One Mile Gallery

One Mile Gallery A contemporary art gallery located in beautiful upstate New York

www.onemilegallery.com
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Whorling Devilish: chapter one — two-day pop-up by Juli Raja June 20–21, 12–5 PM Opening reception: June 20, 5–8 PM One ...
06/18/2026

Whorling Devilish: chapter one — two-day pop-up by Juli Raja

June 20–21, 12–5 PM
Opening reception: June 20, 5–8 PM
One Mile Gallery — 475 Abeel St, Kingston, NY

Join us for intricate paintings and hand-printed textiles inspired by Persian miniatures, Indian block-printing, Klimt, William Morris—and a playful, myth‑poetic spirit. Meet the artist at Saturday’s reception. Limited-run textile editions and new canvases on view.

For Cud, Kirsten Batten Leach spent two months chewing 2,360 pieces of bubble gum over 40 hours, accumulating and reshap...
06/18/2026

For Cud, Kirsten Batten Leach spent two months chewing 2,360 pieces of bubble gum over 40 hours, accumulating and reshaping the material into a dense red field.

The title references the process of rumination and of bringing something back, chewing it over, and returning to it again. Here, that act becomes physical. Individual gestures disappear into accumulation. Consumption becomes construction.

At first glance, Cud can read as abstract, but closer looking reveals the persistence embedded within it: repeated action, bodily effort, excess, and endurance. The work transforms something disposable and fleeting into an object with weight and presence.

Within A Complicated Union: Art & Protest at America’s 250th Anniversary, Cud becomes a reflection on the American project itself—not as a finished ideal, but as something continuously worked over, remade, consumed, and contested. National identity, like the work’s surface, is built through repetition: habits, rituals, stories, and acts that accumulate until they become structure.

Cud
Kirsten Batten Leach
2,360 pieces of chewed bubble gum
Chewed over 40 hours across two months

🗓 Opening Reception: June 27, 5–8 PM
📍 One Mile Gallery, Kingston, NY

In Give Them Their Flowers, Brian Buono (aka Scout) presents a portrait of Marine Corporal Ira Hayes framed by the visua...
06/18/2026

In Give Them Their Flowers, Brian Buono (aka Scout) presents a portrait of Marine Corporal Ira Hayes framed by the visual language of commemoration and public memory. Best known as one of the Marines who raised the flag at Iwo Jima, Hayes returned home celebrated as a symbol yet struggled with the burden of that recognition and the contradictions of the country he served.

Scout places flowers beneath Hayes—not as decoration, but as an act of acknowledgment. The gesture transforms tribute into a question: who do we elevate as national icons, and what do we owe the people behind those images?

Rendered against the structure of an identification or institutional backdrop, the work collapses heroism and humanity, public mythology and private cost. Within A Complicated Union: Art & Protest at America’s 250th Anniversary, Give Them Their Flowers asks us to consider not only who America remembers, but when and whether recognition arrives in time.

Give Them Their Flowers
Brian Buono (aka Scout)
(b. 1971, New York)

🗓 Opening Reception: June 27, 5–8 PM
📍 One Mile Gallery, Kingston, NY

In Lace Flag for the Union, Leslie Schomp reimagines one of the most enduring symbols of American identity through embro...
06/18/2026

In Lace Flag for the Union, Leslie Schomp reimagines one of the most enduring symbols of American identity through embroidery, appliqué, tulle, and cotton organdie—materials historically associated with domestic labor, ornament, care, and women’s work. Delicate at first glance, the piece reveals itself as an act of construction: every stitch a gesture of repair and persistence.

Rather than presenting the flag as fixed or monumental, Schomp renders it permeable and handmade. Transparency replaces solidity. Threads stand in for borders. The work suggests that union is not inherited but rather is continuously mended and renegotiated.

Within A Complicated Union: Art & Protest at America’s 250th Anniversary, Lace Flag for the Union offers an alternate vision of patriotism: one grounded not in spectacle or certainty, but in labor, interdependence, and the belief that even the most symbolic structures require care to endure.

