National Portrait Gallery

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The National Portrait Gallery, situated on King Edward Terrace, Parkes, Canberra, bounded by the High Court of Australia and the National Gallery of Australia, displays some 400 portraits of people who have shaped Australia and who continue to shape our nation. Home to the nation's portrait collection the National Portrait Gallery comprises gallery spaces for the collection and temporary exhibitio

ns, public areas including a café, shop, function room, theatrette, education and school group areas, and basement car parking. To ensure that we keep our online community safe, we have developed a number of SOCIAL MEDIA AND ONLINE COMMUNITY GUIDELINES:

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'Bri', 2025 by Saskia Wilson - National Photographic Portrait Prize Finalist 2026‘I photographed Australian author Bri L...
05/09/2026

'Bri', 2025 by Saskia Wilson - National Photographic Portrait Prize Finalist 2026

‘I photographed Australian author Bri Lee in my studio, creating a portrait that feels quiet and painterly. Known for her incisive prose and public voice, I sought her inward gaze – a contemplative presence that mirrors the interior world of her work: thoughtful, composed and quietly resolute.’

Saskia Wilson is a photographer who lives and works on Gadigal and Bidjigal Land in Sydney. She uses digital and analogue photographic techniques to explore the ephemerality and emotional dimension of image making.

04/09/2026

'Between us' 2025 by Franky Tsang - National Photographic Portrait Prize Finalist 2026

‘This photograph shows my daughter sitting quietly on her own. I was nearby, watching from a short distance. She didn’t look back, and she didn’t need to. I felt the urge to step closer and chose not to. The moment was brief, but it stayed with me. Being close didn’t mean stepping forward. Loving her meant learning when to stay still.’

Franky Tsang is a photographer who works on Gamaragal/Cammeraygal Country in Sydney. His portraiture practice is grounded in emotional sensitivity and human connection, and focuses on subtle, often unspoken moments.

On this day 20 years ago the world lost a wildlife warrior.Famous for wrestling crocodiles and his catchcry ‘Crikey!’, S...
03/09/2026

On this day 20 years ago the world lost a wildlife warrior.

Famous for wrestling crocodiles and his catchcry ‘Crikey!’, Steve Irwin is remembered for his infectious zest for life, generosity and advocacy for wildlife conservation. Director of the Australia Zoo in Beerwah, Queensland, originally founded by his parents in the 1970s, Irwin achieved international fame through his television series ‘The Crocodile Hunter’, and made more than 100 wildlife documentaries. In 2002, Irwin founded Wildlife Warriors Worldwide, an international conservation fund.

Robyn Sellick took this photograph of Irwin and Siam at Australia Zoo in late 2005. Constrained for time, as the elephant was due to appear in her daily show in 15 minutes, the photographer coaxed Irwin to drop his trademark exuberance for a shot that showed his more vulnerable side. Less than a year later, Irwin died off the coast of Queensland while filming a stingray, the barb of which pierced his heart. His family declined a state funeral, but more than 300 million people watched his memorial service.

Steve Irwin's legacy continues to live on today.

02/09/2026

'On the chair' 2025 by Madeline Bishop - National Photographic Portrait Prize Finalist 2026

‘This image features Eva in her home in Canberra and was shot as part of a series of portraits titled Make this house a home. All of the portraits begin with a conversation about how each subject feels connected to their bodies. We work through gestures, searching for easing of tension, searching for vigour. How do you make a home from this shell you’ve been given? Like spaces, our bodies hold history, memory and evidence of our experiences; the site for our hopes, dreams, anxieties and fears to play out.’

Madeline Bishop is a Naarm/Melbourne-based photographer whose work focuses on the dynamics of relationships and how people interact socially. Bishop creates scenes that are staged yet candid, interrogating the tension between the real and the performative.

30/08/2026

'Holding space' 2025 by Adam Edwards - National Photographic Portrait Prize Finalist 2026

‘Jason, my close friend, was photographed at day’s edge, the sun behind him casting his figure into silhouette. In his hand is a small keepsake, a reminder of Jordan, his daughter, who died by su***de. Jason is creating a documentary about his experience, telling his story in his own words, and pushing back against the silence that often surrounds su***de and grief. I made this portrait in open country to hold space for that work, and the weight of what cannot be undone.’

Adam Edwards lives and works on Wilyakali Country in Broken Hill, New South Wales. He takes inspiration from the stories of people in regional Australia as well as the rugged beauty and charm of the outback.

