪɢɴꜱ ꜰᴏʀ ꜱᴘɪʀɪᴛꜱ | ᴀᴍʏ ꜱᴀᴄᴋꜱᴛᴇᴅᴇʀ
thru May 1
Artist Reception : April 18, 5-7 pm

➡️Signs for Spirits 1 (Check)
➡️Signs for Spirits 3 (Checks)
➡️Signs for Spirits 4 (Found Objects)

Stained glass, glazed and underglazed ceramic, copper wire and copper foil tape, lead free solder, powder coated steel
11”x11”
2026

Alli Hoag transforms the mundane through an application of magic. Through her work we glimpse an alien, strange world th...
02/20/2026

Alli Hoag transforms the mundane through an application of magic. Through her work we glimpse an alien, strange world that remains anchored in our own. Jewel-like, fantastic protrusions parallel the disruptions between inner life and lived reality. What might feel like an unbridgeable gap becomes a point of connection, offering compassion and shared humanness. Her ethos crystallizes the everyday, elevating it into something quietly fantastic.

regularly exhibits nationally and internationally. She completed her BFA degree in Glass at University of Hawaii at Manoa, graduated with a Master’s in Fine Art from New York State College of Ceramics at Alfred University, and currently serves as Associate Professor of Glass and Glass Area Head at Bowling Green State University, in Bowling Green, OH.

Camouflage - graciously curated by and -
Opens Feb 21, 4-7 pm

Alli Hoag
Pellicula, 2024
Cast glass, mirrored blown glass, mixed media
6” × 13”× 5”

Alli Hoag
Lepidoptera
Cast Glass, Mixed Media
+
Moon Form
Blown, Silvered Glass

Sarah Kabot, like the other artists of 𝐂𝐚𝐦𝐨𝐮𝐟𝐥𝐚𝐠𝐞, has long dislocated viewers through sustained attention to appearance...
02/19/2026

Sarah Kabot, like the other artists of 𝐂𝐚𝐦𝐨𝐮𝐟𝐥𝐚𝐠𝐞, has long dislocated viewers through sustained attention to appearance and detail. Her work resists passive looking. She applies exacting scrutiny to everyday experience from ghost-like mirrored spaces to meticulously constructed collages, drawings, and videos. Her current use of news imagery retains a spectral quality, offering stillness and reflection amid political turmoil.​​​​​​​​​​​​​​​​

Kabot’s work has been shown nationally and abroad at institutions including the Museum of Contemporary Art Detroit, the Drawing Center (NY), and the Peabody Essex Museum (MA). Honors include residencies at the Headlands Center for Art (CA) and Dieu Donne Papermill (NY), along with grants and prizes including a Knight Foundation Technology Grant (2021), a Cleveland Arts Prize for Mid-Career Artist (2017), and multiple Ohio Arts Council Individual Excellence Awards. Her work is held in public and private collections including Progressive Insurance and the Cleveland Clinic, with permanent public installations throughout Cleveland. She is currently Associate Professor and Chair of the Drawing Department at the Cleveland Institute of Art.​​​​​​​​​​​​​​​​

𝐂𝐚𝐦𝐨𝐮𝐟𝐥𝐚𝐠𝐞
opens Saturday, February 21 from 4pm-7pm

1. Sarah Kabot
Ruin, 2024
Graphite on Duralar
9 1/2” x 12 3/8”

2. Sarah Kabot
Snowfall, 2024
Graphite on Duralar
19” x 21”

3. Sarah Kabot
Haze, 2024
Colored Pencil and Graphite on Duralar
28” x 28”

Amber Kempthorn’s work is grounded in narrative, offering windows onto a world of magic realism that is at once sensoria...
02/18/2026

Amber Kempthorn’s work is grounded in narrative, offering windows onto a world of magic realism that is at once sensorial and dreamlike. Her imagery advocates for a languid indolence rooted in reverie—an approach to life that values ease and celebrates simple pleasures. Using expansive dusk-like blues punctuated by evening reds and yellows, her palette immerses us in the light of a setting sun, evoking nostalgia for a dream just beyond recall.

