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Fotografia Gallery Fine art limited edition print photography gallery (Tbilisi, Georgia). Commercial use not granted.

Fotografia Gallery - Tbilisi, Republic of Georgia

Fine art limited edition print photography gallery. Limited Edition Prints | Books and gifts | Events

All photographs published here remain ยฉ of the artists.

Next Wednesday, 21 October, we invite you to 'The Arts of Borchalo', an evening in conversation with reWoven at Tbilisi'...
14/10/2026

Next Wednesday, 21 October, we invite you to 'The Arts of Borchalo', an evening in conversation with reWoven at Tbilisi's Vino Underground. Together, we will showcase the vibrant weaving tradition revived in ethnic Azerbaijani communities of Georgia. Illustrating reWoven's story of revitalization and resilience is limited edition photography by Nicolo Vincenzo Malvestuto, a Georgian Italian photojournalist engaged in social and environmental politics of the Caucasus. Nicolo was awarded UNESCO recognition for his 2022 'Borchalo Carpet Weavers' project. Alongside handmade rugs brought up from Kvemo Kartli, Fotografia will exhibit a selection of prints visualizing the people, processes, and landscapes behind a treasured aristic practice saved from extinction. We will begin at 19:00 and hope to see you there. Azerbaijani cuisine and Georgian natural w**es will be available to complement the evening!
Nicolo Vincenzo Malvestuto reWoven แƒฆVino Underground

As we open the fall season, we are pleased to announce a paid internship opportunity with Fotografia Gallery. Weโ€™re look...
10/09/2026

As we open the fall season, we are pleased to announce a paid internship opportunity with Fotografia Gallery.

Weโ€™re looking for passionate individuals with a strong interest in the arts and fluency in both Georgian and English languages. Experience with and/or knowledge of Social Media Marketing/Communications instruments would be a strong preference.

โœจInternship Duration: 3 months, starting ASAP
โœจWork hours: 30-40 hours per month
โœจDuties: Tailored to your skillset with a focus on SMM and Comms. This could also include administrative duties such as gallery staffing, exhibitions and events assistance, social media outreach, and more.

โณPlease note: Applications will be reviewed on a โ€œfirst-come, first-servedโ€ basis.
๐Ÿ””Deadline for submissions: September 20th, 2026

๐Ÿ“ฉSend your resume to [email protected] to apply!

Dear friends and guests,Please be aware that we will be closed for the summer holidays from Wednesday 19 August through ...
16/08/2026

Dear friends and guests,
Please be aware that we will be closed for the summer holidays from Wednesday 19 August through Sunday 30 August.
We will be open again from Wednesday 2 September, resuming our typical operating hours: Wednesday-Sunday, 12:00-19:00.
แƒคแƒแƒขแƒแƒ’แƒ แƒแƒคแƒ˜แƒ แƒ’แƒแƒšแƒ”แƒ แƒ”แƒ 19 แƒแƒ’แƒ•แƒ˜แƒกแƒขแƒแƒ“แƒแƒœ 30 แƒแƒ’แƒ•แƒ˜แƒกแƒขแƒแƒ›แƒ“แƒ” แƒกแƒแƒ–แƒแƒคแƒฎแƒฃแƒšแƒ แƒแƒ แƒ“แƒแƒ“แƒแƒ’แƒ”แƒ‘แƒ˜แƒก แƒ’แƒแƒ›แƒ แƒ“แƒแƒ˜แƒฎแƒฃแƒ แƒ”แƒ‘แƒ.แƒ“แƒแƒ•แƒ‘แƒ แƒฃแƒœแƒ“แƒ”แƒ‘แƒ˜แƒ— 2 แƒกแƒ”แƒฅแƒขแƒ”แƒ›แƒ‘แƒ แƒ˜แƒก แƒแƒ—แƒฎแƒจแƒแƒ‘แƒแƒ—แƒก.
We wish you all a wonderful and restful end of summer, and look forward to welcoming you back this autumn.
- Fotografia Gallery Team

๐Ÿ“ธ The Artist Talk with Anna KacheishviliAna Kacheishvili is a Georgian photographer and a theatre and film actress by pr...
12/07/2026

๐Ÿ“ธ The Artist Talk with Anna Kacheishvili

Ana Kacheishvili is a Georgian photographer and a theatre and film actress by profession, for whom photography has become her primary profession since 2016.
On July 17, Ana will present an overview of her artistic practice, which includes three solo and eight group exhibitions. She has been recognized in numerous international and local photography competitions, and her works are held in private collections. She has also presented her work abroad, including in India and Germany. Ana works as an independent photographer, viewing photography as a medium of information, storytelling, and visual memory.
After receiving three visa refusals to travel to the United States, Ana virtually traveled across nearly every U.S. state from Tbilisi using Google Street View cameras, creating photographs that became her first solo exhibition, โ€œGive Me a Visa.โ€ Her most recent solo exhibition, โ€œLost Highway,โ€ was presented as part of KOLGA Tbilisi Photo.
Her large-scale photographic project, โ€œGilgamesh โ€“ Where Is God?โ€, was the result of ten years of work. During this time, she traveled throughout Svaneti, documenting and studying the everyday life and traditions of the mountainous region. The project culminated in both an exhibition and the publication of a photobook.

During the event, Ana will also speak about her upcoming projects. At the end of the evening, visitors will have the opportunity to ask questions and purchase her works.

๐Ÿ—“๏ธ: July 17, 6:00 PM
๐Ÿ“: 21 Revaz Tabukashvili Street
Admission: Free
We will have w**e and snacks๐Ÿท
To attend the event, please send us a direct message.

We look forward to seeing you!

(Check the comment section to read the caption in Georgian)

Koyaanisqatsi (from the Hopi language), n.1. crazy life. 2. life in turmoil. 3. life out of balance. 4. life disintegrat...
09/07/2026

Koyaanisqatsi (from the Hopi language), n.
1. crazy life. 2. life in turmoil. 3. life out of balance. 4. life disintegrating. 5. a state of life that calls for another way of living.

Join us on PARASKEVI Movie Screening to watch Koyaanisqatsi. ๐Ÿ“ฝ๏ธ
This is a 1982 American experimental documentary film that comprises a montage of stock footage, slow motion, and time-lapse visuals of natural and urban environments across the United States, directed and produced by Godfrey Reggio, featuring music by Philip Glass.

๐Ÿ—“๏ธ: July 10, 5:30 PM
๐Ÿ“: 21 Revaz Tabukashvili St.
Free Entry

๐Ÿ“ฝ๏ธ See you there!

โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”

Koyaanisqatsi (แƒฐแƒแƒžแƒ˜แƒก แƒ”แƒœแƒแƒจแƒ˜), แƒแƒ แƒก. แƒกแƒแƒฎ.
1. แƒจแƒ”แƒจแƒšแƒ˜แƒšแƒ˜ แƒชแƒฎแƒแƒ•แƒ แƒ”แƒ‘แƒ 2. แƒฅแƒแƒแƒกแƒจแƒ˜ แƒ›แƒงแƒแƒคแƒ˜ แƒชแƒฎแƒแƒ•แƒ แƒ”แƒ‘แƒ.
3. แƒฌแƒแƒœแƒแƒกแƒฌแƒแƒ แƒแƒ‘แƒแƒ“แƒแƒ™แƒแƒ แƒ’แƒฃแƒšแƒ˜ แƒชแƒฎแƒแƒ•แƒ แƒ”แƒ‘แƒ 4. แƒ“แƒแƒจแƒšแƒ˜แƒก แƒžแƒ˜แƒ แƒแƒก แƒ›แƒงแƒแƒคแƒ˜ แƒชแƒฎแƒแƒ•แƒ แƒ”แƒ‘แƒ 5. แƒชแƒฎแƒแƒ•แƒ แƒ”แƒ‘แƒ˜แƒก แƒ˜แƒกแƒ”แƒ—แƒ˜ แƒ›แƒ“แƒ’แƒแƒ›แƒแƒ แƒ”แƒแƒ‘แƒ, แƒ แƒแƒ›แƒ”แƒšแƒ˜แƒช แƒแƒ แƒกแƒ”แƒ‘แƒแƒ‘แƒ˜แƒก แƒแƒฎแƒแƒš แƒ’แƒ–แƒแƒก แƒ›แƒแƒ˜แƒ—แƒฎแƒแƒ•แƒก

แƒจแƒ”แƒ›แƒแƒ’แƒ•แƒ˜แƒ”แƒ แƒ—แƒ“แƒ˜แƒ— PARASKEVI แƒคแƒ˜แƒšแƒ›แƒ˜แƒก แƒฉแƒ•แƒ”แƒœแƒ”แƒ‘แƒแƒ–แƒ” Koyaanisqatsi-แƒก แƒกแƒแƒงแƒฃแƒ แƒ”แƒ‘แƒšแƒแƒ“ ๐Ÿ“ฝ๏ธ
แƒ”แƒก 1982 แƒฌแƒšแƒ˜แƒก แƒแƒ›แƒ”แƒ แƒ˜แƒ™แƒฃแƒšแƒ˜ แƒ”แƒฅแƒกแƒžแƒ”แƒ แƒ˜แƒ›แƒ”แƒœแƒขแƒฃแƒšแƒ˜ แƒ“แƒแƒ™แƒฃแƒ›แƒ”แƒœแƒขแƒฃแƒ แƒ˜ แƒคแƒ˜แƒšแƒ›แƒ˜แƒ, แƒ แƒแƒ›แƒ”แƒšแƒ˜แƒช แƒ‘แƒฃแƒœแƒ”แƒ‘แƒ แƒ˜แƒ•แƒ˜ แƒ“แƒ แƒฃแƒ แƒ‘แƒแƒœแƒฃแƒšแƒ˜ แƒ’แƒแƒ แƒ”แƒ›แƒแƒก แƒแƒ›แƒกแƒแƒฎแƒ•แƒ”แƒšแƒ˜ แƒ™แƒแƒ“แƒ แƒ”แƒ‘แƒ˜แƒก, แƒจแƒ”แƒœแƒ”แƒšแƒ”แƒ‘แƒฃแƒšแƒ˜ แƒกแƒชแƒ”แƒœแƒ”แƒ‘แƒ˜แƒ—แƒ แƒ“แƒ แƒ—แƒแƒ˜แƒ›แƒšแƒแƒคแƒกแƒ˜แƒก แƒ›แƒแƒœแƒขแƒแƒŸแƒ˜แƒ— แƒ›แƒแƒ’แƒ•แƒ˜แƒ—แƒฎแƒ แƒแƒ‘แƒก แƒจแƒ”แƒ”แƒ แƒ—แƒ”แƒ‘แƒฃแƒšแƒ˜ แƒจแƒขแƒแƒขแƒ”แƒ‘แƒ˜แƒก แƒ›แƒ แƒแƒ•แƒแƒšแƒคแƒ”แƒ แƒแƒ•แƒแƒœ แƒšแƒแƒœแƒ“แƒจแƒแƒคแƒขแƒ”แƒ‘แƒ–แƒ”. แƒคแƒ˜แƒšแƒ›แƒ˜แƒก แƒ แƒ”แƒŸแƒ˜แƒกแƒแƒ แƒ˜ แƒ“แƒ แƒžแƒ แƒแƒ“แƒ˜แƒฃแƒกแƒ”แƒ แƒ˜แƒ แƒ’แƒแƒ“แƒคแƒ แƒ˜ แƒ แƒ”แƒŸแƒ˜แƒ, แƒฎแƒแƒšแƒ แƒ›แƒฃแƒกแƒ˜แƒ™แƒ แƒจแƒ”แƒฅแƒ›แƒœแƒ˜แƒšแƒ˜แƒ แƒคแƒ˜แƒšแƒ˜แƒž แƒ’แƒšแƒแƒกแƒ˜แƒก แƒ›แƒ˜แƒ”แƒ .

๐Ÿ—“๏ธ: 10 แƒ˜แƒ•แƒšแƒ˜แƒกแƒ˜, 17:30
๐Ÿ“: แƒ แƒ”แƒ•แƒแƒ– แƒ—แƒแƒ‘แƒฃแƒ™แƒแƒจแƒ•แƒ˜แƒšแƒ˜แƒก แƒฅ.21
แƒ“แƒแƒกแƒฌแƒ แƒ”แƒ‘แƒ แƒ—แƒแƒ•แƒ˜แƒกแƒฃแƒคแƒแƒšแƒ˜แƒ.

๐Ÿ“ฝ๏ธ แƒ’แƒ”แƒšแƒแƒ“แƒ”แƒ‘แƒ˜แƒ—!

Guram died at the age of 30, and with him, his age remained frozen in his photographs. Looking through his work, itโ€™s ha...
26/06/2026

Guram died at the age of 30, and with him, his age remained frozen in his photographs. Looking through his work, itโ€™s hard to believe that his final images were taken nearly sixty years ago. Therefore you almost feel that, if you tried, you could find him somewhere in Tbilisi after returning from a mountain hike and ask him about the stories behind his photographs, get to know him, talk to him, and watch the way he captures a fleeting moment.
But Tikanadzeโ€™s work is as old as our parents or even our grandparents and Guram has long since been gone.
This book, bringing together a large part of his photographic legacy, offers a chance to see the world through his eyes.