Support lines:
Lifeline on 13 11 14
Kids Helpline on 1800 551 800
MensLine Australia on 1300 789 978
Su***de Call Back Service on 1300 659 467
Beyond Blue on 1300 22 46 36
Headspace on 1800 650 890
QLife on 1800 184 527

'Rashida, EBONY' by Arini Byng - National Photographic Portrait Prize Finalist 2026‘This photo collage layers a childhoo...
30/08/2026

'Rashida, EBONY' by Arini Byng - National Photographic Portrait Prize Finalist 2026

‘This photo collage layers a childhood photograph of my cousin Rashida over a page from EBONY magazine, bringing my family archive into dialogue with formative cultural experiences from the 1980s. It situates this private history alongside a publication of liberation, long described as “by us, for us”. Produced by the Johnson Publishing Company from 1945 to 2016, EBONY chronicled Black life in the US across social justice, health, beauty, fashion, sport and education. Through this act of overlay and assemblage, familial memory engages with broader histories – aligning Rashida’s image with EBONY’s visual language to bridge temporal distance and expand my understanding of Blackness today.’

Arini Byng is a multidisciplinary artist born on Gadigal Country and now based in Naarm/Melbourne. She explores how moments, objects and places appear within social and political debates and activates her family archive to navigate themes of identity, history and lived experience.

29/08/2026

'Uncle Mervyn Bishop - Australia’s first Aboriginal press photographer' 2025 by Dean Saffron - National Photographic Portrait Prize Finalist 2026

‘Uncle Mervyn Bishop, a proud Kamilaroi man and Australia’s first Aboriginal press photographer, reflects quietly just before his 80th birthday. His life’s work has helped shape the visual history of this nation, documenting moments of truth, dignity and change. For decades, his photographs created a record that ensured Aboriginal people were seen with honesty and authority. In this portrait, I wanted to honour Uncle Merv’s presence at this milestone, acknowledging the weight of what he has witnessed and preserved. His legacy continues to influence how stories are told and remembered across Australia.’

Dean Saffron is a proud Kamilaroi/Gomeroi photographer and filmmaker based on Kabi Kabi and Jinibara Country on the Sunshine Coast, Queensland. His practice centres on respectful, collaborative portraiture and long-form storytelling with Aboriginal and Torres Strait Islander communities.

26/08/2026

'Passed out on the grass' 2026 by Scotty So - National Photographic Portrait Prize Finalist 2026

'In this series, I use archival Dior hats to investigate the tension between mid-century decorum and contemporary excess. As an immigrant, I encountered the “trashy” imagery of the Melbourne Cup long before moving to Australia. These scenes of public euphoric intoxication, often swept under the rug, became a significant contemporary cultural reference point for me. By restaging an iconic Cup photo in drag, I pair the elegance of a 1960s Dior hat with the debris on the grass. This performance transforms a high-status artefact into a tool for q***r spectacle, interrogating the shifting associations of class, fashion and national identity.’

Hong Kong-born Scotty So is a Naarm/Melbourne-based artist. Driven by the thrill of camp, he explores the often-contradictory relationship between humour and sincerity, creating fictional scenes that slightly distort our sense of the familiar.

'Blak & Bare' 2025 by Tiarni Majid-Loban - National Photographic Portrait Prize Finalist 2026‘Blak & Bare is a reclamati...
26/08/2026

'Blak & Bare' 2025 by Tiarni Majid-Loban - National Photographic Portrait Prize Finalist 2026

‘Blak & Bare is a reclamation for First Nations people. It depicts the strength, resilience and sovereignty of every single one of us. Venita Mooney (the model) is a Yuwi, Meriam Mir and South Sea Islander woman. Her natural essence is one of softness, fierceness and inspiration. She is connected to her culture and is an artist at heart. Surrounded by the sea, bare, she shows that no matter what way the tide pulls, against or for us, we are still here. Our culture will never die. We still live on and continue to tell our stories.’

Tiarni Majid-Loban is a proud Wuthathi woman with connections to the Torres Strait who lives and works on Yuwi Country/Mackay, Queensland. In her photography practice she focuses on family and connection to place, documenting the present for the future.

24/08/2026

'Leith at the Dog Show' 2025 by Jo Duck - National Photographic Portrait Prize Finalist 2026

‘Creating staged portraits of fictional characters lights my fire. Even more so, finding collaborators who immediately understand the absurdity and jump on board brings me pure joy. Actor Maria Angelico and I exchanged some texts about dog shows then BAM, within hours we had wigs, costumes, her dog Peta and a two-hour community hall booking. The result is “Leith”, who is trying to earn respect from a community who don’t like him. He’s entered the dog show for acknowledgment, but Peta doesn’t respect him either. She performs for cameras, but the second after this shot, she bolts. Leith plods after, humiliated.’

Photographer Jo Duck lives and works in Naarm/Melbourne. Driven by an appreciation for all things camp, joyful and absurd, Duck’s photography centres on crafting unique characters who live confidently in worlds of their own.

Address

King Edward Terrace
Canberra, ACT
2600

Opening Hours

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Tuesday 10am - 5pm
Wednesday 10am - 5pm
Thursday 10am - 5pm
Friday 10am - 5pm
Saturday 10am - 5pm
Sunday 10am - 5pm

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