āđ€āļŠāđ‰āļ™āļ—āļēāļ‡ āđ€āļ§āđ‡āļšāđ„āļ‹āļ•āđŒ āļ•āļīāļ”āļ•āđˆāļ­ āļžāļīāļžāļīāļ˜āļ āļąāļ“āļ‘āđŒ

M Contemporary Bangkok "Discover the Variety of Art at M Contemporary Gallery."

āļ˜āļĢāļĢāļĄāļŠāļēāļ•āļīāđ€āļ›āđ‡āļ™āļĄāļēāļāļāļ§āđˆāļēāļŠāļīāđˆāļ‡āļ—āļĩāđˆāđ€āļĢāļēāđ€āļŦāđ‡āļ™āļ”āđ‰āļ§āļĒāļ•āļē āđ€āļžāļĢāļēāļ°āļĄāļąāļ™āļ„āļ·āļ­āļŠāļ āļēāļ§āļ°āļ—āļĩāđˆāļ„āļ‡āļ­āļĒāļđāđˆāļ•āļĢāļēāļšāđ€āļ—āđˆāļēāļ—āļĩāđˆāđ€āļĢāļēāļĒāļąāļ‡āļ„āļ‡āļĄāļ­āļšāļ„āļ§āļēāļĄāđƒāļŠāđˆāđƒāļˆāđāļāđˆāļŠāļīāđˆāļ‡āļ™āļąāđ‰āļ™āļĒāđ‰āļ­āļ™āļŠāļĄāļ āļēāļžāļšāļĢāļĢāļĒ...
20/09/2026

āļ˜āļĢāļĢāļĄāļŠāļēāļ•āļīāđ€āļ›āđ‡āļ™āļĄāļēāļāļāļ§āđˆāļēāļŠāļīāđˆāļ‡āļ—āļĩāđˆāđ€āļĢāļēāđ€āļŦāđ‡āļ™āļ”āđ‰āļ§āļĒāļ•āļē āđ€āļžāļĢāļēāļ°āļĄāļąāļ™āļ„āļ·āļ­āļŠāļ āļēāļ§āļ°āļ—āļĩāđˆāļ„āļ‡āļ­āļĒāļđāđˆāļ•āļĢāļēāļšāđ€āļ—āđˆāļēāļ—āļĩāđˆāđ€āļĢāļēāļĒāļąāļ‡āļ„āļ‡āļĄāļ­āļšāļ„āļ§āļēāļĄāđƒāļŠāđˆāđƒāļˆāđāļāđˆāļŠāļīāđˆāļ‡āļ™āļąāđ‰āļ™

āļĒāđ‰āļ­āļ™āļŠāļĄāļ āļēāļžāļšāļĢāļĢāļĒāļēāļāļēāļĻāļ§āļąāļ™āđ€āļ›āļīāļ”āļ™āļīāļ—āļĢāļĢāļĻāļāļēāļĢ Mindful Nature āļ—āļĩāđˆāļĢāļ§āļšāļĢāļ§āļĄāļœāļĨāļ‡āļēāļ™āļ‚āļ­āļ‡āļžāļ‡āļĐāđŒāļĻāļīāļĢāļī āļ„āļīāļ”āļ”āļĩ āđāļĨāļ° āļĄāļļāļāļ”āļēāļĢāļąāļĻāļĄāļīāđŒ āļ„āļģāļ›āļē

āļĒāļēāļĄāđ€āļĒāđ‡āļ™āļ—āļĩāđˆāđ€āļ•āđ‡āļĄāđ„āļ›āļ”āđ‰āļ§āļĒāļšāļ—āļŠāļ™āļ—āļ™āļēāļ­āļąāļ™āļĨāļķāļāļ‹āļķāđ‰āļ‡āļāļąāļšāļĻāļīāļĨāļ›āļīāļ™ āđāļĨāļ°āļŠāđˆāļ§āļ‡āđ€āļ§āļĨāļēāđāļŦāđˆāļ‡āļāļēāļĢāđ€āļāđ‰āļēāļĄāļ­āļ‡āļ­āļĒāđˆāļēāļ‡āđ€āļ‡āļĩāļĒāļšāļŠāļ‡āļš āļ‡āļēāļ™āļ™āļĩāđ‰āđ„āļ”āđ‰āđ€āļŠāļīāļāļŠāļ§āļ™āđƒāļŦāđ‰āļœāļđāđ‰āļĢāđˆāļ§āļĄāļ‡āļēāļ™āļ—āļļāļāļ„āļ™āđ„āļ”āđ‰āļ„āđˆāļ­āļĒāđ† āļāđ‰āļēāļ§āļŠāđ‰āļēāļĨāļ‡ āđ€āļāđ‰āļēāļĄāļ­āļ‡āļ­āļĒāđˆāļēāļ‡āđƒāļāļĨāđ‰āļŠāļīāļ” āđāļĨāļ°āļŠāļąāļĄāļœāļąāļŠāļ–āļķāļ‡āļŠāļēāļĒāđƒāļĒāđ€āļŠāļ·āđˆāļ­āļĄāđ‚āļĒāļ‡āļĢāļ°āļŦāļ§āđˆāļēāļ‡āļ˜āļĢāļĢāļĄāļŠāļēāļ•āļīāļāļąāļšāļˆāļīāļ•āļ§āļīāļāļāļēāļ“

āļ‚āļ­āļ‚āļ­āļšāļ„āļļāļ“āļ—āļļāļāļ—āđˆāļēāļ™āļ—āļĩāđˆāļĄāļēāļĢāđˆāļ§āļĄāđ€āļ›āđ‡āļ™āļŠāđˆāļ§āļ™āļŦāļ™āļķāđˆāļ‡āđāļĨāļ°āđāļšāđˆāļ‡āļ›āļąāļ™āļŠāđˆāļ§āļ‡āđ€āļ§āļĨāļēāļ­āļąāļ™āđāļŠāļ™āļžāļīāđ€āļĻāļĐāļ™āļĩāđ‰āļ”āđ‰āļ§āļĒāļāļąāļ™

āļ™āļīāļ—āļĢāļĢāļĻāļāļēāļĢ Mindful Nature āđ€āļ›āļīāļ”āđƒāļŦāđ‰āđ€āļ‚āđ‰āļēāļŠāļĄāđāļĨāđ‰āļ§āļ§āļąāļ™āļ™āļĩāđ‰ āļ‚āļ­āđ€āļŠāļīāļāļŠāļ§āļ™āļ—āļļāļāļ„āļ™āļĄāļēāļĢāđˆāļ§āļĄāļŠāļąāļĄāļœāļąāļŠāļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“āđŒ āļ”āļķāļ‡āļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļāļāļĨāļąāļšāļĄāļēāļ­āļĒāļđāđˆāļāļąāļšāļ›āļąāļˆāļˆāļļāļšāļąāļ™ āđāļĨāļ°āđ€āļŠāļ·āđˆāļ­āļĄāđ‚āļĒāļ‡āļāļąāļšāļ˜āļĢāļĢāļĄāļŠāļēāļ•āļī āļ•āļĨāļ­āļ”āļˆāļ™āđ‚āļĨāļāļ āļēāļĒāđƒāļ™āļˆāļīāļ•āđƒāļˆāđ„āļ›āļ”āđ‰āļ§āļĒāļāļąāļ™

Nature is more than what appears before us; it is a state that holds only for as long as attention does.