The book was published as part of โ€œKolga Tbilisi Photo Weekโ€. KOLGA TBILISI PHOTO WEEK

Format: High-end Art Book (24x30 cm)
Paper: 150 gsm matt coated paper
Limited Edition: 700 copies

Check it out at Fotografia ๐Ÿ”๏ธ

โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”

แƒ’แƒฃแƒ แƒแƒ›แƒ˜ 30 แƒฌแƒšแƒ˜แƒกแƒ แƒ’แƒแƒ แƒ“แƒแƒ˜แƒชแƒ•แƒแƒšแƒ แƒ“แƒ แƒ›แƒ˜แƒกแƒ˜ แƒแƒกแƒแƒ™แƒ˜ แƒคแƒแƒขแƒแƒ”แƒ‘แƒ—แƒแƒœ แƒ”แƒ แƒ—แƒแƒ“ แƒ’แƒแƒ˜แƒงแƒ˜แƒœแƒ แƒ“แƒ แƒแƒจแƒ˜. แƒ›แƒ˜แƒก แƒจแƒ”แƒ›แƒแƒฅแƒ›แƒ”แƒ“แƒ”แƒ‘แƒแƒก แƒ แƒแƒ› แƒแƒ—แƒ•แƒแƒšแƒ˜แƒ”แƒ แƒ”แƒ‘, แƒ•แƒ”แƒ  แƒฌแƒแƒ แƒ›แƒแƒ’แƒ˜แƒ“แƒ’แƒ”แƒœแƒ˜แƒ, แƒ แƒแƒ› แƒฃแƒ™แƒแƒœแƒแƒกแƒ™แƒœแƒ”แƒšแƒ˜ แƒ™แƒแƒ“แƒ แƒ”แƒ‘แƒ˜ แƒ“แƒแƒแƒฎแƒšแƒแƒ”แƒ‘แƒ˜แƒ— 60 แƒฌแƒšแƒ˜แƒกแƒแƒ, แƒแƒ›แƒ˜แƒขแƒแƒ› แƒ’แƒ’แƒแƒœแƒ˜แƒ, แƒ แƒแƒ› แƒ—แƒฃ แƒ›แƒแƒ˜แƒœแƒ“แƒแƒ›แƒ”แƒ‘, แƒ›แƒ—แƒแƒจแƒ˜ แƒšแƒแƒจแƒฅแƒ แƒแƒ‘แƒ˜แƒ“แƒแƒœ แƒ“แƒแƒ‘แƒ แƒฃแƒœแƒ”แƒ‘แƒฃแƒšแƒก แƒกแƒแƒ“แƒฆแƒแƒช แƒ—แƒ‘แƒ˜แƒšแƒ˜แƒกแƒจแƒ˜ แƒ›แƒแƒฎแƒ”แƒขแƒ˜แƒแƒšแƒ”แƒก แƒ›แƒแƒซแƒ”แƒ‘แƒœแƒ˜ แƒ“แƒ แƒคแƒแƒขแƒแƒ”แƒ‘แƒ˜แƒก แƒ˜แƒกแƒขแƒแƒ แƒ˜แƒ”แƒ‘แƒก แƒ›แƒแƒแƒงแƒแƒšแƒ”แƒ‘, แƒ’แƒแƒ˜แƒชแƒœแƒแƒ‘, แƒ“แƒแƒ”แƒšแƒแƒžแƒแƒ แƒแƒ™แƒ”แƒ‘แƒ˜ แƒ“แƒ แƒ“แƒแƒแƒ™แƒ•แƒ˜แƒ แƒ“แƒ”แƒ‘แƒ˜, แƒ แƒแƒ’แƒแƒ  แƒ˜แƒญแƒ”แƒ แƒก แƒฌแƒแƒ›แƒก.
แƒ›แƒแƒ’แƒ แƒแƒ› แƒ—แƒ˜แƒ™แƒแƒœแƒแƒซแƒ˜แƒก แƒจแƒ”แƒ›แƒแƒฅแƒ›แƒ”แƒ“แƒ”แƒ‘แƒ แƒฎแƒแƒ› แƒจแƒ”แƒœแƒ˜ แƒ›แƒจแƒแƒ‘แƒšแƒ”แƒ‘แƒ˜แƒก, แƒแƒœ แƒ›แƒแƒ—แƒ˜ แƒ›แƒจแƒแƒ‘แƒšแƒ”แƒ‘แƒ˜แƒก แƒขแƒแƒšแƒ˜แƒ แƒ“แƒ แƒ’แƒฃแƒ แƒแƒ›แƒ˜แƒช แƒ“แƒ˜แƒ“แƒ˜ แƒฎแƒแƒœแƒ˜แƒ แƒฌแƒแƒกแƒฃแƒšแƒ˜แƒ.
แƒ”แƒก แƒฌแƒ˜แƒ’แƒœแƒ˜ แƒ™แƒ˜, แƒ แƒแƒ›แƒ”แƒšแƒ˜แƒช แƒ—แƒแƒ•แƒก แƒฃแƒงแƒ แƒ˜แƒก แƒ’แƒฃแƒ แƒแƒ›แƒ˜แƒก แƒ›แƒ”แƒ›แƒ™แƒ•แƒ˜แƒ“แƒ แƒ”แƒแƒ‘แƒ˜แƒก แƒ“แƒ˜แƒ“ แƒœแƒแƒฌแƒ˜แƒšแƒก, แƒกแƒแƒจแƒฃแƒแƒšแƒ”แƒ‘แƒแƒก แƒ’แƒแƒซแƒšแƒ”แƒ•แƒก แƒ›แƒ˜แƒกแƒ˜ แƒ—แƒ•แƒแƒšแƒ˜แƒ— แƒ“แƒแƒœแƒแƒฎแƒฃแƒšแƒ˜ แƒกแƒแƒ›แƒงแƒแƒ แƒ แƒ“แƒแƒแƒ—แƒ•แƒแƒšแƒ˜แƒ”แƒ แƒ.

แƒฌแƒ˜แƒ’แƒœแƒ˜ แƒ’แƒแƒ›แƒแƒชแƒ”แƒ›แƒฃแƒšแƒ˜แƒ โ€œแƒฅแƒแƒšแƒ’แƒ แƒ—แƒ‘แƒ˜แƒšแƒ˜แƒกแƒ˜ แƒคแƒแƒขแƒโ€ แƒ™แƒ•แƒ˜แƒ แƒ”แƒฃแƒšแƒ˜แƒก แƒคแƒแƒ แƒ’แƒšแƒ”แƒ‘แƒจแƒ˜.

