SFMOMA San Francisco Museum of Modern Art

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SFMOMA San Francisco Museum of Modern Art

The San Francisco Museum of Modern Art. Your Museum. Your Community. .
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Founded in 1935, SFMOMA was the first museum on the West Coast devoted to modern and contemporary art. From the outset, the museum has championed the most innovative and challenging art of its time, and we continue to exhibit and collect work by both modern masters and younger, less-established artists.

09/05/2026

At the edge of two worlds 📸

For several weeks in 1979, Graciela Iturbide and the anthropologist Luis Barjau lived with Seri families. There, Iturbide photographed the historically nomadic Seri people and their relationship to portions of their homeland—the stretch of land dictated as their reservation.

In "Angel of the Desert," Iturbide captures a woman poised at the edge of a vast landscape, framed by the hills behind her. The image suggests not only a physical threshold, but a symbolic one: between ancestral ways of living and a changing modern world, signaled by the boombox she carries. Across this series, Iturbide’s photographs trace transformations—generational differences, adaptations, and the continued protection of tradition.

See more from this intimate and striking series in "Graciela Iturbide: Between Two Worlds," on view on Floor 3.

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Graciela Iturbide, "Mujer ángel, Desierto de Sonora, México (Angel Woman, Sonora Desert, Mexico)," 1979; San Francisco Museum of Modern Art, purchase through a gift of Jane Reed and the Accessions Committee Fund © Graciela Iturbide

09/04/2026

There's something so special about art that makes your creativity ✨sparkle✨

See Mickalene Thomas's "Qusuquzah, une très belle négresse 1" (Qusuquzah, A Very Beautiful Black Woman 1) in "Matisse's Femme au chapeau: A Modern Scandal" now in its final weeks on view.

Good news: extended through September 27!

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Mickalene Thomas, "Qusuquzah, une très belle négresse 1" (Qusuquzah, A Very Beautiful Black Woman 1), 2011; © Mickalene Thomas / Artists Rights Society (ARS), New York

09/03/2026

Between you and me, "RM x SFMOMA" will be here in exactly one month!

On October 3, the first-ever museum exhibition of RM's personal art collection opens and it's co-curated by RM himself alongside SFMOMA. "RM x SFMOMA: Between You and Me" has nearly 200 works, spanning the 5th century to today. AND, many of these artworks have never been shown publicly in the US before.

Experience RM's deep connection with art, discover Korean art and history, and see renowned artworks from Korea and the US hanging side by side for the first time.

Three ways to experience "RM x SFMOMA":

🎫 Single "RM x SFMOMA" Ticket ($40 weekdays/$42 weekends)
One timed visit to the exhibition.

🎫 Encore Pass ($75)
See the exhibition as many times as you’d like during its run.

🎫 SFMOMA Membership (from $130)
Return all year with unlimited visits, bring a guest for free, enjoy 10% off at the Store, and receive an exclusive RM x SFMOMA poster. Ages 19–24 save $30.

Visitors 18 and under are always free! (A timed ticket is still required for entry.)

Secure your timed ticket today at bit.ly/4aXBt9e 📲

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09/01/2026

A tiger, a water dropper, a whole world of Korean history 🐯

Among the works in "RM x SFMOMA: Between You and Me" are Korean ceramics, furniture, paintings, and other objects that reflect centuries of Korean art and craftsmanship. They’re objects that RM lived with, bringing their history, character, and beauty into his everyday life.

We're just five weeks away from one of the most ambitious presentations of Korean art ever shown in the United States. See how RM brings these works into dialogue with our collection, revealing connections across artists, eras, and cultures.

From around the corner or across the world, come experience "RM x SFMOMA: Between You and Me" in San Francisco.

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Lee WonChan, "Hodo (Tiger Painting)," 17th century; collection of RM
Unknown, Celadon Ornament, 13th century; collection of RM
Unknown, Book Box, undated; collection of RM

08/31/2026

What if “Matisse: A Modern Scandal” got a color analysis? 🎨👀

With colors for every season, there’s a Matisse match for everyone. Think warm Autumn tones, cool Winter hues, and everything in between—from hats and seascapes to portraits and more.

Which one are you? Find your match in the galleries during the final weeks of the exhibition. “Matisse: A Modern Scandal” closing soon!

08/28/2026

Every legendary show has its hits. Here's a preview of some of ours in "RM x SFMOMA" 🩵🤎

From a Bay Area sculpture legend to the first Korean modernist RM discovered, "RM x SFMOMA: Between You and Me" brings together nearly 200 works spanning the 5th century to today. Swipe through a few names you'll recognize — and a few you're about to meet 📲

Georgia O'Keeffe
Yoo Youngkuk
Kim Whanki
Josef Albers
Roni Horn
Ruth Asawa

"RM x SFMOMA: Between You and Me" opens October 3. 💌
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Georgia O'Keeffe, "Lake George [formerly Reflection Seascape]," 1922; © Georgia O'Keeffe Museum / Artists Rights Society (ARS), New York

Yoo Youngkuk, “Work,” 1982; collection of RM; © Yoo Youngkuk, courtesy Kukje Gallery

Kim Whanki, “26-I-70 #141,” 1970; San Francisco Museum of Modern Art, gift of Mrs. Whanki Kim; ©Whanki Foundation · Whanki Museum; photo: Katherine Du Tiel

Josef Albers, "Homage to the Square: Secluded," 1951; © The Josef and Anni Albers Foundation / Artist Rights Society (ARS), New York

Roni Horn, Untitled ("But the boomerang that returns is not the same one I threw.") 2013-2017; collection of RM; © Roni Horn; photo: Ron Amstutz

Ruth Asawa, "Untitled (S.530, Hanging Two-Lobed, Continuous Form)," 1952-1954; © Estate Ruth Asawa

08/27/2026

Matisse-core is more than a color palette.

