Metal Haus Gallery

Metal Haus Gallery Art gallery and studios in West Oakland.

Red Rhythm by Ted Christo pulses with movement. Layers of saturated reds, gestural mark-making, and shifting forms creat...
05/28/2026

Red Rhythm by Ted Christo pulses with movement. Layers of saturated reds, gestural mark-making, and shifting forms create a composition that feels both controlled and explosive at once.

The work sits in tension between structure and instinct, where rhythm becomes something visual rather than heard. Up close, the surface reveals a physicality that rewards slower looking: texture, repetition, interruption, and flow.

Part of Facades & Foundations, now on view at Metal Haus Gallery.

Available work.
Inquire to collect.

05/28/2026

Red Rhythm by Ted Christo.

A composition built through motion, repetition, and intensity. The surface shifts as you move around it, revealing layers of texture and gesture beneath the field of red.

One of those works that changes the longer you spend with it.

Currently on view at Metal Haus Gallery.

05/27/2026

A landscape in motion.

On My Way to Guatapé by Lucas Antony captures the feeling of traveling toward somewhere just out of reach: passing colors, shifting light, and fragments of place stitched together through memory.

Part of Facades & Foundations at Metal Haus Gallery.

Available work.
Inquire to collect.

On My Way to Guatapé by Lucas Antony captures the feeling of movement before arrival. Painted through layered color, shi...
05/26/2026

On My Way to Guatapé by Lucas Antony captures the feeling of movement before arrival. Painted through layered color, shifting light, and fragmented landscape, the work sits somewhere between memory and destination. There’s a looseness to the composition that mirrors travel itself: fleeting views through a car window, unfamiliar terrain, the anticipation of getting somewhere meaningful.

Part of our current presentation, Facades & Foundations, the work expands the exhibition’s conversation around architecture, place, and the environments that shape us.

Available through Metal Haus Gallery.

05/24/2026

A city, reinterpreted through surface and form.
In Multi Pass1, Mike Sanchez distills elements of the built environment into a composition that feels both grounded and abstract. Structural cues remain—lines, planes, intersections—but they’re rearranged into something less literal.
It’s not a direct depiction, but a reworking of how the city is experienced.
Facades & Foundations now on view at Metal Haus Gallery

A fragment of the city, pulled out of context.Lines, edges, and surfaces begin to suggest something familiar—but not eno...
05/23/2026

A fragment of the city, pulled out of context.
Lines, edges, and surfaces begin to suggest something familiar—but not enough to fully place it. The image sits somewhere between structure and abstraction.
Part of Facades & Foundations, now on view.

05/22/2026

Let it unfold over time.
As you move across the surface, transitions between color and material begin to register—soft gradients, interruptions, subtle shifts that suggest space without locking into it.
It holds somewhere between atmosphere and structure.

Part of Facades & Foundations, now on view.

A space defined through color and surface.In Azure No. 2, Ayca Kilicoglu builds the composition through layered material...
05/21/2026

A space defined through color and surface.
In Azure No. 2, Ayca Kilicoglu builds the composition through layered materials and tonal variation, creating a sense of depth that resists clear boundaries.
Rather than depicting a specific place, the work suggests an environment—one that feels open, immersive, and continuously shifting.
Facades & Foundations now on view at Metal Haus Gallery

05/20/2026

Watch how it shifts.
As you move across the surface, areas of clarity give way to ambiguity. Layers overlap, interrupt, and reframe each other, keeping the image in a constant state of becoming rather than arriving.
Nothing fully resolves, and that’s the point.

An image that resists completion.In Unresolved, Amy Yosh*tsu works through layers of material and gesture to create a su...
05/19/2026

An image that resists completion.
In Unresolved, Amy Yosh*tsu works through layers of material and gesture to create a surface where forms are continuously negotiated. What appears momentarily coherent is quickly disrupted, preventing the work from settling into a single reading.
It holds tension between structure and collapse—between knowing and not knowing.
Facades & Foundations now on view at Metal Haus Gallery.

Unhiding by Amy Yosh*tsu
Paper, ink, thread, carabiner, chain
49” x 61” x 41”
2022
$10,000

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San Francisco, CA
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