แƒคแƒแƒ แƒ›แƒแƒขแƒ˜: High-end Art Book (24x30 cm)
แƒฅแƒแƒฆแƒแƒšแƒ“แƒ˜: 150 gsm matt coated paper
แƒšแƒ˜แƒ›แƒ˜แƒขแƒ˜แƒ แƒ”แƒ‘แƒฃแƒšแƒ˜ แƒขแƒ˜แƒ แƒแƒŸแƒ˜: 700 แƒ”แƒ’แƒ–แƒ”แƒ›แƒžแƒšแƒแƒ แƒ˜

แƒœแƒแƒฎแƒ”แƒ— แƒฌแƒ˜แƒ’แƒœแƒ˜ แƒคแƒแƒขแƒแƒ’แƒ แƒแƒคแƒ˜แƒแƒจแƒ˜ ๐Ÿ”๏ธ

โ€˜Asatiani Washdayโ€™ by Adrian ScoffhamPrint size : 60x60 cmTotal edition: 20Paper: luster fiber 260 gr.Price: 1180 GELTbi...
23/06/2026

โ€˜Asatiani Washdayโ€™ by Adrian Scoffham

Print size : 60x60 cm
Total edition: 20
Paper: luster fiber 260 gr.
Price: 1180 GEL

Tbilisi is quite unique in the amount of semi-public shared spaces that can be discovered, a phenomenon that is now rare to find in other cities. More often than not the inhabitants are welcoming, sometimes guests are offered coffee or w**e. As gentrification encroaches on what are often dilapidated quarters whilst the architecture may be saved the underlying culture doesnโ€™t survive - these photos serve to memorialise these spaces.

Adrian Scoffham (Adrian Scoffham) is a London-born photographer who has lived in Tbilisi since mid-2013; his work is about documenting the beauty in the everyday in and around the city; he captures images on a variety of formats including medium-format film and digital.

๐Ÿ“ธ Explore the print offline at the gallery or visit our website (link in bio)

โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”

แƒแƒ“แƒ แƒ˜แƒแƒœ แƒกแƒ™แƒแƒคแƒฐแƒ”แƒ›แƒ˜แƒก โ€˜Asatiani Washdayโ€˜

แƒ–แƒแƒ›แƒ: 60x60 cm
แƒขแƒ˜แƒ แƒแƒŸแƒ˜: 20
แƒฅแƒแƒฆแƒแƒšแƒ“แƒ˜: luster fiber 260 gr.
แƒคแƒแƒกแƒ˜: 1180 แƒšแƒแƒ แƒ˜

แƒ—แƒ‘แƒ˜แƒšแƒ˜แƒกแƒ˜ แƒกแƒแƒ™แƒ›แƒแƒแƒ“ แƒฃแƒœแƒ˜แƒ™แƒแƒšแƒฃแƒ แƒ˜แƒ โ€œแƒœแƒแƒฎแƒ”แƒ•แƒ แƒแƒ“ แƒกแƒแƒฏแƒแƒ แƒโ€ แƒกแƒ˜แƒ•แƒ แƒชแƒ”แƒ”แƒ‘แƒ˜แƒก แƒ แƒแƒแƒ“แƒ”แƒœแƒแƒ‘แƒ˜แƒ—, แƒ แƒแƒช แƒ“แƒฆแƒ”แƒกแƒ“แƒฆแƒ”แƒแƒ‘แƒ˜แƒ— แƒกแƒฎแƒ•แƒ แƒฅแƒแƒšแƒแƒฅแƒ”แƒ‘แƒจแƒ˜ แƒฃแƒคแƒ แƒ แƒ“แƒ แƒฃแƒคแƒ แƒ แƒœแƒแƒ™แƒšแƒ”แƒ‘แƒแƒ“ แƒ’แƒ•แƒฎแƒ•แƒ“แƒ”แƒ‘แƒ. แƒฃแƒ›แƒ”แƒขแƒ”แƒกแƒแƒ“ แƒแƒ“แƒ’แƒ˜แƒšแƒแƒ‘แƒ แƒ˜แƒ•แƒ˜ แƒ›แƒแƒชแƒฎแƒแƒ•แƒ แƒ”แƒ‘แƒšแƒ”แƒ‘แƒ˜ แƒ™แƒ”แƒ—แƒ˜แƒšแƒ’แƒแƒœแƒฌแƒงแƒแƒ‘แƒ˜แƒšแƒœแƒ˜ แƒแƒ แƒ˜แƒแƒœ, แƒ–แƒแƒ’แƒฏแƒ”แƒ  แƒ“แƒแƒ›แƒ—แƒ•แƒแƒšแƒ˜แƒ”แƒ แƒ”แƒ‘แƒšแƒ”แƒ‘แƒก แƒฆแƒ•แƒ˜แƒœแƒแƒกแƒ แƒ“แƒ แƒงแƒแƒ•แƒแƒกแƒแƒช แƒ™แƒ˜ แƒกแƒ—แƒแƒ•แƒแƒ–แƒแƒ‘แƒ”แƒœ. แƒ’แƒ”แƒœแƒขแƒ แƒ˜แƒคแƒ˜แƒ™แƒแƒชแƒ˜แƒ˜แƒก แƒžแƒ แƒแƒชแƒ”แƒกแƒ›แƒ, แƒ แƒแƒ›แƒ”แƒšแƒ˜แƒช แƒฎแƒจแƒ˜แƒ แƒแƒ“ แƒ›แƒ˜แƒขแƒแƒ•แƒ”แƒ‘แƒฃแƒš แƒ“แƒ แƒ“แƒแƒ–แƒ˜แƒแƒœแƒ”แƒ‘แƒฃแƒš แƒฃแƒ‘แƒœแƒ”แƒ‘แƒก แƒ”แƒฎแƒ”แƒ‘แƒ, แƒจแƒ”แƒกแƒแƒซแƒšแƒแƒ แƒแƒ แƒกแƒ”แƒ‘แƒฃแƒšแƒ˜ แƒแƒ แƒฅแƒ˜แƒขแƒ”แƒฅแƒขแƒฃแƒ แƒ แƒ™แƒ˜ แƒจแƒ”แƒ˜แƒœแƒแƒ แƒฉแƒฃแƒœแƒแƒก, แƒ›แƒแƒ’แƒ แƒแƒ› แƒแƒกแƒ”แƒ— แƒแƒ“แƒ’แƒ˜แƒšแƒ”แƒ‘แƒจแƒ˜ แƒแƒ แƒกแƒ”แƒ‘แƒฃแƒšแƒ˜ แƒ™แƒฃแƒšแƒขแƒฃแƒ แƒ แƒฎแƒจแƒ˜แƒ แƒแƒ“ แƒฅแƒ แƒ”แƒ‘แƒ. แƒ”แƒก แƒคแƒแƒขแƒแƒ”แƒ‘แƒ˜ แƒกแƒฌแƒแƒ แƒ”แƒ“ แƒแƒ› แƒกแƒ˜แƒ•แƒ แƒชแƒ”แƒ”แƒ‘แƒ˜แƒก แƒ›แƒ”แƒฎแƒกแƒ˜แƒ”แƒ แƒ”แƒ‘แƒ˜แƒก แƒจแƒ”แƒกแƒแƒœแƒแƒ แƒฉแƒฃแƒœแƒ”แƒ‘แƒšแƒแƒ“ แƒจแƒ”แƒ˜แƒฅแƒ›แƒœแƒ.