Kempthorn is Associate Professor of Drawing at the Cleveland Institute of Art. Her work has been shown across the U.S. and recognized with an Ohio Arts Council Individual Excellence Award, a Cleveland Arts Prize for Emerging Artist, and a Knight Arts Challenge Akron grant. Most recently, she created Ordinary Magic: A Sunday in the Cuyahoga Valley, a series of animations blending hand-drawn and computer animation that premiered with the Akron Symphony Orchestra in 2022. She lives and works in Hiram, Ohio.​​​​​​​​​​​​​​​​

Amber Kempthorn
Echo & Swell
Acrylic ink on paper
30 3/8” x 24 3/4

Amber Kempthorn
Ryder & Pioneer
Acrylic on paper
14” x 20

Amber Kempthorn
night heavy, light laden
Acrylic ink on paper
28 1/8” x 24 1/4

Natalie Lanese is known for large-scale murals and site-specific painted works that transform a location, often creating...
02/17/2026

Natalie Lanese is known for large-scale murals and site-specific painted works that transform a location, often creating the sensation of having slipped into an alternate reality. Her smaller, self-contained works are no less dislocating, functioning as portals or fragments of that same world. Bright and pulsating, her palette and forms push beyond representation, presenting an intensified, heightened version of reality itself.

The Cleveland-based artist has exhibited at MOCA Tucson, the Akron Art Museum, and the deCordova Sculpture Park and Museum, with large-scale public works in San Diego, Cincinnati, Cleveland, and Toledo. She’s completed residencies at Yaddo and SIM Residency in Reykjavík, and her work is held in collections including the Museum of Fine Arts, Boston and Fidelity Investments. She holds an MFA from Pratt Institute and lives in Cleveland, Ohio.​​​​​​​​​​​​​​​​

***𝐂𝐚𝐦𝐨𝐮𝐟𝐥𝐚𝐠𝐞
𝐨𝐩𝐞𝐧𝐬 𝐅𝐞𝐛𝐫𝐮𝐚𝐫𝐲 𝟐𝟏𝐬𝐭 𝟒-𝟕 𝐩𝐦***

Tablet, 2025
Acrylic, DayGlo and yarn on canvas and linen, foam, panel
12” x 9” x 2.5

Screen Time, 2025
Acrylic, DayGlo and nylon on canvas, foam, panel

Clark Kent, 2025
Acrylic, DayGlo and oil on burlap and paper clay, over foam
12” x 9” x 4

Things hidden, obscured, difficult to see. CAMOUFLAGE features works that disrupt comfortable monotony and force us to q...
02/10/2026

Things hidden, obscured, difficult to see. CAMOUFLAGE features works that disrupt comfortable monotony and force us to question what we’re experiencing.

What am I seeing?

The answers aren’t fixed—they offer transcendence, expand possibility, allow for reconsidered visions.

Featuring

Camouflage
February 21-March 21
4-7 pm
Gallery 2

⭐️⭐️⭐️  and  ⭐️⭐️⭐️Read it at the link 🌳
01/16/2026

⭐️⭐️⭐️ and ⭐️⭐️⭐️
Read it at the link 🌳

If you’ve been to  recently you’ve likely noticed the lush photographs on the walls of Sophie’s Library. (And if you hav...
11/29/2025

If you’ve been to recently you’ve likely noticed the lush photographs on the walls of Sophie’s Library. (And if you haven’t, here’s yet another reason to make a stop there!)

These are the work of Sarah Thomas, a Toledo-based interdisciplinary artist and photographer who transforms plastic waste into vibrant, saturated compositions that challenge how we see throwaway materials. Her photographs turn environmental debris into something inviting, and even joyful. And ultimately impossible to look away from.​​​​​​​​​​​​​​​​

Thomas is Adjunct Professor and Photography Technician at Bowling Green State University. She holds a BFA from Bowling Green State University and an MFA in Photography from Cranbrook Academy of Art.
See her work in person at TolHouse if you haven’t yet. If you can’t - check them out at the 🔗 in profile .

* Netting a Plastic Win
* Gridlocked in a Plastic Dream
*Rise of the Junkbot
* A Meshy Situation
——archival pigment prints, 30x40, 2025

Address

425 Jefferson
Toledo, OH
43604

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