05/23/2026
next upcoming upload
This is Volume Three – 1967, a year that Detroit is known for the 12th Street Riot/Uprising in that hot July summer, but we see it documented as a full bloom of psychedelic rock posters. Gary Grimshaw was still creating the bulk of the posters for the Grande Ballroom but was joined during the year by Donnie Dope and Carl Lundgren. Nationally, psychedelic art entered the mainstream culture, mainly exploited for advertising amid the dubious “Summer of Love” media invention, but it did land Stanley Mouse on the cover of magazines. Dennis Loren, still residing on the west coast, created his first posters.
The two largest San Francisco acid rock bands, Jefferson Airplane and Grateful Dead, both made their Detroit debuts. The Supremes were at “The Happening”, and at the Michigan State Fair, and in ad campaigns from Hudson’s department store to Wonder Bread. The Blues Magoos from the Bronx, NYC wrapped up an eight-month, fifty-show engagement at the Chess Mate in Detroit, where the coffeehouse scene was flourishing with local celebrities Chuck and Joni Mitchell, and a powerhouse drummer Steve (later Muruga) Booker.
The release of “Sgt. Pepper’s Lonely Hearts Club Band” by the Beatles in June was a cataclysmal reimagination of pop music and the world that goes with it.