A look back at the opening day of Mindful Nature, bringing together the works of Pongsiri Kiddee and Mukdarasm Khampa.

From conversations with the artists to moments of quiet observation, the evening invited guests to slow down, look closely, and experience the connection between nature and the mind.

Thank you to everyone who joined us and shared this special evening.

Mindful Nature is now on view. Come and experience the exhibition, and take a moment to reconnect with nature, awareness, and the world within.

Mindful Nature
19 September - 16 October 2026
📍 M Contemporary, 1F, Gaysorn Centre

Line: .art

ONLY 2 DAYS LEFT!Layers Within will be on view until 18 September 2026.āļŠāļģāļŦāļĢāļąāļšāļĻāļīāļĨāļ›āļīāļ™āļ—āļąāđ‰āļ‡āļŠāļēāļĄāļ—āđˆāļēāļ™ āļœāļĨāļ‡āļēāļ™āļ—āļĩāđˆāļ›āļĢāļēāļāļāđƒāļŦāđ‰āđ€āļŦāđ‡āļ™āļ­āļēāļˆāđ„āļĄ...
17/09/2026

ONLY 2 DAYS LEFT!

Layers Within will be on view until 18 September 2026.

āļŠāļģāļŦāļĢāļąāļšāļĻāļīāļĨāļ›āļīāļ™āļ—āļąāđ‰āļ‡āļŠāļēāļĄāļ—āđˆāļēāļ™ āļœāļĨāļ‡āļēāļ™āļ—āļĩāđˆāļ›āļĢāļēāļāļāđƒāļŦāđ‰āđ€āļŦāđ‡āļ™āļ­āļēāļˆāđ„āļĄāđˆāđƒāļŠāđˆāļšāļ—āļŠāļĢāļļāļ›āļ‚āļ­āļ‡āļœāļĨāļ‡āļēāļ™ āļŦāļēāļāđāļ•āđˆāđ€āļ›āđ‡āļ™āļˆāļļāļ”āđ€āļĢāļīāđˆāļĄāļ•āđ‰āļ™āļ‚āļ­āļ‡āļāļēāļĢāļĄāļ­āļ‡āđƒāļŦāđ‰āļĨāļķāļāļĨāļ‡āđ„āļ› āļŠāļđāđˆāļŠāļīāđˆāļ‡āļ—āļĩāđˆāļ‹āđˆāļ­āļ™āļ­āļĒāļđāđˆ āđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āļ—āļĩāđˆāļĒāļąāļ‡āļ„āļ‡āļ­āļĒāļđāđˆ āđāļĨāļ°āļŠāļīāđˆāļ‡āļ—āļĩāđˆāļ­āļēāļˆāļ–āļđāļāļĄāļ­āļ‡āļ‚āđ‰āļēāļĄ āđƒāļŦāđ‰āļœāļđāđ‰āļŠāļĄāđ„āļ”āđ‰āļ•āļąāđ‰āļ‡āļ„āļģāļ–āļēāļĄāļ•āđˆāļ­āļ•āļ™āđ€āļ­āļ‡ āļŠāļąāļ‡āļ„āļĄ āđāļĨāļ°āļŠāļīāđˆāļ‡āļĢāļ­āļšāļ•āļąāļ§āļœāđˆāļēāļ™āļĄāļļāļĄāļĄāļ­āļ‡āļ‚āļ­āļ‡āļ•āļ™

Soichiro Shimizu — āļ‹āđ‰āļ­āļ™āļ—āļąāļšāļŠāļąāđ‰āļ™āļ‚āļ­āļ‡āļŠāļĩāļ‚āļķāđ‰āļ™āļĄāļēāļ­āļĒāđˆāļēāļ‡āļ•āđˆāļ­āđ€āļ™āļ·āđˆāļ­āļ‡ āļāđˆāļ­āļ™āļ‚āļđāļ”āđāļĨāļ°āļ‚āļąāļ”āļžāļ·āđ‰āļ™āļœāļīāļ§āļ­āļ­āļ āđ€āļžāļ·āđˆāļ­āđ€āļœāļĒāđƒāļŦāđ‰āđ€āļŦāđ‡āļ™āđāļĢāļ‡āļŠāļąāđˆāļ™āļŠāļ°āđ€āļ—āļ·āļ­āļ™āđāļĨāļ°āļāļēāļĢāđāļĨāļāđ€āļ›āļĨāļĩāđˆāļĒāļ™āļžāļĨāļąāļ‡āļ‡āļēāļ™āļ—āļĩāđˆāđ€āļ„āļĨāļ·āđˆāļ­āļ™āđ„āļŦāļ§āļ­āļĒāļđāđˆāļĢāļ°āļŦāļ§āđˆāļēāļ‡āļŠāļąāđ‰āļ™āļ•āđˆāļēāļ‡ āđ† āļžāļĢāđ‰āļ­āļĄāđ€āļ›āļīāļ”āļžāļ·āđ‰āļ™āļ—āļĩāđˆāđƒāļŦāđ‰āļœāļđāđ‰āļŠāļĄāļˆāļīāļ™āļ•āļ™āļēāļāļēāļĢāļ–āļķāļ‡āļŠāļīāđˆāļ‡āļ—āļĩāđˆāđ€āļ„āļĒāļ›āļĢāļēāļāļāļ­āļĒāļđāđˆ āļ“ āļ•āļĢāļ‡āļ™āļąāđ‰āļ™

Eiji Sumi — āļ–āđˆāļēāļĒāļ—āļ­āļ”āļŠāļ āļēāļ§āļ°āļ—āļ§āļīāļĨāļąāļāļĐāļ“āđŒāļ‚āļ­āļ‡ â€œāļ”āļ­āļāđ„āļĄāđ‰āđ„āļŸâ€ āđāļĨāļ° â€œāđ€āļĄāļ†â€ āļŠāļīāđˆāļ‡āļ—āļĩāđˆāļ‡āļ”āļ‡āļēāļĄāđāļ•āđˆāđāļāļ‡āđ„āļ§āđ‰āļ”āđ‰āļ§āļĒāļ„āļ§āļēāļĄāļŦāļĄāļēāļĒāđ€āļŠāļīāļ‡āļŠāļąāļāļĨāļąāļāļĐāļ“āđŒāđāļĨāļ°āļ„āļ§āļēāļĄāļ‚āļąāļ”āđāļĒāđ‰āļ‡āļ—āļĩāđˆāļ‹āđˆāļ­āļ™āļ­āļĒāļđāđˆāļ āļēāļĒāđƒāļ™

