10/20/2026
We recently unrolled a few textiles in our collection to photograph them for a loan show. The artists are all Senegalese and linked to the École Nationale des Beaux Arts in Dakar. They created highly decorative, monumental tapestries like these. Many were hand woven, and the average size is about 5 feet tall by 7 feet wide.
The Dakar School art movement emphasized cultural identity in a modernist framework. It followed Senegal’s independence from France in 1960, ending about 300 years of colonial rule.
The title of the second artwork, “Les Oiseaux du Pays,” translates to “The Birds of the Country” — perhaps as an homage to Senegal.
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Khalifa Gueye, “Promenade” (detail), 1980s, Tapestry, Hand woven wool and cotton yarns dyed with commercial dyes, 56 × 73 1/8 in., National Museum of African Art, Smithsonian Institution, Washington, DC, Gift of Africare, 2020-10-4
Ansoumana Diedhiou, “Les Oiseaux du Pays” (detail), 1980s, Tapestry, Hand woven wool and cotton yarns dyed with commercial dyes, 54 × 83 in., National Museum of African Art, Smithsonian Institution, Washington, DC, Gift of Africare, 2020-10-2
Boubacar Goudiaby, “L’oiseau no 1” (detail), 1980s, Tapestry, Hand woven wool and cotton yarns dyed with commercial dyes, 58 3/4 × 76 3/8 in., National Museum of African Art, Smithsonian Institution, Washington, DC, Gift of Africare, 2020-10-3
Papa Ibra Tall, “Poete aux Mains Magiques” (detail), 1969, Tapestry, Cotton, wool, dye, 62 × 89 1/4 in., National Museum of African Art, Smithsonian Institution, Washington, DC, Gift of Robert S. McNamara, 84-7-1