29/05/2026
Song Ling’s practice is rooted not in the appropriation of ink as aesthetic gesture, but in a decades-long mastery of the medium from the inside out, shaped by the same institutional tradition that produced the great masters of modern Chinese painting.
In presenting ‘Negative’ we are entering into dialogue with that broader tradition — one that places ink at the centre of Chinese visual culture, and that continues to define what serious painting in China looks like.
Song Ling | Negative
On view until 4 July 2026
HdM Gallery, Beijing