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Project 88 Shanu Lahiri
Curated retrospective
13 August - 19 September
—
Contemporary Now 2026
Lalit Kala Akademi, Chennai
8 - 25 August 2026

19/09/2026

Today is the last day to see Shanu Lahiri’s retrospective featuring a selection of works from the Shanu Lahiri Archive — a collection of paintings, drawings, and sketchbooks spanning the entire career of the artist. A dedicated team of researchers are in the process of documenting this extensive collection of works.

Huge thanks to the curators, archivist and the larger curatorial team for their work in preserving the artists legacy.

Tomorrow is the last day to see Shanu Lahiri’s retrospective 𝘚𝘵𝘰𝘳𝘪𝘦𝘴 𝘵𝘩𝘢𝘵 𝘯𝘦𝘷𝘦𝘳 𝘦𝘯𝘥 : 𝘑𝘰𝘶𝘳𝘯𝘦𝘺𝘪𝘯𝘨 𝘸𝘪𝘵𝘩 𝘚𝘩𝘢𝘯𝘶 𝘓𝘢𝘩𝘪𝘳𝘪 at Pr...
18/09/2026

Tomorrow is the last day to see Shanu Lahiri’s retrospective 𝘚𝘵𝘰𝘳𝘪𝘦𝘴 𝘵𝘩𝘢𝘵 𝘯𝘦𝘷𝘦𝘳 𝘦𝘯𝘥 : 𝘑𝘰𝘶𝘳𝘯𝘦𝘺𝘪𝘯𝘨 𝘸𝘪𝘵𝘩 𝘚𝘩𝘢𝘯𝘶 𝘓𝘢𝘩𝘪𝘳𝘪 at Project 88.

 Shanu Lahiri’s works of the 2000s represent a culmination of her distinctively mature visual language, individualistic ...
12/09/2026



Shanu Lahiri’s works of the 2000s represent a culmination of her distinctively mature visual language, individualistic perception, and varied modes of expression.For her the female figure was a recurring character, continually reimagined through shifting forms, identities - embodying power, grace and vitality while simultaneously revealing the vulnerabilities, constraints, and inequalities embedded within social structures.

This work emerges as a compelling statement within that larger artistic vocabulary. It invites the viewer, raising questions about identity, perception, and position. Lahiri’s spontaneous, brisk brushwork creates a sense of immediacy, while subtle tonal palette is abruptly interrupted by emphatic patches of colours. The work confronts the viewer almost instinctively—through a sudden, arresting gaze—transforming the act of looking into an encounter.Shanu Lahiri’s works of the 2000s represent a culmination of her distinctively mature visual language, individualistic perception, and varied modes of expression.For her the female figure was a recurring character, continually reimagined through shifting forms, identities - embodying power, grace and vitality while simultaneously revealing the vulnerabilities, constraints, and inequalities embedded within social structures.

This work emerges as a compelling statement within that larger artistic vocabulary. It invites the viewer, raising questions about identity, perception, and position. Lahiri’s spontaneous, brisk brushwork creates a sense of immediacy, while subtle tonal palette is abruptly interrupted by emphatic patches of colours. The work confronts the viewer almost instinctively—through a sudden, arresting gaze—transforming the act of looking into an encounter.

____

Shanu Lahiri
N**e figure
Acrylic on Canvas 
52 × 30 inches
2010

Neha Choksi’s book, 𝘛𝘩𝘦 𝘝𝘪𝘰𝘭𝘦𝘯𝘤𝘦 𝘰𝘧 𝘝𝘪𝘵𝘢𝘭𝘪𝘵𝘺, is out now. It was commissioned to accompany an exhibition at the Potter M...
08/09/2026

Neha Choksi’s book, 𝘛𝘩𝘦 𝘝𝘪𝘰𝘭𝘦𝘯𝘤𝘦 𝘰𝘧 𝘝𝘪𝘵𝘢𝘭𝘪𝘵𝘺, is out now. It was commissioned to accompany an exhibition at the Potter Museum and published in the series 𝘈𝘳𝘵 𝘔𝘶𝘴𝘦𝘶𝘮 𝘗𝘢𝘱𝘦𝘳𝘴, University of Melbourne. Curator Chus Martínez writes in the introduction: 

“In 𝘗𝘦𝘳𝘱𝘦𝘵𝘶𝘢𝘭 𝘗𝘦𝘢𝘤𝘦: 𝘈 𝘗𝘩𝘪𝘭𝘰𝘴𝘰𝘱𝘩𝘪𝘤𝘢𝘭 𝘚𝘬𝘦𝘵𝘤𝘩(1795), the German philosopher Immanuel Kant (1724-1804) wrote that war is a practice that must be unlearned through law, democratic government, and international institutions. The book was written in the aftermath of the French Revolution in 1789 in a moment defined by extraordinary political turbulence. War-he states-is not a sudden breakdown of order or a natural instinct, but a practice that states actively learn to do. 𝘛𝘩𝘦 𝘝𝘪𝘰𝘭𝘦𝘯𝘤𝘦 𝘰𝘧 𝘝𝘪𝘵𝘢𝘭𝘪𝘵𝘺, a text by artist and thinker Neha Choksi, is even more radical.”

