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Mittwoch 14:00 - 18:00 Donnerstag 14:00 - 18:00 Freitag 14:00 - 18:00 Samstag 11:00 - 16:00

Galerie b2_

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Contemporary Art Gallery / Artist-Run space

ARTISTS:

CHRISTIAN BÄR
HUBERT BECKER
DORIS FROHNAPFEL
CAROLINE HAKE
MICHAEL HAHN
TOBIAS HILD
TIMO HINZE
KATHARINA IMMEKUS
ANNA M. KEMPE
ROMY JULIA KROPPE
BEA MEYER
HEIDE NORD
SELMA VAN PANHUIS
CAROLINA PEREZ PALLARES
ANNA VOVAN
VERENA WINKELMANN

GALLERY DIRECTOR:

JOHANNES LISTEWNIK

14/10/2026

Gespräch #7 „Barcelona 98 - Über Kunst und Freundschaft“
Donnerstag 29.10.2026, 18 Uhr

Die drei langjährigen befreundeten Künstlerinnen Bea Meyer, Katharina Immekus und Anna Lena von Helldorff alvonh im Gespräch mit Olga Vostretsova wwwolga

Mit Blick auf die Bedeutung persönlicher Beziehungen, Wahlverwandtschaften, Vertrauen und Solidarität in der Kunstszene und darüber hinaus.

Die Künstlerinnen Bea Meyer und Katharina Immekus auch als Gründungsmitglieder der künstler:innengeführten galerieb2_ bekannt im Austausch mit ihrer Freundin Anna Lena von Helldorff die die visuelle Gestaltung von b2_ übernahm.

Keine Anmeldung erforderlich. Der Eintritt ist frei.

sparkasseleipzig

09/09/2026

A few moments from the Rundgangs Opening at the Spinnerei’s Werkschauhalle.

Dinner ‘Bites’, art, conversations & encounters — all surrounded by works by all artists of b2. Exactly how we like it.

Our new exhibition flansch / flanš with works by Beatriz Meyer and Karoline Schneider is on view until October 10, 2026.

See you at the gallery!

24/08/2026

The 𝐂𝐨𝐥𝐥𝐞𝐳𝐢𝐨𝐧𝐞 𝐆𝐫𝐚𝐧𝐝𝐞 exhibition at Galerie Félix in Dresden drew to a close last Sunday with an artist talk featuring Lydia Hempel from Galerie Félix and the artists Caroline Hake, Michael Hahn and Carolina Pérez Pallares. A heartfelt thank you to everyone who joined us 🙏✨

This exhibition is supported by the KdFS Sachsen Guest Exhibition Grant. Many thanks for their support!

22/08/2026

𝐂𝐨𝐥𝐥𝐞𝐳𝐢𝐨𝐧𝐞 𝐆𝐫𝐚𝐧𝐝𝐞 𝐢𝐬 𝐨𝐯𝐞𝐫 — 𝐭𝐡𝐞 𝐜𝐚𝐭𝐚𝐥𝐨𝐠𝐮𝐞 𝐡𝐚𝐬 𝐚𝐫𝐫𝐢𝐯𝐞𝐝.

Not a document of the show but its continuation: the space carried into print, still there to move through.

Available at Galerie b2_ for 15 €.

21,0 x 29,7 cm
34 pages
Edition of 50
Editor: Galerie b2_
Graphic Design: Florian Merdes, Uta Koslik, Christian Bär
Editing: Uta Koslik, Florian Merdes
Text: Carolina Pérez Pallares
Installation Views: Florian Merdes

© 2026 Galerie b2_ Authors, Leipzig

This publication is published on the occasion of the exhibition

𝐜𝐨𝐥𝐥𝐞𝐳𝐢𝐨𝐧𝐞 𝐠𝐫𝐚𝐧𝐝𝐞

With works by
Christian Bär
Max Brück
Doris Frohnapfel
Michael Hahn
Caroline Hake
Timo Hinze
Katharina lmmekus
Anna M. Kempe
Uta Koslik
Romy Julia Kroppe
Florian Merdes
Bea Meyer
Heide Nord
Carolina Pérez Pallares
Karoline Schneider
Selma van Panhuis
Anna Vovan