Niwat Manatpiyalert — āđ€āļĢāļīāđˆāļĄāļ•āđ‰āļ™āļˆāļēāļāļāļēāļĢāļ•āļąāđ‰āļ‡āļ„āļģāļ–āļēāļĄāļ•āđˆāļ­āļŠāļīāđˆāļ‡āļ—āļĩāđˆāļ­āļēāļˆāļ–āļđāļāļĄāļ­āļ‡āļ§āđˆāļē “āļŦāļĄāļ”āļ„āļļāļ“āļ„āđˆāļē” āļāđˆāļ­āļ™āļ™āļģāļāļĨāļąāļšāđ€āļ‚āđ‰āļēāļŠāļđāđˆāļāļĢāļ°āļšāļ§āļ™āļāļēāļĢāļŦāļĨāļ­āļĄāđƒāļŦāļĄāđˆ āđ€āļžāļ·āđˆāļ­āļŠāļģāļĢāļ§āļˆāļ§āđˆāļēāļŠāļīāđˆāļ‡āđ€āļŦāļĨāđˆāļēāļ™āļąāđ‰āļ™āļŠāļēāļĄāļēāļĢāļ–āļāļĨāļąāļšāļĄāļēāļĄāļĩāļ„āļļāļ“āļ„āđˆāļēāđ„āļ”āđ‰āļ­āļĩāļāļ„āļĢāļąāđ‰āļ‡āļŦāļĢāļ·āļ­āđ„āļĄāđˆ āđ€āļŠāđˆāļ™āđ€āļ”āļĩāļĒāļ§āļāļąāļšāļ„āļļāļ“āļ„āđˆāļēāļ—āļĩāđˆāļĄāļąāļ™āđ€āļ„āļĒāļĄāļĩāļ­āļĒāļđāđˆāđƒāļ™āļŠāđˆāļ§āļ‡āđ€āļ§āļĨāļēāļŦāļ™āļķāđˆāļ‡

āđ‚āļ­āļāļēāļŠāļŠāļļāļ”āļ—āđ‰āļēāļĒāļ—āļĩāđˆāļˆāļ°āđ„āļ”āđ‰āļĄāļēāļŠāļģāļĢāļ§āļˆāļŠāļīāđˆāļ‡āļ—āļĩāđˆāļ‹āđˆāļ­āļ™āļ­āļĒāļđāđˆāļ āļēāļĒāđƒāļ•āđ‰āļžāļ·āđ‰āļ™āļœāļīāļ§ āđāļĨāļ°āļ„āđ‰āļ™āļŦāļēāļ„āļģāļ–āļēāļĄāļ—āļĩāđˆāļœāļĨāļ‡āļēāļ™āđ€āļŦāļĨāđˆāļēāļ™āļĩāđ‰āļ­āļēāļˆāļ—āļīāđ‰āļ‡āđ„āļ§āđ‰āđƒāļŦāđ‰āļ„āļļāļ“ āļāđˆāļ­āļ™āļ—āļĩāđˆāđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āļ‚āļ­āļ‡ Layers Within āļˆāļ°āđ€āļ”āļīāļ™āļ—āļēāļ‡āļĄāļēāļ–āļķāļ‡āļŠāđˆāļ§āļ‡āļŠāļļāļ”āļ—āđ‰āļēāļĒ

For the three artists, what appears on the surface may not tell the whole story, but an invitation to look deeper into what lies beneath, the stories that remain, and the things that may have been overlooked, inviting viewers to reconsider their own perspectives, society, and the world around them.

Soichiro Shimizu — builds up layer upon layer of paint, then sands and scrapes the surface back, revealing the vibrations and exchange of energy moving between the layers, while leaving space for viewers to imagine what may have once existed there.

Eiji Sumi — explores the duality of “fireworks” and “clouds”—elements that appear beautiful, yet carry deeper symbolic meanings and hidden tensions.

Niwat Manatpiyalert — begins by questioning what we consider to be “without value,” then melts and reshapes discarded materials, asking whether they can regain a sense of value, much like the value they once held.

This is your final opportunity to look beyond the surface and discover the questions these works may leave behind, before the story of Layers Within reaches its final days.

LAYERS WITHIN
📍 M Contemporary, 1F, Gaysorn Centre
🗓ïļ Today – 18 September 2026
10.00 - 19.00
Line: .art

Where the natural world meets the inner landscape of the mind, a new exhibition invites us to explore our world within. ...
16/09/2026

Where the natural world meets the inner landscape of the mind, a new exhibition invites us to explore our world within. Discover Mindful Nature, a duo exhibition by Pongsiri Kidde and Mukdarasm Khampa.

āđ€āļĄāļ·āđˆāļ­āļ˜āļĢāļĢāļĄāļŠāļēāļ•āļīāļĢāļ­āļšāļ•āļąāļ§āļĄāļēāļšāļĢāļĢāļˆāļšāļāļąāļšāđ‚āļĨāļāļ āļēāļĒāđƒāļ™āļ‚āļ­āļ‡āļˆāļīāļ•āđƒāļˆ āļ™āļīāļ—āļĢāļĢāļĻāļāļēāļĢāđƒāļŦāļĄāđˆāđ€āļŠāļīāļāļŠāļ§āļ™āļ„āļļāļ“āđ€āļ›āļīāļ”āļĄāļļāļĄāļĄāļ­āļ‡āļŠāļđāđˆāđ‚āļĨāļāļ āļēāļĒāđƒāļ™
āļžāļšāļāļąāļš Mindful Nature āļ™āļīāļ—āļĢāļĢāļĻāļāļēāļĢāļ„āļđāđˆāđ‚āļ”āļĒāļžāļ‡āļĻāđŒāļĻāļīāļĢāļī āļ„āļīāļ”āļ”āļĩ āđāļĨāļ° āļĄāļļāļāļ”āļēāļĢāļąāļĻāļĄāļīāđŒ āļ„āļģāļ›āļē