 Shanu Lahiri’s sustained engagement with the lives and labour of the communities she encountered through her travels fi...
03/09/2026



Shanu Lahiri’s sustained engagement with the lives and labour of the communities she encountered through her travels finds vivid expression in this canvas depicting fishermen at work. The composition captures the physical vigour and rhythmic movement of the fishermen, while the sudden leaps of live fish from the nets heighten the sense of immediacy and movement. Human beings, labour, animals and material seem compressed into one continuous field of work and life, as bodies, fish and nets become part of the same restless rhythm.

Lahiri’s distinctive use of patches of oil colours, expressive linearity, fractured forms and activated spaces transforms an everyday act of labour into a charged visual experience. Visual authority, and compositional ambition are most impressive while the work resonates with the vitality of the moment, where human effort, movement and the unpredictable converge.

___

Fishermen 1 (series),
Acrylic on canvas
67.5 x 170 inches
C. 1988/89

Image courtesy: Suyash Tajane

𝗧𝗵𝗲 𝗧𝗿𝗮𝗻𝘀𝗽𝗼𝗿𝘁 𝗦𝗰𝗿𝗼𝗹𝗹Shanu Lahiri is not painting the city of Kolkata as a fixed location, but as an ongoing process, ind...
27/08/2026

𝗧𝗵𝗲 𝗧𝗿𝗮𝗻𝘀𝗽𝗼𝗿𝘁 𝗦𝗰𝗿𝗼𝗹𝗹

Shanu Lahiri is not painting the city of Kolkata as a fixed location, but as an ongoing process, individually adapting the traditional visual language of Far Eastern scroll painting to the rhythms of the city. The composition unfolds continuously through transport, labour, architecture and public life, guiding the eye across the scroll like a journey through time. Its aesthetic pleasure lies in embracing the city through abstraction and clarity, where form and space gently shift between visibility and invisibility. Brisk brushwork and spontaneous gestures capture the immediacy of each moment, transforming the scroll into a visual chronicle—an evolving urban memory of Kolkata in motion.

___

Shanu Lahiri
Transport Scroll
Ink on paper
263” × 22”
Late 1980’s

Congratulations to Rohini Devasher on her solo exhibition at The Bruce Museum in Greenwich, CT, titled 𝘚𝘰𝘭𝘢𝘳 𝘗𝘰𝘦𝘵𝘪𝘤𝘴. Th...
22/08/2026

Congratulations to Rohini Devasher on her solo exhibition at The Bruce Museum in Greenwich, CT, titled 𝘚𝘰𝘭𝘢𝘳 𝘗𝘰𝘦𝘵𝘪𝘤𝘴. This will be her first institutional solo in the United States.

The show opens on August 22, 2026 and runs till November 29, 2026.

___

Video stills from:

Rohini Devasher
𝘖𝘯𝘦 𝘏𝘶𝘯𝘥𝘳𝘦𝘥 𝘛𝘩𝘰𝘶𝘴𝘢𝘯𝘥 𝘚𝘶𝘯𝘴,
Four channel synced video installation,
25 minutes,
2023-24

Image courtesy: Rohini Devasher

Today is the last day to see Neha Choksi's video work, 𝘐𝘤𝘦𝘣𝘰𝘢𝘵, at KNMA and Christies London show 𝘛𝘩𝘦 𝘔𝘦𝘦𝘵𝘪𝘯𝘨 𝘎𝘳𝘰𝘶𝘯𝘥.___...
21/08/2026

Today is the last day to see Neha Choksi's video work, 𝘐𝘤𝘦𝘣𝘰𝘢𝘵, at KNMA and Christies London show 𝘛𝘩𝘦 𝘔𝘦𝘦𝘵𝘪𝘯𝘨 𝘎𝘳𝘰𝘶𝘯𝘥.

___

Video still from:

Neha Choksi
𝘐𝘤𝘦𝘣𝘰𝘢𝘵
HD video,
13 mins,
2012

 ‘I remember this one peddler who used to sell small toy-violins in the afternoon. He would carry his wares in a basket ...
19/08/2026



‘I remember this one peddler who used to sell small toy-violins in the afternoon. He would carry his wares in a basket balanced atop his head while playing one of the instruments as he passed through the neighbourhood lanes. Whenever I heard him passby, I would rush to take two annas from Ma and buy a toy-violin...We would all take turns to play the toy-violins we bought, but the sound they made in our hands was always quite different. In the evenings another pheriwala' would come carrying a violin-a bona-fide instrument this time around…..This man would charge two rupees to give a recital. One day I asked him to come into our house and play...While the others listened to his music, I painted him. Later the canvas got selected for an exhibition. The man was possibly from Rajasthan- a true virtuoso.’

– Shanu Lahiri, translated excerpt from 𝘚𝘮𝘳𝘪𝘵𝘪𝘳 𝘊𝘰𝘭𝘭𝘢𝘨𝘦

(translation by Ayana Bhattacharya Ayana Bhattacharya)

______

Shanu Lahiri
Violinist
Oil on Canvas
44 x 32 inches
1988

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