แƒ”แƒ“แƒ แƒ˜แƒ”แƒœ แƒกแƒฅแƒแƒคแƒฐแƒ”แƒ›แƒ˜ (Adrian Scoffham) แƒšแƒแƒœแƒ“แƒแƒœแƒจแƒ˜ แƒ“แƒแƒ‘แƒแƒ“แƒ”แƒ‘แƒฃแƒšแƒ˜ แƒคแƒแƒขแƒแƒ’แƒ แƒแƒคแƒ˜แƒ, แƒ แƒแƒ›แƒ”แƒšแƒ˜แƒช 2013 แƒฌแƒšแƒ˜แƒ“แƒแƒœ แƒ—แƒ‘แƒ˜แƒšแƒ˜แƒกแƒจแƒ˜ แƒชแƒฎแƒแƒ•แƒ แƒแƒ‘แƒก. แƒ›แƒ˜แƒกแƒ˜ แƒจแƒ”แƒ›แƒแƒฅแƒ›แƒ”แƒ“แƒ”แƒ‘แƒ แƒฅแƒแƒšแƒแƒฅแƒ˜แƒกแƒ แƒ“แƒ แƒ›แƒ˜แƒกแƒ˜ แƒจแƒ”แƒ›แƒแƒ’แƒแƒ แƒ”แƒœแƒ˜แƒก แƒงแƒแƒ•แƒ”แƒšแƒ“แƒฆแƒ˜แƒฃแƒ  แƒกแƒ˜แƒšแƒแƒ›แƒแƒ–แƒ”แƒก แƒแƒกแƒแƒฎแƒแƒ•แƒก. แƒ”แƒ“แƒ แƒ˜แƒ”แƒœแƒ˜ แƒคแƒแƒขแƒแƒ”แƒ‘แƒก แƒ˜แƒฆแƒ”แƒ‘แƒก แƒกแƒฎแƒ•แƒแƒ“แƒแƒกแƒฎแƒ•แƒ แƒคแƒแƒ แƒ›แƒแƒขแƒจแƒ˜, แƒ›แƒแƒ— แƒจแƒแƒ แƒ˜แƒก แƒกแƒแƒจแƒฃแƒแƒšแƒ แƒคแƒแƒ แƒ›แƒแƒขแƒ˜แƒก แƒคแƒ˜แƒ แƒกแƒ แƒ“แƒ แƒชแƒ˜แƒคแƒ แƒฃแƒš แƒคแƒแƒขแƒแƒ’แƒ แƒแƒคแƒ˜แƒแƒจแƒ˜.

๐Ÿ“ธ แƒ“แƒแƒแƒ—แƒ•แƒแƒšแƒ˜แƒ”แƒ แƒ”แƒ— แƒžแƒ แƒ˜แƒœแƒขแƒ˜ แƒ’แƒแƒšแƒ”แƒ แƒ”แƒแƒจแƒ˜ แƒแƒœ แƒ”แƒฌแƒ•แƒ˜แƒ”แƒ— แƒ•แƒ”แƒ‘แƒกแƒแƒ˜แƒขแƒก (แƒšแƒ˜แƒœแƒ™แƒ˜ แƒแƒฆแƒฌแƒ”แƒ แƒแƒจแƒ˜แƒ)

We are screening โ€˜After Hoursโ€™ at Fotografia!In the world of cinema, it has been often said that โ€œnothing good happens a...
04/06/2026

We are screening โ€˜After Hoursโ€™ at Fotografia!

In the world of cinema, it has been often said that โ€œnothing good happens after 2 a.m.โ€ Martin Scorseseโ€™s After Hours is an underrated gem that takes you into the endless adventure of New Yorkโ€™s streets, where, alongside the protagonist, you spend ninety minutes trying to find a way out. This film is a fever dream where every character deserves a separate movie, and as their stories unfold, you find yourself trying to make sense of a strange and mysterious world where everything is miraculously interconnected.

๐Ÿ—“๏ธ: June 7, 16:30
๐Ÿ“: 21 Revaz Tabukashvili St
The entry is free of charge.

Save the date! ๐Ÿ“ฝ๏ธ

โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”

แƒ’แƒ•แƒ”แƒฌแƒ•แƒ˜แƒ”แƒ— แƒคแƒแƒขแƒแƒ’แƒ แƒแƒคแƒ˜แƒแƒจแƒ˜ โ€œแƒแƒ แƒแƒกแƒแƒ›แƒฃแƒจแƒแƒ แƒกแƒแƒแƒ—แƒ”แƒ‘แƒ˜แƒกโ€ แƒฉแƒ•แƒ”แƒœแƒ”แƒ‘แƒแƒ–แƒ”!