Mindful Nature āļŠāļģāļĢāļ§āļˆāļŠāļ­āļ‡āđāļ™āļ§āļ„āļīāļ”āļ—āļĩāđˆāđ€āļŠāļ·āđˆāļ­āļĄāđ‚āļĒāļ‡āļāļąāļ™ āļ„āļ·āļ­ â€œāļāļēāļĢāļāļĨāļąāļšāļĄāļēāđ€āļŠāļ·āđˆāļ­āļĄāđ‚āļĒāļ‡āļāļąāļšāļ˜āļĢāļĢāļĄāļŠāļēāļ•āļīāļ­āļĒāđˆāļēāļ‡āļĄāļĩāļŠāļ•āļī” āđāļĨāļ° â€œāļŠāļ āļēāļ§āļ°āļ˜āļĢāļĢāļĄāļŠāļēāļ•āļīāļ‚āļ­āļ‡āļˆāļīāļ•āđƒāļˆ āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļžāļ·āđ‰āļ™āļ—āļĩāđˆāđāļŦāđˆāļ‡āļāļēāļĢāļ•āļĢāļ°āļŦāļ™āļąāļāļĢāļđāđ‰â€

āļ™āļīāļ—āļĢāļĢāļĻāļāļēāļĢāļ™āļģāđ€āļŠāļ™āļ­āđāļ™āļ§āļ—āļēāļ‡āļāļēāļĢāļ—āļģāļ‡āļēāļ™āļ‚āļ­āļ‡āļŠāļ­āļ‡āļĻāļīāļĨāļ›āļīāļ™āļ—āļĩāđˆāđ€āļĢāļīāđˆāļĄāļ•āđ‰āļ™āļˆāļēāļāļ­āļ‡āļ„āđŒāļ›āļĢāļ°āļāļ­āļšāļžāļ·āđ‰āļ™āļāļēāļ™āļ—āļĩāđˆāđ€āļĢāļĩāļĒāļšāļ‡āđˆāļēāļĒ āđāļĨāļ°āļ„āđˆāļ­āļĒ āđ† āļ–āđˆāļēāļĒāļ—āļ­āļ”āļœāđˆāļēāļ™āļāļĢāļ°āļšāļ§āļ™āļāļēāļĢāđ€āļ‰āļžāļēāļ°āļ‚āļ­āļ‡āļ•āļ™

āļžāļ‡āļĻāđŒāļĻāļīāļĢāļī āļ„āļīāļ”āļ”āļĩ āļŠāļąāđˆāļ‡āļŠāļĄ â€œāļĢāļđāļ›āļ—āļĢāļ‡â€ āļœāđˆāļēāļ™āļāļēāļĢāļ‹āđ‰āļ­āļ™āļ—āļąāļšāļ‚āļ­āļ‡āļ­āļ‡āļ„āđŒāļ›āļĢāļ°āļāļ­āļšāđ€āļĢāļ‚āļēāļ„āļ“āļīāļ•āļžāļ·āđ‰āļ™āļāļēāļ™ āļāđˆāļ­āđƒāļŦāđ‰āđ€āļāļīāļ”āļĄāļīāļ•āļīāđāļĨāļ°āļ„āļ§āļēāļĄāđ€āļ›āļĨāļĩāđˆāļĒāļ™āđāļ›āļĨāļ‡āļšāļ™āļžāļ·āđ‰āļ™āļœāļīāļ§

āļĄāļļāļāļ”āļēāļĢāļąāļĻāļĄāļīāđŒ āļ„āļģāļ›āļē āļŠāļąāđˆāļ‡āļŠāļĄ â€œāđ€āļ§āļĨāļē” āļœāđˆāļēāļ™āļˆāļąāļ‡āļŦāļ§āļ°āļ‚āļ­āļ‡āļĨāļĄāļŦāļēāļĒāđƒāļˆāđ€āļ‚āđ‰āļēāđāļĨāļ°āļ­āļ­āļ āļ–āđˆāļēāļĒāļ—āļ­āļ”āļāļēāļĢāđ€āļ„āļĨāļ·āđˆāļ­āļ™āđ„āļŦāļ§āđāļĨāļ°āļāļēāļĢāđ€āļ›āļĨāļĩāđˆāļĒāļ™āđāļ›āļĨāļ‡āļ‚āļ­āļ‡āļŠāļ āļēāļ§āļ°āļ āļēāļĒāđƒāļ™āļĨāļ‡āļšāļ™āļœāļ·āļ™āļœāđ‰āļēāđƒāļš

āđāļĄāđ‰āļĄāļĩāđāļ™āļ§āļ—āļēāļ‡āļ—āļĩāđˆāđāļ•āļāļ•āđˆāļēāļ‡āļāļąāļ™ āļ—āļąāđ‰āļ‡āļŠāļ­āļ‡āļĻāļīāļĨāļ›āļīāļ™āļĄāļēāļšāļĢāļĢāļˆāļšāļāļąāļ™āļœāđˆāļēāļ™āļāļēāļĢāļŠāļąāļ‡āđ€āļāļ• āļāļēāļĢāļĢāļąāļšāļĢāļđāđ‰ āđāļĨāļ°āļāļēāļĢāđ€āļ›āļĨāļĩāđˆāļĒāļ™āđāļ›āļĨāļ‡ āļ—āļąāđ‰āļ‡āđƒāļ™āļ˜āļĢāļĢāļĄāļŠāļēāļ•āļīāļĢāļ­āļšāļ•āļąāļ§āđāļĨāļ°āđ‚āļĨāļāļ āļēāļĒāđƒāļ™āļ‚āļ­āļ‡āļˆāļīāļ•āđƒāļˆ

Mindful Nature explores two interconnected ideas,
“a mindful connection with the natural world” and “the natural state of the mind, where awareness begins.”

The exhibition brings together two artists who begin with simple, fundamental elements, transforming them through their individual practices.

Pongsiri Kiddee accumulates “form” through the layering of basic geometric elements, creating depth and subtle shifts across the surface.

Mukdarasm Khampa accumulates “time” through the rhythm of inhalation and exhalation, tracing the movement and transformation of the inner state across the canvas.

Though distinct in approach, the two practices meet through observation, awareness, and transformation—within both the natural world and the inner landscape of the mind.

Mindful Nature
ðŸū Opening Reception: 19 September 2026, 5PM onwards
🗓ïļ Exhibition Period: 19 September – 16 October 2026
📍 M Contemporary, 1F, Gaysorn Centre

Line: .art

Getting to know our wonderful artist, Niwat Manatpiyalert. āļ„āļļāļ“āđ€āļ„āļĒāļ•āļąāđ‰āļ‡āļ„āļģāļ–āļēāļĄāđ„āļŦāļĄāļ§āđˆāļē āļŠāļīāđˆāļ‡āļ—āļĩāđˆāđ€āļĢāļēāđ€āļĢāļĩāļĒāļāļ§āđˆāļē "āļ‚āļĒāļ°" āļĄāļąāļ™āļŦāļĄāļ”āļ„āļļāļ“āļ„āđˆāļēāļĨāļ‡...
11/09/2026

Getting to know our wonderful artist, Niwat Manatpiyalert.

