09/08/2026
[ANNOUNCEMENT] đŁ
Flatland is delighted to present on the occasion of the Bexhill Art Weekender âNot repeat as in replicate, repeat as in ritualâ, a film screening of 3 moving images works curated by Olivia Du Vergier. Screening at Flatland Projects 15th & 16th August 2026, 11:00-16:00.
Featuring (in image order): âIntermittent and Continuousâ (2025) Olivia Hird; âLike Dadima Like Smritiâ (2019), Smriti Mehra; & âThe ghost of Mr. Bawkyâ (2025) Esther Carlin.
In the space that contains your absence, where patterns repeat. Retrace your steps, walk the
same route, remember every turn, hold the remnants in your hands, pick them up, bear their
weight, feel their form, turn them over again and again, put them back, store them away,
find them again one day.
In all three of the films featured in this programme, we find repetition woven with memory. Repeated words, sounds, gestures, habits. A father and daughter revisit old material, piecing together a shared story. A granddaughter weighs up her inheritance. A woman moves through a vast landscape, blending past and present as she listens. Through the redoing comes a new doing.
In the space that contains your absence, where patterns repeat. Not repeat as in replicate, repeat as in ritual.
Olivia Hird is a self-shooting filmmaker, facilitator and researcher, bridging creative and care-based approaches, working across nonfiction film and community mental health. Trained in visual anthropology, Oliviaâs practice is guided by personal stories that explore how people relate to place, time, themselves and each other. Her films have been screened at BAFTA and BIFA qualifying festivals.
Olivia has taught at the Granada Centre for Visual Anthropology, University of Manchester (2025), worked as Production Manager for Open City Documentary Festival (UCL), participated in the HOME Artist Film Lab (2022), HOME Artist Lab (2024) and the Sheffield DocFest Filmmaker Challenge (2026).
De La Warr Pavilion
Smriti Mehra is an artist and educator from Bangalore, India, based in London. Working primarily with moving image, alongside photography and installation, her practice explores memory, identity, labour, material cul