แƒ™แƒ˜แƒœแƒแƒกแƒแƒ›แƒงแƒแƒ แƒแƒจแƒ˜ แƒแƒ แƒแƒ”แƒ แƒ—แƒฎแƒ”แƒš แƒ—แƒฅแƒ›แƒฃแƒšแƒ, แƒ แƒแƒ› โ€œแƒฆแƒแƒ›แƒ˜แƒก 2 แƒกแƒแƒแƒ—แƒ˜แƒก แƒจแƒ”แƒ›แƒ“แƒ”แƒ’ แƒแƒ แƒแƒคแƒ”แƒ แƒ˜ แƒ™แƒแƒ แƒ’แƒ˜ แƒแƒ  แƒฎแƒ“แƒ”แƒ‘แƒโ€. โ€œแƒแƒ แƒแƒกแƒแƒ›แƒฃแƒจแƒแƒ แƒกแƒแƒแƒ—แƒ”แƒ‘แƒ˜โ€ แƒ™แƒ˜ แƒกแƒ™แƒแƒ แƒกแƒ”แƒ–แƒ”แƒก แƒœแƒแƒ™แƒšแƒ”แƒ‘แƒแƒ“ แƒ“แƒแƒคแƒแƒกแƒ”แƒ‘แƒฃแƒšแƒ˜ แƒคแƒ˜แƒšแƒ›แƒ˜แƒ, แƒ แƒแƒ›แƒ”แƒšแƒกแƒแƒช แƒœแƒ˜แƒฃ แƒ˜แƒแƒ แƒ™แƒ˜แƒก แƒฅแƒฃแƒฉแƒ”แƒ‘แƒ˜แƒก แƒ“แƒแƒฃแƒกแƒ แƒฃแƒšแƒ”แƒ‘แƒ”แƒš แƒ—แƒแƒ•แƒ’แƒแƒ“แƒแƒกแƒแƒ•แƒแƒšแƒจแƒ˜ แƒ’แƒแƒ“แƒแƒฐแƒงแƒแƒ•แƒฎแƒแƒ , แƒกแƒแƒ˜แƒ“แƒแƒœแƒแƒช แƒ—แƒแƒ•แƒ˜แƒก แƒ“แƒแƒฆแƒฌแƒ”แƒ•แƒแƒก แƒ›แƒ—แƒแƒ•แƒแƒ  แƒžแƒ”แƒ แƒกแƒแƒœแƒแƒŸแƒ—แƒแƒœ แƒ”แƒ แƒ—แƒแƒ“ แƒกแƒแƒแƒ—-แƒœแƒแƒฎแƒ”แƒ•แƒแƒ แƒ˜ แƒชแƒ“แƒ˜แƒšแƒแƒ‘. แƒ”แƒก แƒคแƒ˜แƒšแƒ›แƒ˜ โ€˜แƒ›แƒแƒฆแƒแƒšแƒ˜ แƒกแƒ˜แƒชแƒฎแƒ˜แƒก แƒกแƒ˜แƒ–แƒ›แƒแƒ แƒ˜แƒโ€™, แƒกแƒแƒ“แƒแƒช แƒงแƒ•แƒ”แƒšแƒ แƒžแƒ”แƒ แƒกแƒแƒœแƒแƒŸแƒ˜ แƒชแƒแƒšแƒ™แƒ” แƒ™แƒ˜แƒœแƒแƒ, แƒจแƒ”แƒœ แƒ™แƒ˜ แƒ›แƒแƒ—แƒ˜ แƒœแƒแƒแƒ›แƒ‘แƒแƒ‘แƒ˜แƒ— แƒ“แƒแƒ–แƒแƒคแƒ แƒฃแƒšแƒ˜ แƒชแƒ“แƒ˜แƒšแƒแƒ‘ แƒแƒ› แƒ›แƒ˜แƒกแƒขแƒ˜แƒฃแƒ แƒ˜ แƒ›แƒแƒชแƒ”แƒ›แƒฃแƒšแƒแƒ‘แƒ˜แƒ“แƒแƒœ แƒ’แƒแƒ›แƒแƒ แƒ™แƒ•แƒ”แƒ•แƒแƒก, แƒกแƒแƒ“แƒแƒช แƒ—แƒแƒœ แƒงแƒ•แƒ”แƒšแƒแƒคแƒ”แƒ แƒ˜ แƒ”แƒ แƒ—แƒ›แƒแƒœแƒ”แƒ—แƒ–แƒ” แƒกแƒแƒกแƒฌแƒแƒฃแƒšแƒ”แƒ‘แƒ แƒ˜แƒ•แƒแƒ“ แƒ’แƒแƒ“แƒแƒฏแƒแƒญแƒ•แƒฃแƒšแƒ˜แƒ.

๐Ÿ—“๏ธ: 7 แƒ˜แƒ•แƒœแƒ˜แƒกแƒ˜, 16:30
๐Ÿ“: แƒ แƒ”แƒ•แƒแƒ– แƒ—แƒแƒ‘แƒฃแƒ™แƒแƒจแƒ•แƒ˜แƒšแƒ˜แƒก 21
แƒ“แƒแƒกแƒฌแƒ แƒ”แƒ‘แƒ แƒ—แƒแƒ•แƒ˜แƒกแƒฃแƒคแƒแƒšแƒ˜แƒ

แƒ’แƒ”แƒšแƒแƒ“แƒ”แƒ‘แƒ˜แƒ—, แƒฉแƒแƒ˜แƒœแƒ˜แƒจแƒœแƒ”แƒ— แƒจแƒ”แƒฎแƒ•แƒ”แƒ“แƒ แƒ! ๐Ÿ“ฝ๏ธ

๐Ÿ“ธ Check out posters by Guram Tsibakhashvili at FotografiaGuram Tsibakhashvili is one of the distinguished Georgian photo...
19/05/2026

๐Ÿ“ธ Check out posters by Guram Tsibakhashvili at Fotografia

Guram Tsibakhashvili is one of the distinguished Georgian photographers who has been working since the 1980s both on documentary as well as conceptual works and collages. He is the author of the photo series Ulysses (1988), Seeds (1994), Explanations (2002), Chewing Girls (2002), and others. His works are held in galleries of various countries of the world, such as the USA, Greece, and Germany.

Edition: unlimited
Size: A4
Price: 40 GEL

We are open Wed - Sun, 12-7 PM ๐ŸŒŸ

โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”

๐Ÿ“ธ แƒ’แƒฃแƒ แƒแƒ› แƒฌแƒ˜แƒ‘แƒแƒฎแƒแƒจแƒ•แƒ˜แƒšแƒ˜แƒก แƒžแƒแƒกแƒขแƒ”แƒ แƒ”แƒ‘แƒ˜ แƒคแƒแƒขแƒแƒ’แƒ แƒแƒคแƒ˜แƒแƒจแƒ˜