āļ„āļļāļ“āđ€āļ„āļĒāļ•āļąāđ‰āļ‡āļ„āļģāļ–āļēāļĄāđ„āļŦāļĄāļ§āđˆāļē āļŠāļīāđˆāļ‡āļ—āļĩāđˆāđ€āļĢāļēāđ€āļĢāļĩāļĒāļāļ§āđˆāļē "āļ‚āļĒāļ°" āļĄāļąāļ™āļŦāļĄāļ”āļ„āļļāļ“āļ„āđˆāļēāļĨāļ‡āļˆāļĢāļīāļ‡āđ† āļŦāļĢāļ·āļ­āđ€āļ›āđ‡āļ™āđ€āļžāļĢāļēāļ°āļŠāļēāļĒāļ•āļēāļ‚āļ­āļ‡āđ€āļĢāļēāļ—āļĩāđˆāļŦāļĒāļļāļ”āļĄāļ­āļ‡āļĄāļąāļ™āđ„āļ›āđ€āļ­āļ‡?

āļŠāļģāļŦāļĢāļąāļš āļ™āļīāļ§āļąāļ’āļ™āđŒ āļĄāļ™āļąāļŠāļ›āļīāļĒāļ°āđ€āļĨāļīāļĻ āļ§āļąāļŠāļ”āļļāđ„āļĄāđˆāđ„āļ”āđ‰āđ€āļ›āđ‡āļ™āđ€āļžāļĩāļĒāļ‡āļŠāļīāđˆāļ‡āļ—āļĩāđˆāļ›āļĢāļēāļāļāļ­āļĒāļđāđˆāļ•āļĢāļ‡āļŦāļ™āđ‰āļē āļŦāļēāļāđāļ•āđˆāļĄāļĩāđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āđāļĨāļ°āļ›āļĢāļ°āļ§āļąāļ•āļīāļ‚āļ­āļ‡āļĄāļąāļ™āđ€āļ­āļ‡â€”āđ€āļ„āļĒāļ–āļđāļāđƒāļŠāđ‰āļ‡āļēāļ™ āđ€āļ„āļĒāļ–āļđāļāļ—āļīāđ‰āļ‡ āđāļĨāļ°āđ€āļ„āļĒāļĄāļĩāļ„āļļāļ“āļ„āđˆāļēāđƒāļ™āļŠāđˆāļ§āļ‡āđ€āļ§āļĨāļēāļŦāļ™āļķāđˆāļ‡

āđ€āļ‚āļēāļŠāļ™āđƒāļˆ â€œāļŠāđˆāļ§āļ‡āļĢāļ­āļĒāļ•āđˆāļ­â€ āļ‚āļ­āļ‡āļāļēāļĢāđ€āļ›āļĨāļĩāđˆāļĒāļ™āļŠāļ–āļēāļ™āļ° āļˆāļēāļāļ‚āļ­āļ‡āđƒāļŠāđ‰āļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļ‚āļĒāļ° āļˆāļēāļāļ‚āļĒāļ°āļāļĨāļąāļšāļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļ§āļąāļŠāļ”āļļ āđāļĨāļ°āļˆāļēāļāļ§āļąāļŠāļ”āļļāļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļœāļĨāļ‡āļēāļ™āļĻāļīāļĨāļ›āļ°

āļĄāļēāļĢāđˆāļ§āļĄāļŠāļąāļĄāļœāļąāļŠāļāļēāļĢāđ€āļ›āļĨāļĩāđˆāļĒāļ™āļœāđˆāļēāļ™āļ­āļąāļ™āļ—āļĢāļ‡āļžāļĨāļąāļ‡ āđāļĨāļ°āļ„āđ‰āļ™āļžāļšāđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āļ—āļĩāđˆāļ‹āđˆāļ­āļ™āļ­āļĒāļđāđˆāļœāđˆāļēāļ™āļĄāļļāļĄāļĄāļ­āļ‡āđƒāļŦāļĄāđˆāļ”āđ‰āļ§āļĒāļ•āļąāļ§āļ„āļļāļ“āđ€āļ­āļ‡

Have you ever wondered if something we call "waste" is truly worthless, or if we just stopped looking at it differently?

For Niwat Manatpiyalert, materials are more than what we see on the surface. They carry their own stories and histories—of being used, discarded, and once valued at a particular point in time.

He is drawn to the moments of transition, when an everyday object becomes waste, when waste becomes material again, and when material is transformed into art.

Come experience these powerful transformations and discover the unseen stories through a new perspective.

LAYERS WITHIN - untitled
📍 M Contemporary, 1F, Gaysorn Centre
🗓ïļ Today – 18 September 2026
Line: .art

09/09/2026

Exclusive artist interview, K. Eiji Sumi
Emerge Painting Series - Clouds

āđƒāļ™āļ›āļĢāļ°āļ§āļąāļ•āļīāļĻāļēāļŠāļ•āļĢāđŒāļ‚āļ­āļ‡āđ€āļ­āđ€āļŠāļĩāļĒ 'āđ€āļĄāļ†' āļ„āļ·āļ­āļŠāļąāļāļĨāļąāļāļĐāļ“āđŒāļĒāļēāļ™āļžāļēāļŦāļ™āļ°āļ‚āļ­āļ‡āļžāļĢāļ°āļžāļļāļ—āļ˜āđ€āļˆāđ‰āļē āđāļĨāļ°āđ€āļ›āđ‡āļ™āđ€āļŠāđ‰āļ™āļ—āļēāļ‡āļŠāļđāđˆāļ”āļīāļ™āđāļ”āļ™āļŠāļļāļ‚āļēāļ§āļ”āļĩāļ‚āļ­āļ‡āļžāļĢāļ°āļ­āļĄāļīāļ•āļēāļ āļžāļļāļ—āļ˜āļ° (Amida Jōdo)

āļ—āļ§āđˆāļēāđƒāļ™āļ­āļĩāļāļĄāļļāļĄāļŦāļ™āļķāđˆāļ‡ āđ€āļĄāļ†āļ„āļ·āļ­āļŠāļīāđˆāļ‡āļ—āļĩāđˆāļāđˆāļ­āļ•āļąāļ§āđāļĨāļ°āđ€āļĨāļ·āļ­āļ™āļŦāļēāļĒ āđ€āļ›āļĨāļĩāđˆāļĒāļ™āđāļ›āļĨāļ‡āļ­āļĒāļđāđˆāļ•āļĨāļ­āļ”āđ€āļ§āļĨāļē āļŠāļ°āļ—āđ‰āļ­āļ™āļ–āļķāļ‡āļ„āļ§āļēāļĄāđ„āļĄāđˆāđ€āļ—āļĩāđˆāļĒāļ‡āđāļ—āđ‰āļ‚āļ­āļ‡āļŠāļĢāļĢāļžāļŠāļīāđˆāļ‡ āļ•āļĢāļ‡āļāļąāļšāđāļ™āļ§āļ„āļīāļ” 'Mono no aware' āļ‚āļ­āļ‡āļāļĩāđˆāļ›āļļāđˆāļ™â€”āļāļēāļĢāļ•āļĢāļ°āļŦāļ™āļąāļāļ–āļķāļ‡āļ„āļ§āļēāļĄāļ‡āļēāļĄāđƒāļ™āļ„āļ§āļēāļĄāđ„āļĄāđˆāļĒāļąāđˆāļ‡āļĒāļ·āļ™