It’s a way of seeing that continues to shape how artists create art today. Trace the legacy of Henri Matisse’s radical approach to color and form in “Matisse: A Modern Scandal.”

Final weeks to enter your Matisse era.

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1. Henri Matisse, “Open Window, Collioure,” 1905; National Gallery of Art, collection of Mr. and Mrs. John Hay Whitney; © 2026 Succession H. Matisse / Artists Rights Society (ARS), New York
2. André Derain, “Henri Matisse,” 1905; Tate; © 2026 Artists Rights Society (ARS), New York; photo: Tate
3. Henri Manguin, “Jeanne sur le balcon de la Villa Demiere,” 1905; private collection; © 2026 Henri Manguin / Artists Rights Society (ARS), New York; photo: © Fabrice Lepeltier
4. Maurice de Vlaminck, “Woman with a Hat,” 1906; National Gallery of Art, donated by Lolo Sarnoff in memory of her parents, Mr. and Mrs. Robert von Hirsch; © 2026 Artists Rights Society (ARS), New York / ADAGP, Paris
5. Hilary Harkness, “Answered Prayers,” 2024; collection of KAWS; © Hilary Harkness; photo: courtesy Hilary Harkness and P·P·O·W, New York
6. Henri Matisse, “La fille aux yeux verts (The Girl with Green Eyes),” 1908; San Francisco Museum of Modern Art, bequest of Harriet Lane Levy, 1950; © Succession H. Matisse / Artists Rights Society (ARS), New York; photo: Ben Blackwell

08/24/2026

She saw Matisse’s potential before many others did 🎨 Read on for the story of Sarah Stein, one of his earliest and most devoted supporters.

Living in Paris when Matisse was sparking controversy with the bold and unconventional paintings that would come to define Fauvism, American art collector Sarah Stein decided that she would only collect works by Matisse. She and her husband Michael built a collection of more than 40 paintings, and their apartment became a destination for anyone eager to see what the artist was doing next.

Matisse once said that Sarah knew his paintings even better than he did. Their friendship grew so close that she was the only person outside Matisse’s immediate family whom he trusted to see his paintings while they were still wet.

Just two weeks left to discover the works that first captivated Sarah Stein and forever changed the course of modern art in “Matisse: A Modern Scandal.”

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Unknown, “Stein family album page [Sarah Stein outfits],” [ca. 1928]; Estate of Daniel M. Stein, courtesy of William J. Ashton; photo: Tenari Tuatagaloa

Henri Matisse, “Sarah Stein,” 1916; San Francisco Museum of Modern Art, Sarah and Michael Stein Memorial Collection, gift of Elise S. Haas, 1954; © Succession H. Matisse / Artists Rights Society (ARS), New York; photo: Ben Blackwell

“Sarah Stein and Harriet Lane Levy, San Francisco,” 1900; Estate of Daniel M. Stein; photo: Don Ross

Henri Matisse, “Study of Sarah Stein,” 1916; San Francisco Museum of Modern Art, gift of Mr. and Mrs. Walter A. Haas, 1962; © Succession H. Matisse / Artists Rights Society (ARS), New York; photo: Don Ross

08/22/2026

“Jacob Hashimoto: Giant Arc” open now and free to see on Floor 1 in the Roberts Family Gallery! 🤩🤩🤩

08/21/2026

If Henri Matisse had a Starter Pack here are the must-haves. (What would you add?)

🎨 Paint & paintbrushes of course! In the early 1900s, Matisse used unconventional color choices that help define the Fauvist movement, prioritizing emotional expressiveness over naturalistic representation.

🖼️ A photo of Amélie Matisse. Matisse’s wife, muse, and frequent subject, including in “Femme au chapeau” (Woman with a Hat), the painting that helped put Fauvism on the map.

📒 Canvas & sketchbooks. Matisse constantly drew and painted, using sketchbooks to explore ideas that would later find their way onto canvas.

🌊 Mediterranean sunlight. Matisse was captivated by the intense light and color of the Mediterranean, which inspired his increasingly vibrant approach to color.

👒 A career-making hat. “Femme au chapeau” caused an uproar at the 1905 Salon d’Automne that propelled Matisse, who was still a struggling artist at the time, to success.

👓 Matisse’s glasses. For seeing the world differently.

Discover the essentials of Matisse’s artistic revolution. Final weeks to see “Matisse: A Modern Scandal.”

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Carl Van Vechten, Portrait of Henri Matisse, 1933. Library of Congress, Prints & Photographs Division, Carl Van Vechten Collection, [reproduction number, e.g., LC-USZ62-54231]

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Telephone

+14153574000

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http://www.sfmoma.org/

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