แƒ’แƒฃแƒ แƒแƒ› แƒฌแƒ˜แƒ‘แƒแƒฎแƒแƒจแƒ•แƒ˜แƒšแƒ˜ แƒ”แƒ แƒ—-แƒ”แƒ แƒ—แƒ˜ แƒ’แƒแƒ›แƒแƒ แƒฉแƒ”แƒฃแƒšแƒ˜ แƒฅแƒแƒ แƒ—แƒ•แƒ”แƒšแƒ˜ แƒคแƒแƒขแƒแƒ’แƒ แƒแƒคแƒ˜แƒ, แƒ แƒแƒ›แƒ”แƒšแƒ˜แƒช 1980แƒ˜แƒแƒœแƒ˜ แƒฌแƒšแƒ”แƒ‘แƒ˜แƒ“แƒแƒœ แƒ›แƒฃแƒจแƒแƒแƒ‘แƒก แƒ แƒแƒ’แƒแƒ แƒช แƒ“แƒแƒ™แƒฃแƒ›แƒ”แƒœแƒขแƒฃแƒ , แƒ˜แƒกแƒ” แƒ™แƒแƒœแƒชแƒ”แƒžแƒขแƒฃแƒแƒšแƒฃแƒ  แƒœแƒแƒ›แƒฃแƒจแƒ”แƒ•แƒ แƒ”แƒ‘แƒกแƒ แƒ“แƒ แƒ™แƒแƒšแƒแƒŸแƒ”แƒ‘แƒ–แƒ”. แƒ˜แƒก แƒแƒ•แƒขแƒแƒ แƒ˜แƒ แƒคแƒแƒขแƒแƒกแƒ”แƒ แƒ˜แƒ”แƒ‘แƒ˜แƒก,ย โ€žแƒฃแƒšแƒ˜แƒกแƒ”โ€œ (1988) โ€žแƒœแƒ”แƒ แƒ’แƒ”แƒ‘แƒ˜โ€œ (1994), โ€œแƒ’แƒแƒœแƒ›แƒแƒ แƒขแƒ”แƒ‘แƒ”แƒ‘แƒ˜โ€œ (2002), โ€žแƒกแƒแƒฆแƒ”แƒญแƒ˜ แƒ’แƒแƒ’แƒแƒ”แƒ‘แƒ˜โ€œ (2002) แƒ“แƒ แƒกแƒฎแƒ•. แƒ›แƒ˜แƒกแƒ˜ แƒœแƒแƒ›แƒฃแƒจแƒ”แƒ•แƒ แƒ”แƒ‘แƒ˜ แƒ›แƒกแƒแƒคแƒšแƒ˜แƒแƒก แƒกแƒฎแƒ•แƒแƒ“แƒแƒกแƒฎแƒ•แƒ แƒฅแƒ•แƒ”แƒงแƒœแƒ˜แƒก แƒ’แƒแƒšแƒ”แƒ แƒ”แƒแƒจแƒ˜ แƒ˜แƒœแƒแƒฎแƒ”แƒ‘แƒ, แƒ แƒแƒ’แƒแƒ แƒ˜แƒชแƒแƒ แƒแƒจแƒจ, แƒกแƒแƒ‘แƒ”แƒ แƒซแƒœแƒ”แƒ—แƒ˜, แƒ’แƒ”แƒ แƒ›แƒแƒœแƒ˜แƒ.

แƒขแƒ˜แƒ แƒแƒŸแƒ˜: unlimited
แƒ–แƒแƒ›แƒ: A4
แƒคแƒแƒกแƒ˜: 40 GEL

แƒ’แƒ•แƒ”แƒกแƒขแƒฃแƒ›แƒ แƒ”แƒ— แƒแƒ—แƒฎแƒจแƒแƒ‘แƒแƒ—แƒ˜แƒ“แƒแƒœ แƒ™แƒ•แƒ˜แƒ แƒ˜แƒก แƒฉแƒแƒ—แƒ•แƒšแƒ˜แƒ—, 12แƒ˜แƒ“แƒแƒœ 7 แƒกแƒแƒแƒ—แƒแƒ›แƒ“แƒ” ๐ŸŒŸ

From Natela Grigalashviliโ€™s ongoing series โ€œDoukhoborsโ€™ Landโ€Doukhobors are a Spiritual Christian ethnoreligious group w...
15/05/2026

From Natela Grigalashviliโ€™s ongoing series โ€œDoukhoborsโ€™ Landโ€

Doukhobors are a Spiritual Christian ethnoreligious group who were relocated from Russia in 19th century, after refusing to change their faith. They settled down in Samtskhe-Javakheti region, near Ninotsminda in around 1841, and founded 8 villages. Nowadays, due to harsh geographical and living conditions, only about 150 of them live in their biggest village Goralovka and their traditions and culture is endangered.

Natela Grigalashvili is one of the first Georgian documentary photographers, who photographs rural communities with her own original vision in such a way that each photo, along with being a document reflecting the lives of these people, is a mixture of emotions and empathy. She has been working on projects โ€œThe Doukhoborsโ€, and the โ€œFinal days of Georgian Nomadsโ€, and has finished the โ€œVillage of Miceโ€ series. She founded a first photo-agency in Georgia โ€œKontakt Photosโ€ in 2015.

Explore the print from the series and learn more about the Doukhobors at Fotografia.

The print is available on the website (link in bio).

โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”โ€”
แƒœแƒแƒ—แƒ”แƒšแƒ แƒ’แƒ แƒ˜แƒ’แƒแƒšแƒแƒจแƒ•แƒ˜แƒšแƒ˜แƒก แƒคแƒแƒขแƒ แƒกแƒ”แƒ แƒ˜แƒ˜แƒ“แƒแƒœ โ€œแƒ“แƒฃแƒฎแƒแƒ‘แƒแƒ แƒ”แƒ‘แƒ˜โ€.

แƒ“แƒฃแƒฎแƒแƒ‘แƒแƒ แƒ”แƒ‘แƒ˜ แƒฅแƒ แƒ˜แƒกแƒขแƒ˜แƒแƒœแƒฃแƒšแƒ˜ แƒ”แƒ—แƒœแƒ-แƒ แƒ”แƒšแƒ˜แƒ’แƒ˜แƒฃแƒ แƒ˜ แƒฏแƒ’แƒฃแƒคแƒ˜แƒ, แƒ แƒแƒ›แƒšแƒ”แƒ‘แƒ˜แƒช แƒ แƒฃแƒกแƒ”แƒ—แƒ˜แƒ“แƒแƒœ แƒ›แƒ”-19 แƒกแƒแƒฃแƒ™แƒฃแƒœแƒ”แƒจแƒ˜ แƒ’แƒแƒ›แƒแƒแƒกแƒแƒฎแƒšแƒ”แƒก, แƒ แƒแƒ“แƒ’แƒแƒœ แƒฃแƒแƒ แƒ˜ แƒ—แƒฅแƒ•แƒ”แƒก แƒกแƒแƒ แƒฌแƒ›แƒฃแƒœแƒแƒ”แƒ‘แƒ˜แƒก แƒจแƒ”แƒชแƒ•แƒšแƒแƒ–แƒ”. แƒ˜แƒกแƒ˜แƒœแƒ˜ แƒกแƒแƒ›แƒชแƒฎแƒ”-แƒฏแƒแƒ•แƒแƒฎแƒ”แƒ—แƒจแƒ˜, แƒœแƒ˜แƒœแƒแƒฌแƒ›แƒ˜แƒœแƒ“แƒ˜แƒก แƒ แƒ”แƒ’แƒ˜แƒแƒœแƒจแƒ˜ แƒ“แƒแƒกแƒแƒฎแƒšแƒ“แƒœแƒ”แƒœ. แƒ แƒ—แƒฃแƒšแƒ˜ แƒ’แƒ”แƒแƒ’แƒ แƒแƒคแƒ˜แƒฃแƒšแƒ˜ แƒ“แƒ แƒกแƒแƒแƒชแƒฎแƒแƒ•แƒ แƒ”แƒ‘แƒ”แƒšแƒ˜ แƒžแƒ˜แƒ แƒแƒ‘แƒ”แƒ‘แƒ˜แƒก แƒ’แƒแƒ›แƒ แƒ“แƒฆแƒ”แƒกแƒ“แƒฆแƒ”แƒแƒ‘แƒ˜แƒ— แƒ›แƒฎแƒแƒšแƒแƒ“ 150 แƒ“แƒฃแƒฎแƒแƒ‘แƒแƒ แƒ˜แƒฆแƒแƒ แƒจแƒ”แƒ›แƒแƒ แƒฉแƒ”แƒœแƒ˜แƒšแƒ˜ แƒ›แƒแƒ— แƒงแƒ•แƒ”แƒšแƒแƒ–แƒ” แƒ“แƒ˜แƒ“ แƒกแƒแƒคแƒ”แƒš แƒ’แƒแƒ แƒแƒšแƒแƒ•แƒ™แƒจแƒ˜, แƒจแƒ”แƒกแƒแƒ‘แƒแƒ›แƒ˜แƒกแƒแƒ“, แƒ›แƒแƒ—แƒ˜ แƒ™แƒฃแƒšแƒขแƒฃแƒ แƒ แƒ“แƒ แƒขแƒ แƒแƒ“แƒ˜แƒชแƒ˜แƒ”แƒ‘แƒ˜ แƒ’แƒแƒฅแƒ แƒแƒ‘แƒ˜แƒก แƒกแƒแƒจแƒ˜แƒจแƒ แƒแƒ”แƒ‘แƒ˜แƒก แƒฌแƒ˜แƒœ แƒ“แƒ’แƒแƒก.