āļ—āļĩāđˆāđāļĄāđ‰āļˆāļ°āļŠāļ§āļ™āđƒāļŦāđ‰āļŦāļ§āļ™āđ€āļĻāļĢāđ‰āļē āđāļ•āđˆāļāđ‡āđ€āļ•āļ·āļ­āļ™āđƒāļŦāđ‰āđ€āļĢāļēāļāļĨāļąāļšāļĄāļēāļĄāļ­āļ‡āđ€āļŦāđ‡āļ™āļ„āļļāļ“āļ„āđˆāļēāļ‚āļ­āļ‡āļ›āļąāļˆāļˆāļļāļšāļąāļ™āļ‚āļ“āļ°

Eiji Sumi āļŠāļ§āļ™āļ„āļļāļ“āļĄāļēāļŠāļąāļĄāļœāļąāļŠāļ„āļ§āļēāļĄāļ‡āļēāļĄāļ‚āļ­āļ‡āļ˜āļĢāļĢāļĄāļŠāļēāļ•āļīāļ—āļĩāđˆāđ„āļĄāđˆāđ€āļ„āļĒāļŦāļĒāļļāļ”āļ™āļīāđˆāļ‡ āđāļĄāđ‰āđ„āļĄāđˆāđ„āļ”āđ‰āļ„āļ‡āļ­āļĒāļđāđˆāļ•āļĨāļ­āļ”āđ„āļ› āđāļ•āđˆāļˆāļ°āļ‡āļ”āļ‡āļēāļĄāļ­āļĒāļđāđˆāđƒāļ™āļ„āļ§āļēāļĄāļ—āļĢāļ‡āļˆāļģāđ€āļŠāļĄāļ­

In Asian history, clouds symbolize the vehicle of the Buddha and the path leading to the Pure Land of Amitabha Buddha, known as Amida Jōdo.

Yet from another perspective, clouds are constantly forming and fading, changing all the time. This reflects the impermanence of all things, aligning with the Japanese concept of Mono no aware, which is the awareness of beauty in transience.

Although it evokes a sense of sorrow, it simultaneously reminds us to cherish the present moment.

Eiji Sumi invites you to experience the beauty of ever-changing nature that, while not lasting forever, remains beautiful in our memories.

Artist: Eiji Sumi

LAYERS WITHIN - Clouds ( Golden Cloud åĪ•įĨĻ, Sea Cloud æĩ·é›ē )

📍M Contemporary, 1F, Gaysorn Centre (Gaysorn Village)
🗓ïļ Today - 18 September 2026
10.00 - 19.00

Line: .art

08/09/2026

Exclusive artist interview, K. Eiji Sumi
Emerge Painting Series - Fireworks

āļ”āļ­āļāđ„āļĄāđ‰āđ„āļŸ āđāļŠāļ‡āļŠāļ§āđˆāļēāļ‡āļ—āļĩāđˆāļ›āļĢāļēāļāļāđ€āļžāļĩāļĒāļ‡āļŠāļąāđˆāļ§āļ„āļĢāļđāđˆ āļ—āļ§āđˆāļēāļ—āļīāđ‰āļ‡āļ„āļ§āļēāļĄāļ—āļĢāļ‡āļˆāļģāđ€āļ­āļēāđ„āļ§āđ‰

āļœāļĨāļ‡āļēāļ™āļŠāļļāļ”āļ™āļĩāđ‰āđāļāļ‡āļ„āļ§āļēāļĄāļŦāļĄāļēāļĒāđ€āļŠāļīāļ‡āļŠāļąāļāļĨāļąāļāļĐāļ“āđŒāļ—āļĩāđˆāļ–āđˆāļēāļĒāļ—āļ­āļ”āļŠāļ āļēāļ§āļ°āļ—āļ§āļīāļĨāļąāļāļĐāļ“āđŒ (āļ„āļ§āļēāļĄāļĒāđ‰āļ­āļ™āđāļĒāđ‰āļ‡āļŠāļ­āļ‡āļ”āđ‰āļēāļ™) āļ‚āļ­āļ‡āļ”āļīāļ™āļ›āļ·āļ™ āļ‹āļķāđˆāļ‡āļ–āļđāļāļ™āļģāļĄāļēāđƒāļŠāđ‰āļŠāļĢāđ‰āļēāļ‡āļžāļĨāļļ āđ‚āļ”āļĒāļŠāļ·āđˆāļ­āļ–āļķāļ‡āļāļēāļĢāļ›āļĨāļ­āļšāļ›āļĢāļ°āđ‚āļĨāļĄāđƒāļˆāđāļĨāļ°āļāļēāļĢāļ›āļąāļ”āđ€āļ›āđˆāļēāļŠāļīāđˆāļ‡āļŠāļąāđˆāļ§āļĢāđ‰āļēāļĒ āđāļ•āđˆāđƒāļ™āļ—āļēāļ‡āļāļĨāļąāļšāļāļąāļ™ āļāđ‡āļŠāļēāļĄāļēāļĢāļ–āđ€āļ›āđ‡āļ™āļ­āļēāļ§āļļāļ˜āļ—āļģāļĨāļēāļĒāļĨāđ‰āļēāļ‡āđ„āļ”āđ‰āđ€āļŠāđˆāļ™āļāļąāļ™

āđāļŠāļ‡āļ‚āļ­āļ‡āļžāļĨāļļāļ—āļĩāđˆāļ›āļĢāļēāļāļāļ‚āļķāđ‰āļ™āđ€āļžāļĩāļĒāļ‡āļŠāļąāđˆāļ§āļ„āļĢāļđāđˆāđƒāļ™āļ āļēāļžāļ§āļēāļ” āļˆāļķāļ‡āđ€āļ›āļĢāļĩāļĒāļšāđ€āļŠāļĄāļ·āļ­āļ™āļ­āļ™āļļāļŠāļĢāļ“āđŒāļ­āļąāļ™āđ€āļ‡āļĩāļĒāļšāļŠāļ‡āļš āđ€āļžāļ·āđˆāļ­āļĢāļģāļĨāļķāļāļ–āļķāļ‡āļœāļđāđ‰āļŠāļđāļāđ€āļŠāļĩāļĒāļŠāļĩāļ§āļīāļ•āļˆāļēāļāļŠāļ‡āļ„āļĢāļēāļĄāļ—āļĩāđˆāđ€āļāļīāļ”āļ‚āļķāđ‰āļ™āļ—āļąāđˆāļ§āđ‚āļĨāļ āļœāļđāđ‰āļ—āļĩāđˆāļ­āļēāļˆāļ–āļđāļāļĨāļ·āļĄāđ€āļĨāļ·āļ­āļ™ āļŦāļĢāļ·āļ­āđāļĄāđ‰āđāļ•āđˆāđ„āļĄāđˆāļĄāļĩāļŠāļ·āđˆāļ­āđ€āļŦāļĨāļ·āļ­āđ„āļ§āđ‰āđƒāļ™āļŦāļ™āđ‰āļēāļ›āļĢāļ°āļ§āļąāļ•āļīāļĻāļēāļŠāļ•āļĢāđŒ