Lace Flag for the Union
by Leslie Schomp
21 × 31 inches
Embroidery and appliqué on tulle and cotton organdie

🗓 Opening Reception: June 27, 5–8 PM
📍 One Mile Gallery, Kingston, NY

In this work, Judith Levy turns to one of the most familiar images in the American civic imagination—the Lincoln Memoria...
06/15/2026

In this work, Judith Levy turns to one of the most familiar images in the American civic imagination—the Lincoln Memorial—and quietly unsettles it. Drawn from the visual language of the vintage postcard, the piece appears at first to preserve a national icon. But interruptions, ruptures, and slippages emerge across the surface, complicating the certainty and permanence monuments are meant to project.

Levy’s practice often revisits found imagery and inherited narratives to examine how history is constructed, repeated, and remembered. Her work asks what gets edited out of official memory and how images shape collective identity.

Presented in A Complicated Union: Art & Protest at America’s 250th Anniversary, this work becomes a meditation on national mythology itself. Lincoln remains seated in the temple of memory, but the image no longer feels fixed. The cracks suggest that preservation and reexamination may not be opposites, but part of the same democratic project. Judith G. Levy

🗓 Opening Reception: June 27, 5–8 PM
📍 One Mile Gallery, Kingston, NY
Open Saturdays, 12–5 PM

Kevin Frank’s A Scout is Helpful reflects on one of America’s most enduring visual languages: nostalgia.Depicting a Norm...
06/15/2026

Kevin Frank’s A Scout is Helpful reflects on one of America’s most enduring visual languages: nostalgia.

Depicting a Norman Rockwell figurine in oil on linen, Frank transforms an icon of the idealized American past into an object for examination. Familiar images of civic virtue, optimism, and shared values become slightly removed: collected, preserved, and reconsidered.

Rather than recreating Rockwell’s world, A Scout is Helpful asks what happens when we look at the stories America tells about itself. What is remembered, what is simplified, and what remains outside the frame?

Included in A Complicated Union: Art & Protest at America’s 250th Anniversary, the work explores the tension between national mythology and lived history reminding us that the idea of the “great American past” is never as straightforward as it appears.

🖼️ A Scout is Helpful
Kevin Frank Kevin Frank
Oil on linen
16 × 26 in.

A Complicated Union: Art & Protest at America’s 250th Anniversary
One Mile Gallery
Opening June 27 | 5–8 PM

In his work for A Complicated Union: Art & Protest at America’s 250th Anniversary, Wayne Montecalvo transforms an image ...
06/15/2026

In his work for A Complicated Union: Art & Protest at America’s 250th Anniversary, Wayne Montecalvo transforms an image often associated with infestation, survival, and social anxiety into something closer to a banner or an object traditionally used to rally and identify.

The rat occupies a complicated place in the American imagination: reviled yet adaptive, hidden yet everywhere, surviving within systems that exclude and contain. Presented at monumental scale, Montecalvo’s work asks viewers to reconsider what…and WHO we cast as undesirable, and what symbols emerge from moments of political unease.

At America’s 250th anniversary, this banner feels less like a declaration and more like a question: what truths live at the edges of the national story?

🗓 Opening Reception: June 27, 5–8 PM
📍 One Mile Gallery, Kingston, NY
Exhibition on view Saturdays, 12–5 PM

06/12/2026

🎨 Continuing through A Complicated Union: Art & Protest at America’s 250th at One Mile Gallery

Originally presented as part of Expanded Realities (last day tomorrow!!), William C. Harrington’s monumental sculpture Newspeak will remain on view through A Complicated Union as its political urgency feeling no less relevant today.

Borrowing its title from the controlled language of Orwell’s 1984, Newspeak confronts the unstable relationship between language, power, and public truth.

Created decades before our current media landscape, Harrington’s work feels startlingly contemporary. In an era shaped by competing realities, slogans, algorithmic amplification, and battles over historical memory, Newspeak asks viewers to consider who controls language and what becomes possible, or impossible, when language itself is narrowed.

As America marks 250 years, Newspeak stands as both warning and invitation: to remain attentive to the words that shape public life and the stories nations tell about themselves.

On view at One Mile Gallery through A Complicated Union: Art & Protest at America’s 250th.

📍 475 Abeel Street, Kingston, NY 12401
🗓 Opening Reception: June 27 | 5–8 PM
🕛 Gallery Hours: Saturdays, 12–5 PM

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475 Abeel Street
Kingston, NY
12401

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