25. April - 30. Mai 2026
Galerie b2_
Spinnereistraße 7, Gebäude 20
04179 Leipzig
Gallery direction: Mona Barmeier
www.galerie-b2.de

Curated and produced by:
Christian Bär
Anna M. Kempe
Uta Koslik
Florian Merdes
Carolina Pérez Pallares

30/07/2026

SAVE THE DATE

𝑩𝒆𝒂 𝑴𝒆𝒚𝒆𝒓 & 𝑲𝒂𝒓𝒐𝒍𝒊𝒏𝒆 𝑺𝒄𝒉𝒏𝒆𝒊𝒅𝒆𝒓
𝒇𝒍𝒂𝒏𝒔𝒄𝒉 / 𝒇𝒍𝒂𝒏š
5.9.–10.10.2026

Eröffnung zum Herbstrundgang der SpinnereiGalerien
Samstag, 5. September, 11–19 Uhr
Sonntag, 6. September, 11–16 Uhr

Opening as part of the SpinnereiGalleries‘ Autumn Tour
Saturday, September 5, 11 am–7 pm
Sunday, September 6, 11 am–4 pm

Artist Talk mit Bea Meyer , Karoline Schneider & Sophia Pietryga Sophia Pietryga
Samstag, 19. September um 15 Uhr
Saturday, September 19 from 3 pm

18/07/2026

Heide Nord
Parallel Time
Unit July 18.

Heide Nord’s works drift between scales, from microscopic crystalline growth to remote aerial perspectives, oscillating between intimacy and distance. A recurring set of egg tempera paintings, produced in vertical A-series format, appears throughout the exhibition like dispersed atmospheric signals. Across these surfaces, fog-like fields of luminous colour emerge and recede beneath layered grid structures. The paintings evoke auroral skies, weather maps, or frozen light without settling fully into representation. Their grids suggest systems of mapping, measurement, and containment, while the unstable grounds beneath resist fixed orientation. The works gather traces accumulated through movement across the landscape: fleeting perceptions held temporarily within vivid frames, where atmospheric phenomena encounter structures associated with navigation and control.

[…] A similar tension appears within the sculptural “light objects”, assemblages constructed from neon and
iridescent plastics combined with reindeer fur and iron ore collected in Kiruna. Their sharp geometric forms
and high-visibility colours draw from the visual language of Arctic sportswear, ski equipment, emergency
signalling devices, and survival technologies – objects designed to orient bodies within conditions of snow,
darkness, and reduced visibility. Simultaneously synthetic and tactile, industrial and organic, the sculptures
evoke forms of adaptation shaped by extreme environments while echoing both the chromatic intensity of
the aurora and the illuminated mining landscape surrounding the city. […]

Text excerpt/ Textausschnitt by Elizabeth Gerdeman, 2026
Exhibition Views of Parallel Time by Georg Brückmann, 2026

16/07/2026

[…] Processes of extraction and transformation recur elsewhere in Heide Nord’s hand-grown crystal works. Here, the logic of mining is subtly reversed. Rather than excavating minerals from the earth, crystalline structures are slowly cultivated through chemical accretion and pigment, as though matter itself were patiently painted into existence. Presented through looping photographic projections, these unstable formations hover between scientific experiment, hallucination, and landscape image – suspended between growth and simulation, materiality and apparition. […]

//

[…] Prozesse der Extraktion und Transformation kehren in Heide Nords handgezüchteten Kristallarbeiten
wieder. Hier wird die Logik des Bergbaus subtil umgekehrt. Anstatt Mineralien aus der Erde zu fördern,
werden kristalline Strukturen durch chemische Akkretion und Pigment langsam kultiviert, als würde Materie selbst geduldig in die Existenz gemalt. Durch Fotoprojektionen in Endlosschleifen präsentiert, schweben diese instabilen Formationen zwischen wissenschaftlichem Experiment, Halluzination und Landschaftsbild – aufgehängt zwischen Wachstum und Simulation, Materialität und Erscheinung. […]