Eiji Sumi āļ•āđ‰āļ­āļ‡āļāļēāļĢāļ•āļąāđ‰āļ‡āļ„āļģāļ–āļēāļĄāļ•āđˆāļ­āļĄāļ§āļĨāļĄāļ™āļļāļĐāļĒāļŠāļēāļ•āļī āļ–āļķāļ‡āļ§āļąāļāļˆāļąāļāļĢāļ­āļąāļ™āđ„āļĄāđˆāļĢāļđāđ‰āļˆāļšāļ‚āļ­āļ‡āļŠāļ‡āļ„āļĢāļēāļĄāļ­āļąāļ™āđ„āļĢāđ‰āļ„āļ§āļēāļĄāļŦāļĄāļēāļĒāļ—āļĩāđˆāđ„āļĄāđˆāđ€āļ„āļĒāļˆāļšāļŠāļīāđ‰āļ™

Fireworks are a light that appears for merely a moment, yet leaves memories behind.

This series of artwork hides symbolic meaning that conveys the duality of gunpowder used to create fireworks.

It represents solace and the warding off of evil, but conversely, it can also serve as a destructive weapon.

The light of the fireworks appearing briefly in the painting thus resembles a quiet memorial to remember those who lost their lives to wars around the world, people who may be forgotten or do not even have names left in history.

Eiji Sumi wants to question humanity about the endless cycle of meaningless war.

LAYERS WITHIN - Fireworks 花įŦ
Group exhibition - Eiji Sumi
📍M Contemporary, 1F, Gaysorn Centre (Gaysorn Village)
🗓ïļ Today - 18 September 2026
10.00 - 19.00

How to experience Niwat’s artworkāļŠāļąāļĄāļœāļąāļŠāđāļ™āļ§āļ„āļīāļ”āļœāļĨāļ‡āļēāļ™āļ‚āļ­āļ‡ āļ™āļīāļ§āļąāļ’āļ™āđŒ āļĄāļ™āļąāļŠāļ›āļīāļĒāļ°āđ€āļĨāļīāļĻ āđƒāļ™āļ™āļīāļ—āļĢāļĢāļĻāļāļēāļĢ LAYERS WITHIN āđ‚āļ”āļĒāļāļēāļĢāļ–āļ­āļĒāļŦāļĨāļąāļ‡āļ­āļ­āļāļĄāļēāļŠ...
06/09/2026

How to experience Niwat’s artwork

āļŠāļąāļĄāļœāļąāļŠāđāļ™āļ§āļ„āļīāļ”āļœāļĨāļ‡āļēāļ™āļ‚āļ­āļ‡ āļ™āļīāļ§āļąāļ’āļ™āđŒ āļĄāļ™āļąāļŠāļ›āļīāļĒāļ°āđ€āļĨāļīāļĻ āđƒāļ™āļ™āļīāļ—āļĢāļĢāļĻāļāļēāļĢ LAYERS WITHIN āđ‚āļ”āļĒāļāļēāļĢāļ–āļ­āļĒāļŦāļĨāļąāļ‡āļ­āļ­āļāļĄāļēāļŠāļąāļāļ™āļīāļ” āļĒāđˆāļ­āļ•āļąāļ§āļĨāļ‡āļŠāļąāļāļŦāļ™āđˆāļ­āļĒ āđāļĨāđ‰āļ§āļ›āļĢāļąāļšāļĄāļļāļĄāļĄāļ­āļ‡āđƒāļŦāđ‰āļœāļĨāļ‡āļēāļ™āļ—āļąāđ‰āļ‡ 3 āļŠāļīāđ‰āļ™āļ­āļĒāļđāđˆāļ āļēāļĒāđƒāļ™āđ€āļŸāļĢāļĄāđ€āļ”āļĩāļĒāļ§āļāļąāļ™:
āļ āļēāļžāļ§āļēāļ”āļĢāļđāļ›āđ„āļŸ 2 āļ āļēāļž (Oil on canvas): āļ—āļģāļŦāļ™āđ‰āļēāļ—āļĩāđˆāđ€āļ›āđ‡āļ™āļŠāļąāļāļĨāļąāļāļĐāļ“āđŒāļ‚āļ­āļ‡āļ„āļ§āļēāļĄāļĢāđ‰āļ­āļ™ āļžāļĨāļąāļ‡āļ‡āļēāļ™ āđāļĨāļ°āļāļēāļĢāđ€āļœāļēāđ„āļŦāļĄāđ‰
āļ§āļąāļ•āļ–āļļāļ­āļĨāļđāļĄāļīāđ€āļ™āļĩāļĒāļĄāļšāļ™āļžāļ·āđ‰āļ™ (Mixed Media): āļŠāļĢāđ‰āļēāļ‡āļ‚āļķāđ‰āļ™āļˆāļēāļāļāļĢāļ°āļšāļ§āļ™āļāļēāļĢāļĢāļĩāđ„āļ‹āđ€āļ„āļīāļĨāļžāļĨāļēāļŠāļ•āļīāļāļŦāļĨāļēāļĒāļŠāļąāđ‰āļ™āļĢāđˆāļ§āļĄāļāļąāļšāļĒāļēāļ‡āļĢāļ–āļĒāļ™āļ•āđŒ āļ‹āļķāđˆāļ‡āļŠāļ°āļ—āđ‰āļ­āļ™āļ–āļķāļ‡āļŠāļīāđˆāļ‡āļ—āļĩāđˆāļŦāļĨāļ‡āđ€āļŦāļĨāļ·āļ­āļˆāļēāļāđ‚āļ„āļĢāļ‡āļŠāļĢāđ‰āļēāļ‡āļŠāļąāļ‡āļ„āļĄ