แƒœแƒแƒ—แƒ”แƒšแƒ แƒ’แƒ แƒ˜แƒ’แƒแƒšแƒแƒจแƒ•แƒ˜แƒšแƒ˜ แƒ”แƒ แƒ—-แƒ”แƒ แƒ—แƒ˜ แƒžแƒ˜แƒ แƒ•แƒ”แƒšแƒ˜ แƒฅแƒแƒ แƒ—แƒ•แƒ”แƒšแƒ˜ แƒ“แƒแƒ™แƒฃแƒ›แƒ”แƒœแƒขแƒแƒšแƒ˜แƒกแƒขแƒ˜ แƒคแƒแƒขแƒแƒ’แƒ แƒแƒคแƒ˜แƒ, แƒ แƒแƒ›แƒ”แƒšแƒ˜แƒช แƒžแƒแƒขแƒแƒ แƒ แƒ“แƒ แƒ›แƒแƒฆแƒแƒšแƒ›แƒ—แƒ˜แƒแƒœ แƒกแƒแƒคแƒšแƒ”แƒ‘แƒก แƒกแƒแƒ™แƒฃแƒ—แƒแƒ แƒ˜ แƒแƒ แƒ˜แƒ’แƒ˜แƒœแƒแƒšแƒฃแƒ แƒ˜ แƒฎแƒ”แƒ“แƒ•แƒ˜แƒ— แƒ˜แƒกแƒ” แƒ˜แƒฆแƒ”แƒ‘แƒก, แƒ แƒแƒ› แƒ—แƒ˜แƒ—แƒแƒ”แƒฃแƒšแƒ˜ แƒคแƒแƒขแƒ แƒแƒ› แƒแƒ“แƒแƒ›แƒ˜แƒแƒœแƒ”แƒ‘แƒ˜แƒก แƒชแƒฎแƒแƒ•แƒ แƒ”แƒ‘แƒ˜แƒก แƒแƒ›แƒกแƒแƒฎแƒ•แƒ”แƒš แƒ“แƒแƒ™แƒฃแƒ›แƒ”แƒœแƒขแƒ—แƒแƒœ แƒ”แƒ แƒ—แƒแƒ“, แƒ”แƒ›แƒแƒชแƒ˜แƒ”แƒ‘แƒ˜แƒกแƒ แƒ“แƒ แƒ—แƒแƒœแƒแƒ’แƒแƒœแƒชแƒ“แƒ˜แƒก แƒ”แƒ แƒ—แƒแƒ‘แƒšแƒ˜แƒ•แƒ˜ แƒœแƒแƒ–แƒแƒ•แƒ˜แƒ. แƒ˜แƒก แƒฃแƒ™แƒ•แƒ” แƒแƒ— แƒฌแƒ”แƒšแƒ–แƒ” แƒ›แƒ”แƒขแƒ˜แƒ แƒ›แƒฃแƒจแƒแƒแƒ‘แƒก แƒžแƒ แƒแƒ”แƒฅแƒขแƒ”แƒ‘แƒ–แƒ” โ€œแƒ“แƒฃแƒฎแƒแƒ‘แƒแƒ แƒ”แƒ‘แƒ˜โ€ แƒ“แƒ โ€œแƒ›แƒแƒฆแƒแƒšแƒ›แƒ—แƒ˜แƒแƒœแƒ˜ แƒแƒญแƒแƒ แƒโ€, แƒแƒกแƒ”แƒ•แƒ” แƒ’แƒแƒ›แƒแƒกแƒชแƒ แƒคแƒแƒขแƒ-แƒกแƒ”แƒ แƒ˜แƒ โ€œแƒ—แƒแƒ’แƒ•แƒ”แƒ‘แƒ˜แƒก แƒกแƒแƒคแƒ”แƒšแƒ˜โ€. 2015 แƒฌแƒ”แƒšแƒก แƒ“แƒแƒแƒ แƒกแƒ แƒžแƒ˜แƒ แƒ•แƒ”แƒšแƒ˜ แƒคแƒแƒขแƒ-แƒกแƒแƒแƒ’แƒ”แƒœแƒขแƒ แƒกแƒแƒฅแƒแƒ แƒ—แƒ•แƒ”แƒšแƒแƒจแƒ˜ โ€œKontakt Photosโ€.

แƒ“แƒแƒแƒ—แƒ•แƒแƒšแƒ˜แƒ”แƒ แƒ”แƒ— แƒ’แƒแƒ›แƒแƒคแƒ”แƒœแƒ แƒ“แƒ แƒจแƒ”แƒ˜แƒขแƒงแƒ•แƒ”แƒ— แƒ›แƒ”แƒขแƒ˜ แƒ“แƒฃแƒฎแƒแƒ‘แƒแƒ แƒ”แƒ‘แƒ–แƒ” แƒคแƒแƒขแƒแƒ’แƒ แƒแƒคแƒ˜แƒแƒจแƒ˜.

แƒžแƒ แƒ˜แƒœแƒขแƒ˜แƒก แƒจแƒ”แƒซแƒ”แƒœแƒ แƒจแƒ”แƒ’แƒ˜แƒซแƒšแƒ˜แƒแƒ— แƒกแƒแƒ˜แƒขแƒ–แƒ”แƒช. (แƒ˜แƒฎแƒ˜แƒšแƒ”แƒ— แƒšแƒ˜แƒœแƒ™แƒ˜ แƒแƒฆแƒฌแƒ”แƒ แƒแƒจแƒ˜)

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