Text excerpt/ Textausschnitt
by Elizabeth Gerdeman, 2026

Image 1: Exhibition View of Parallel Time
by Georg Brückmann, 2026
Image 2 - 6: Heide Nord, Deep Candy, 2026,
Video (Stills)

04/07/2026

[…] During workshops focused on reading satellite data, the Heide Nord became fascinated by the strange reversal embedded within satellite vision: humanity observing itself from afar, translating landscapes into abstractions and measurable systems.

In Parallel Time, this logic materialises through a series of satellite images transferred onto metal sheets. From Kiruna, Heide Nord used satellites passing overhead to capture both the terrain beneath her feet and disturbances within the atmosphere above – dust particles and drifting cloud systems. At times fractured by static, blurred through repetition, or interrupted by technological noise, the images expose the instability hidden beneath supposedly objective systems of observation. Printed onto cold grey metal, the works make the remote tactile; surfaces become marked by transference, interference, delay, and the weight of
translation. […]

Heide Nord
Parallel Time
Until July 18

Text excerpt by Elizabeth Gerdeman, 2026

Images:
1 Installation View by Georg Brückmann, 2026
2&3: NOAA-19, 2024-11-30, 09:34 UTC (B), 2026, 103 x 78 cm, exposed offset printing plate, gummed

01/07/2026

Heide Nord
Parallel Time
13.06.–18.07.2026

In certain versions of the tale, a trail of breadcrumbs scattered through the forest is replaced by small
white stones that reflect the moonlight. Unlike breadcrumbs – fragile markers consumed by animals and weather – the stones remain visible, guiding a path back through unfamiliar terrain. Acts of navigation
echo throughout Parallel Time: fragments gathered across time and situated within a landscape shaped by
instability and transformation.

For Heide Nord, Kiruna in northern Sweden became both a physical destination and a conceptual
threshold. Her engagement with the region began through earlier artistic research connected to Kirunatopia at Kunsthaus Dresden in 2014 and intensified following the 2023 discovery of vast rare earth deposits in the area. Initially, the artist describes her research as a form of disorientation – becoming lost within overlapping histories of mining, environmental change, Sámi resistance, and speculative futures. Gradually, however, a visual language emerged from these scattered materials. Parallel Time unfolds as the first chapter of this ongoing enquiry. […]

Text excerpt by Elizabeth Gerdeman, 2026

Exhibition Views of Parallel Time by Georg Brückmann, 2026

22/05/2026

collezione grande 25.04.—30.05.2026

Three distinct visual languages, three different rhythms — yet a shared tension between material and space. Bea Meyer’s organic sensitivity, Katharina Immekus’ subtle structures, and Max Brück’s industrial minimalism create a compelling dialogue. Form, weight, repetition and silence unfold in different ways, while remaining quietly connected.

1.: Exhibition View „collezione grande“, Florian Merdes, 2026
2. & 3.: Katharina Immekus, Laternamagica 2, 2026, coloured pencil on cardboard, 120 x 80 cm, Hose, 2025, oil on canvas, 112 x 86 cm
4.: Exhibition View „collezione grande“, Florian Merdes, 2026
5. & 6.: Bea Meyer, Aufgebracht (1/4), 2025, embroidery on fabric, 33 × 49 cm, Aufgebracht (2/5), 2025, embroidery on fabric, 33 × 49 cm
7.: Exhibition View „collezione grande“, Florian Merdes, 2026
8.: Max Brück, Stand by me (T1), 2026, black steel, 60 × 32 × 0,3 cm

.baer_

Adresse

Spinnereistrasse 7
Leipzig
04179

Öffnungszeiten

Mittwoch	14:00 - 18:00
Donnerstag	14:00 - 18:00
Freitag	14:00 - 18:00
Samstag	11:00 - 16:00

Telefon

+4915202051215

Website

http://www.galerie-b2.de/

Benachrichtigungen

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