āđ€āļĄāļ·āđˆāļ­āļĄāļ­āļ‡āļ—āļąāđ‰āļ‡ 3 āļŠāļīāđ‰āļ™āļĢāđˆāļ§āļĄāļāļąāļ™ āļŠāļēāļĒāļ•āļēāļˆāļ°āđ€āļŠāļ·āđˆāļ­āļĄāđ‚āļĒāļ‡āļžāļĨāļąāļ‡āđāļŦāđˆāļ‡āđ€āļ›āļĨāļ§āđ„āļŸāļ”āđ‰āļēāļ™āļšāļ™āđ€āļ‚āđ‰āļēāļāļąāļšāļŠāļīāđ‰āļ™āļ‡āļēāļ™āļ­āļĨāļđāļĄāļīāđ€āļ™āļĩāļĒāļĄāļšāļ™āļžāļ·āđ‰āļ™ āđ€āļŠāļĄāļ·āļ­āļ™āđ„āļŸāļāļģāļĨāļąāļ‡āļŦāļĨāļ­āļĄāļĨāļ°āļĨāļēāļĒāļ§āļąāļŠāļ”āļļāđƒāļŦāđ‰āđāļ›āļĢāļŠāļ āļēāļž āđ€āļāļīāļ”āđ€āļ›āđ‡āļ™āļ§āļąāļāļˆāļąāļāļĢāļāļēāļĢāļŠāļĨāļēāļĒāđāļĨāļ°āļāļēāļĢāđ€āļāļīāļ”āļ‚āļķāđ‰āļ™āđƒāļŦāļĄāđˆ

āļ™āļīāļ§āļąāļ’āļ™āđŒāđ„āļĄāđˆāđ„āļ”āđ‰āļ™āļģāđ€āļŠāļ™āļ­āđāļ„āđˆāļ„āļ§āļēāļĄāļ‡āļēāļĄāļšāļ™āļžāļ·āđ‰āļ™āļœāļīāļ§ āđāļ•āđˆāđƒāļŠāđ‰āļāļēāļĢāļĨāļ‡āļžāļ·āđ‰āļ™āļ—āļĩāđˆāļ§āļīāļˆāļąāļĒāđ€āļžāļ·āđˆāļ­āđ€āļœāļĒāđƒāļŦāđ‰āđ€āļŦāđ‡āļ™āļ›āļĢāļ°āđ€āļ”āđ‡āļ™āļŠāļīāđˆāļ‡āđāļ§āļ”āļĨāđ‰āļ­āļĄāđāļĨāļ°āļŠāļąāļ‡āļ„āļĄāļ—āļĩāđˆāļ–āļđāļāļ‹āļļāļāļ‹āđˆāļ­āļ™āđ„āļ§āđ‰

Discover the ideas behind Niwat Manatpiyalert’s works in LAYERS WITHIN.

Step back a little, lower your gaze, and shift your perspective until all three works come together within a single frame:
Two fire paintings (Oil on canvas) serve as symbols of heat, energy, and combustion.
The aluminium object on the floor (Mixed Media) is created through a process of recycling multiple layers of plastic combined with discarded tires, reflecting what remains of the structures that shape our society.

Seen together, the three works create a visual connection between the energy of the flames above and the aluminium piece below, as if the fire is melting and transforming the material, giving rise to a cycle of dissolution and renewal.

Niwat goes beyond the beauty of the surface. Through field research, he brings to light environmental and social issues that often remain hidden beneath what we see.

Artist: Niwat Manatpiyalert

LAYERS WITHIN
29 August - 18 September 2026
📍M Contemporary, 1F, Gaysorn Centre

Line: .art

Living and the NonlivingAcrylic on canvasSize: 122 x 163 cmArtist: Soichiro Shimizu LAYERS WITHINToday - 18 Sep 2026📍M C...
06/09/2026

Living and the Nonliving
Acrylic on canvas
Size: 122 x 163 cm
Artist: Soichiro Shimizu

LAYERS WITHIN
Today - 18 Sep 2026
📍M Contemporary, 1F, Gaysorn Centre

Line: M Contemporary Bangkok

āļ—āļĩāđˆāļ­āļĒāļđāđˆ

1F Gaysorn Centre, 999 Phloen Chit Road, Lumphini, Pathum Wan
Bangkok
10330

āđ€āļ§āļĨāļēāļ—āļģāļāļēāļĢ

āļˆāļąāļ™āļ—āļĢāđŒ 10:30 - 20:30
āļ­āļąāļ‡āļ„āļēāļĢ 10:30 - 20:30
āļžāļļāļ˜ 10:30 - 20:30
āļžāļĪāļŦāļąāļŠāļšāļ”āļĩ 10:30 - 20:30
āļĻāļļāļāļĢāđŒ 10:30 - 20:30
āđ€āļŠāļēāļĢāđŒ 10:30 - 20:30
āļ­āļēāļ—āļīāļ•āļĒāđŒ 10:30 - 20:30

āđ€āļ§āđ‡āļšāđ„āļ‹āļ•āđŒ

āđāļˆāđ‰āļ‡āđ€āļ•āļ·āļ­āļ™

āđ€āļ›āđ‡āļ™āļ„āļ™āđāļĢāļāļ—āļĩāđˆāļĢāļđāđ‰āļ‚āđˆāļēāļ§: āđ€āļĢāļēāļˆāļ°āļŠāđˆāļ‡āļ­āļĩāđ€āļĄāļĨāđāļˆāđ‰āļ‡āđ€āļĄāļ·āđˆāļ­ M Contemporary Bangkok āđ‚āļžāļŠāļ•āđŒāļ‚āđˆāļēāļ§āļŠāļēāļĢāđāļĨāļ°āđ‚āļ›āļĢāđ‚āļĄāļŠāļąāđˆāļ™ āļ­āļĩāđ€āļĄāļĨāļ‚āļ­āļ‡āļ„āļļāļ“āļˆāļ°āđ„āļĄāđˆāļ–āļđāļāļ™āļģāđ„āļ›āđƒāļŠāđ‰āđ€āļžāļ·āđˆāļ­āļ§āļąāļ•āļ–āļļāļ›āļĢāļ°āļŠāļ‡āļ„āđŒāļ­āļ·āđˆāļ™ āđāļĨāļ°āļ„āļļāļ“āļŠāļēāļĄāļēāļĢāļ–āļĒāļāđ€āļĨāļīāļāļāļēāļĢāļĢāļąāļšāļ‚āđˆāļēāļ§āļŠāļēāļĢāđ„āļ”āđ‰āļ—āļļāļāđ€āļĄāļ·āđˆāļ­

āļ•āļīāļ”āļ•āđˆāļ­ āļžāļīāļžāļīāļ˜āļ āļąāļ“āļ‘āđŒ

āļŠāđˆāļ‡āļ‚āđ‰āļ­āļ„āļ§āļēāļĄāļ‚āļ­āļ‡āļ„āļļāļ“āļ–āļķāļ‡ M Contemporary Bangkok:

āļ—āļēāļ‡āļĨāļąāļ”

āđāļŠāļĢāđŒ

āļŦāļĄāļ§āļ”āļŦāļĄāļđāđˆ